Tag: Clifford Brown

Pick A Peck Of Pepper and Blue Notes

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Let’s start with a pinch of pepper: Art Pepper, Modern Art, Intro 606. This is an original pressing in VG+ condition for the record and Exc for the cover. There are more than two days to go and the bidding is already more than $900. The Return of Art Pepper, Jazz West 10. This is an original pressing in VG++ condition for the record and VG+ for the cover. The auction closes tomorrow and the bidding is nearly $200.

And now for some 10-inch Blue Notes. The Amazing Bud Powell, Volume 2, Blue Note 5041. This is an original 10-inch pressing in VG++ condition for both the record and the cover. I love the cover on this one and I don’t have a copy. There are three days left in the auction and the bidding is still in the $100 range, but it won’t stay there for long. From the same seller is Clifford Brown, New Star on the Horizon, Blue Note 5032. This one is also in VG++ condition for the record and the cover. Bidding is at $150 with four days to go. And one more while we’re at it: Horace Silver Trio, Art Blakey with Sabu, Blue Note 5034. The record and cover are in Exc condition, which I guess is near VG++ but not quite? This one closes in a few hours and is in the $250 range.

 

 

Jazz Vinyl: Trane, Zoot and 10-inch LPs

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Let’s catch up on some more interesting jazz vinyl auctions we’ve been watching on eBay, starting with John Coltrane, Africa/Brass, Impulse 6. This was an original mono pressing with the orange labels. The record and cover were both in M- condition. It’s not a record we’ve typically covered in the Jazz Collector Price Guide because it rarely gets collectible prices. I guess we’ll start covering it now: This one sold for $493.88. Wow. I’ve had an original copy of this record for a long time, since the 70s in fact, but I also remember a version of a Coltrane Greatest Hits double-record on Impulse where they had Africa but eliminated the Elvin Jones drum solo so they could get more songs onto the package. There was something that always seemed unseemly about that, a violation of some kind of moral code, particularly since Coltrane was no longer alive to object.

I always liked this record, but haven’t listened to in in a while: Zoot Sims in Paris, United Artists 14013. This was an original pressing with the grey labels and was probably in VG+ condition for the record and VG++ for the cover. It sold for $202.51.

Here’s an update on some 10-inch jazz vinyl:

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Still More Adventures in Jazz Collecting, Part 6

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When I left Massapequa on Monday Karen said she wanted to sell the records to me but it was not her decision alone, she would have to consult with her brother. She believed that he would also want to sell the records to me and they’d probably give me the go-ahead on Tuesday. When I didn’t hear from Karen by Tuesday evening I started getting a little nervous: Were they getting cold feet, were they shopping the collection around, was there suddenly going to be a slew of cutthroat record dealers sniping for the records? Just the normal paranoia, right? I wasn’t all that concerned because I believed that no dealer would come close to the offer I made because, well, for me it wasn’t a business decision but an emotional decision. If it was about business, I would have spent more than a half hour with the records in the first place, and I would have at least gone through them all to identify the ones of the most value and to figure out how to get rid of the ones I didn’t want. But I was just improvising and by this point it wasn’t about whether I had made the right decision to buy the records, it was just about closing the deal.

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Listening is Part of Collecting Too, Isn’t It?

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Here’s some jazz vinyl we’re watching on eBay:

Gigi Gryce and the Jazz Lab Quintet, Riverside 229. This is an original white pressing that is in what looks like M- condition for the record and probably VG++ for the cover. I’ve had this record for about 25 years and it’s always had a prominent place in my collection, but I can’t recall listening to it more than once, probably 25 years ago. I know one of our readers had commented earlier that it wasn’t all that great. Perhaps today is the day to finally put it on the turntable and judge for myself. It’s not just me, right? We all have nice collectible records that we’ve either never listened to or listened to just once? This one closes in a few hours and is in the $350 price range.

Dizzy Reece, Star Bright, Blue Note 4023. This looks to be an original deep groove pressing with the West 63rd Street address. The seller has created his own grading schema. If I were to judge the descriptions based on the grading system used by most of us, and certainly used by us here at Jazz Collector, I would guess that this one is in VG+ condition. It closes in a couple of days and is already at around $400.

Here’s a seller offering some nice 10-inch LPs, including:

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More Jazz Vinyl For the $1,000 Bin

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Time to update the $1,000 bin and there is quite a lot to update, not counting some of the ones we’ve watched recently, such as the Hank Mobley 1568 and others from the recent Jazz Record Center auction. Here goes:

Paul Gonsalves, Boom-Jackie-Boom-Chick, Vocalion 587. This was an original British pressing that looks to be in M- condition for the record and VG++ for the cover. It sold for $1,593.88.

Lee Morgan, Candy, Blue Note 1590. This was an original pressing with the West 63rd Street address and it was in VG++ condition for the record and the cover. It sold for $1,578.99.

This was a surprise to sell for such a high price tag: Clifford Brown Memorial Album, Blue Note 1526. This was an original Lexington Avenue pressing with the framed cover. It was in M- condition for the record and probably VG++ for the cover. It sold for $1,567.

Jackie McLean, The New Tradition, Ad Lib 6601. This was an original pressing. The cover was VG+, but the record was in VG or worse condition, based on the seller’s description. It sold for $1,376.11.

