Podcast: More of the Best of ’26


Continuing last week’s theme, celebrating the New Year with jazz vinyl featuring the number 26 in the catalog number. Featured artists include Sonny Rollins, Max Roach, Tommy Flanagan, George Morrow, Dave Brubeck, Paul Desmond, Joe Morello, Eugene Wright, Ella Fitzgerland, Nelson Riddle, Kenny Drew, Lawrence Marable, Curtis Counce, Harold Land, Jack Sheldon, Billie Holiday, Benny Carter, John Coltrane, McCoy Tyner, Jimmy Garrison, Elvin Jones, Clifford Brown, Gigi Gryce, Percy Heath, John Lewis, Art Blakey, Buddy Rich, Sweets Edison, Willie Smith, George Wiggins, Bill Evans, Zoot Sims, Donald Byrd, Jackie McLean, Duke Pearson, Doug Watkins, Lex Humphries, Duke Ellington, Coleman Hawkins, Earl Coleman, and more.

Podcast: Who’s That Lady, Part Two

This week’s theme: Part two of our exploration of jazz tracks that have the name of a woman in the title. Featured artists include Miles Davis, Gil Evans, Bill Evans, Eddie Costa, Ray Charles, Paul Desmond, Jim Hall, Art Blakey, Eddie Jefferson, Lee Morgan, Bobby Timmons, Benny Golson, Billy Taylor, Stan Getz, Al Haig, Jimmy Raney, Cannonball Adderley, Nat Adderley, Sam Jones, Louis Hayes, Barry Harris, Jimmy Rushing, Coleman Hawkins, Jackie McLean, Freddie Redd, Tina Brooks, Nat King Cole, Sweets Edison, and more.

Podcast: A Trip to Swingville

This week’s theme: Selected tracks from the Prestige Swingville label. Featured artists include Claude Hopkins, Coleman Hawkins, Buddy Tate, Bud Johnson, Keg Johnson, Shorty Baker, Doc Cheatham, Clark Terry, Paul Quinichette, Buck Clayton, Nat Pierce, Jimmy Hamilton, and many more.

Standards Series, Volume 4: Another Dash of Duke

This week’s theme: Songs from the Ellington Songbook, vocal and instrumental versions. Songs include Cottontail, Lush Life, In a Sentimental Mood, In a Mellowtone, Come Sunday, Take the A Train, Just Squeeze Me, and more. Artists include John Coltrane, Duke Ellington, Ella Fitzgerald, Anita O-Day, Johnny Hartman, Mahalia Jackson, Dizzy Gillespie, Wes Montgomery, McCoy Tyner, Jimmy Garrison, Elvin Jones, Coleman Hawkins, Clark Terry and more.

A Bird Signature?????????

Don-Lucky, if you are out there,  we need you. Or any other autograph experts. I was just perusing eBay on this lovely but chilly Sunday morning in the beautiful Berkshire mountains of Massachusetts and I came upon this listing: Rare Signed By Charlie Parker + Coleman Hawkins 1947 Norman Granz #6 78-RPM Set. And when you open this listing there, indeed, are signatures bearing the names Charlie Parker and Coleman Hawkins. They are clearly signed with the same pen at the same time. The question is: Do they seem legitimate? I’m not expert enough to know. The reality is, I think, for the seller and any potential buyer, it would be very difficult to authenticate something signed before Bird died in 1955 if it hasn’t been authenticated already. Plus, this is not a program from the JATP at which they were both in attendance, but a pair of signatures on the record, which came out many months later. So, someone would have brought this record to a concert or club where both Bird and Hawk were at the same time, and would have gotten them both to cooperate for an autograph signing. I don’t have the expertise of Don-Lucky, but color me skeptical. In any case, the seller has an asking price of more than $2,400 and the auction closes later today. My guess is that even if the signatures were fully authenticated, that would still be a price beyond market value, although, I have to admit, if the signatures were authenticated, it would be an item of interest to me personally. A real Bird autograph, actually signed by Bird. Yeah, I could enjoy having that in my collection. Read more

Podcast: Jazz-y Blues, Blues-Y Jazz

This week’s theme is blues-influenced jazz and jazz-influenced blues. Artists include Lavern Baker, Miles Davis, John Coltrane, Sonny Rollins, Horace Silver, Billie Holiday, Coleman Hawkins, Lester Young, Roy Eldridge, Jimmy Rushing, Big Joe Turner, Count Basie, Lambert Hendricks and Ross, Joe Williams.

Watching Some All Star Jazz Vinyl

essen copyHere’s a nice one that I don’t recall seeing in the past: The Essen Jazz Festival All Stars, Debut 131. This record features Coleman Hawkins, Bud Powell, Oscar Pettiford and Kenny Clarke. I’ve always known this by the Fantasy issue in the U.S., which, if I recall, was colored vinyl in the original pressing. This looks to be the original Dutch Debut pressing, which was in stereo? Not familiar with it, although it is somewhat surprising that stereo would be the original release in 1960. Anyway, I like this cover a lot better than the U.S. cover. This copy is listed in M- condition for both the record and the cover and has a start price of $400 with nearly six days left on the auction.

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Still More Adventures In Jazz Collecting, Part 2

So it came to that Monday, June 25, and I was driving down from The Berkshires to drop the lovely Mrs. JC off at her office in Great Neck and I was then to head out to Massapequa to see this record collection. And I really had no expectations about the collection and no real desire to see it and was feeling I was doing it just as a favor to the woman who sent me the e-mail to help her out because, clearly, her father loved jazz and it would be a nice thing to do. So I told the Lovely Mrs. JC, who tends to get nervous when I am around too many records, that there was nothing to worry about, that it was not a collectible collection and I would just take a look at it and give them advice and not be bringing any more records home. No problem, I said, but the look in her eyes was a familiar combination of doubt and dread.

I got to the house in Massapequa at the appointed time, put my dog Marty in a carrying bag and was greeted at the door by a muscular young man who let me in and told me his name was Adam and it was his grandfather’s collection. And then Adam’s mother appeared, and she was the one I had been e-mailing with, and introduced herself as Karen. I assumed Adam was there to ensure that I wasn’t some wacked out crazed record collecting nut, which seemed like a reasonable expectation at the time and I thought this was a wise decision on their behalf. Karen appeared to be a few years younger than me, but of my generation, and we started chatting and we had a very nice rapport because we had in common, among other things, fathers who were obsessed with jazz music and jazz records.

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