Finally, here’s one we meant to include from the Jazz Record Center auction because it was actually in the $3,000 bin:

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Watching Jazz Vinyl Prices on The Rise

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Here’s some jazz vinyl we were watching on eBay:

Clifford Brown Quartet, Blue Note 5047. This was an original 10-inch Lexington Avenue pressing. The record was in M- condition and the cover looked like it was probably VG++. The price was $900.12. That’s the highest price we’ve ever recorded for this album in the Jazz Collector Price Guide.

Speaking of new highs, this was one from the recent Jazz Record Center auction: Grachan Moncur III, Some Other Stuff, Blue Note 4177. This was in M- condition and sold for $775.43. As we’re seeing pretty consistently, these later original Blue Notes are really increasing in value. I had sold a copy of this record for around $500 a couple of years ago and that was, by far, the highest price we’d seen up to that point.

Sonny Clark Trio, Time 70010. This was an original pressing rated VG++ for the record and VG+ for the cover, even though the headline stated it was M-. Pretty interesting/deceptive move by the seller. It sold for $699.99.

Look at the price on this original Riverside:

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Watching Blue Notes, 12-Inch and 10-Inch

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As always, we have our eyes on some rare jazz vinyl on eBay, such as:

Horace Silver, The Tokyo Blues, Blue Note 84110. This looks to be an original stereo pressing with the New York USA labels and the Van Gelder stamp in the deadwax. The record and cover are rated as M- condition and the price is up around $120 with another day to go. Seems like some of the Blue Note stereos are starting to command higher prices than they did even a couple of years ago, no?

Here’s another Blue Note from the same time frame: Ike Quebec, It Might As Well Be Spring, Blue Note 4105. This is an original mono pressing and it is also in M- condition for both the record and the cover. This one is in the $135 range now but still has four days to go.

If you’re looking to fill in some 10-inch Blue Notes, check out the listings from this seller, including: Read more

A Trio of Blue Notes For Easter Sunday

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Here are a few Blue Note jazz vinyl auctions we were watching recently.

Clifford Brown Memorial Album, Blue Note 1526. This was an original Lexington Avenue pressing that looked almost original all around. Both labels had Lexington Avenue addresses and there was a Lexington Avenue address on the cover. However, I also have a Lexington Avenue cover on this and the bottom of my cover is in blue, not white. I wonder what this means and does Fred Cohen cover this difference in his book. I have to get down there to replace my copy. This record was probably in VG++ condition, possibly VG+ for real sticklers, and the cover was VG+. The price was $570.

J. R. Monterose, Blue Note 1536. This was an original Lexington Avenue pressing. The record was described in VG condition, sounding as if it were VG++. How do you think of records like that? It’s not atypical of these early Blue Notes to sound great almost no matter what. I was listening to my copy of Introducing Johnny Griffin the other day and when I looked at it I groaned — VG looking for sure. When I played it, ahhh, clean as could be. Pretty amazing. This J.R. record also has a VG cover. It sold for $555.

Sonny Rollins Volume 2, Blue Note 1558. This one looked to be in M- condition and was described as M- condition by the seller. It was an original pressing as well. You’d think it would perhaps have entered the $1,000 bin, but it did not: The winning bid was $566.

 

Jazz Vinyl Today: A Bevy of Blue Notes

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Lots of Blue Notes on today’s watch list, starting with: Cliff Jordan, Cliff Craft, Blue Note 1582. This was an original pressing that was listed in VG++ condition for both the record and the cover. It sold for $1,370. We’ve seen this one sell for more than $1,300 in the Jazz Collector Price Guide, but this is quite a hefty price nonetheless.

Kenny Drew Undercurrent, Blue Note 4059. This one had the West 63rd Street address and, from the looks of the pictures, it had deep grooves on both sides, certainly on Side 2. That would make it original either way, no? This was described as being in VG condition, and the cover certainly looked no better than VG. It sold for $427.

Gigi Gryce/Clifford Brown Sextet, Blue Note 5048. This was an original 10-inch LP that was defined as being in “very fine” condition, which, the seller implies, is actually M- condition. The pictures certainly looked very fine indeed, if not M-.  It sold for $372. 10.

If it’s a Blue Note, and it’s one of the coveted artists, the record or cover does not have to be in great condition to fetch a high price. Case in point:

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Jazz Vinyl Watch: Morgan, Mobley, Dinah

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Here’s some interesting jazz vinyl we’re watching on eBay:

This one is heading for the $2,000 bin, or perhaps even the tough-to-crack $3,000 bin: Lee Morgan, Indeed, Blue Note 1538. his is an original Lexington Avenue pressing. The record is described as close to mint and the cover looks to be in beautiful condition as well. The bidding has already topped $1,500 for this fine LP and there is still more than a day to go.

Here’s another nice one that will sell for quite a bit less, based on condition: Hank Mobley Quintet, Blue Note 1550. This looks to be an original pressing with the New York 23 and it is listed in VG+ condition for both the record and the cover. The current price is a bit more than $300 and there’s still another day to go.

Is it possible this next one won’t sell at all: Dinah Washington, Dinah Jams, Emarcy 36000? This is a great LP, featuring Clifford Brown, among others, and it has sold for relatively high collectible prices in this past. We’ve clocked it in at more than $130 on the Jazz Collector Price Guide. This copy is an original pressing with the blue back cover and it is listed in M- condition. The start price is $100 and there are no bidders with a few hours to go.

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