Updates From The Jazz Record Center Auction, Part 2

We did promise a Part 2 of our post on the recent auction from The Jazz Record Center, so here goes (apologize for the delay):

Why isn’t this record worth more: Thelonious Monk and Sonny Rollins, Prestige 7075? This was an original New York pressing. The record was in M- condition — nearly new — and the cover looked like it was at least VG++, maybe better. It sold for $192.50. I happen to think this is a terrific album. I love Sonny’s interpretation of The Way You Look Tonight. When I was first getting into jazz I used to compare this version to the Stan Getz version on Stan Getz Plays and it took me a while to reconcile not only that it was the same song, but that it was even the same instrument. My ears are obviously much more sophisticated now, but at the time the difference in approach seemed so stark. And I liked both versions. Anyway, I repeat my query: Why is this great original Prestige, featuring two of the geniuses of modern jazz, not even a $200 record?

This has always been one of the rarest and more expensive of the Riversides, for good reason: Sonny Rollins, The Sound of Sonny, Riverside 241. This was an original white label pressing and it was in M- condition for both the record and the cover. It sold for $765. It’s the presence of Sonny Clark with Rollins that makes this one so sought-after, no?

Now for a few Blue Notes:

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Back in Action: Updating the $1,000 Bin

Been so busy around here, haven’t even been on eBay in days. So what have we been missing? Here’s some interesting jazz vinyl stuff.

Donald Byrd, Byrd, Transition 5. This was an original pressing with the booklet. The record was listed in VG condition and the cover/booklet both looked very nice, probably VG++ the way we rank things around here. The price was $1,336.55. I was willing to sell my Byrd’s Eye View on Transition, no booklet, but no one has really taken me up on my offer to shop through my collection in person. Now, I’m starting to pack things up in preparation for the big moves, coming soon — although the “store” is still open.

This one also made it to the $1,000 bin: Jutta Hipp With Zoot Sims, Blue Note 1530. This was an original Lexington Avenue pressing, quite lovely, and it was in what looked like VG++ condition for both the record and the cover. It sold for $1,300. Just seeing pictures of those Lexington Avenue labels gets the heart kind of racing.

While we’re on Blue Note Lexingtons, how about this one from the same seller: J.R. Monterose, Blue Note 1536. This also looked quite lovely, probably VG++ condition for the record and the cover. It sold for $1,200.

 

Catching Up: Byrd, Tenorman, Golson, Cool Struttin’

Sorry I’ve been out of touch for so long. Now that I’m back, let’s start by updating some of the items we were watching on eBay:

This one had that very high start price: Lawrence Marable, Tenorman, Jazz West 8. It was listed in VG++ condition for both the record and the cover. Not only did it sell, it made it all the way to the $2,000 bin. The price was $2,175.

This one didn’t quite make the $2,000 bin, but it did all right for the buyer and seller: Donald Byrd, Byrd Blows on Beacon Hill, Transition 17. This was an original pressing sold by Euclid Records and it included the original booklet. The record was VG++ and the cover was VG+. The labels, as they do with all Transitions, had fallen off. The price was $1,691.88. Euclid also did well on this one: Benny Golson, Gone with Golson, New Jazz 8235. This was an original purple label pressing with the deep grooves. It was listed in M- condition for both the record and the cover. It sold for $355, quite a nice price for an LP with Golson as the leader.  Our previous high in the Jazz Collector Price Guide was $335.

This next one was described as an “original” pressing, but upon further detailed reading of the listing, it clearly was not — unless, that is, you consider an “original” Blue Note anything that was issued prior to the purchase by Liberty:

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Random Notes: Mobley, Byrd, Warhol

This one was in VG- or VG condition for the vinyl with surface noise in the ballads: Hank  Mobley Quartet, Blue Note 5066. The cover was listed in VG condition and it had clear marks on the back. It sold for $710. Indeed, this is a hot record these days. Based on the sale of a similar record last week, I thought this one would fetch more: Donald Byrd, Parisian Thoroughfare, Brunswick 87904. This was an original French pressing. The record and the cover were both in VG+ condition. There was just one bidder and the price was $299. As I type this I am listening to my original pressing of George Wallington,  Jazz For the Carriage Trade, Prestige 7032. I tend to agree with Rudolf, Donald Byrd is not a favorite player, but Phil Woods just wails on this LP. Here’s another Andy Warhol cover available for those watching such items: Kenny Burrell, Blue Note 1543. This has a Lexington Avenue address but it’s not clear whether it’s a deep groove, flat edge original. It probably is, but I’d ask if I were to bid. The seller clearly does not have experience selling jazz records because it’s really tough to gauge the condition and vintage. He does know enough to have a start price of 4500. No bidders so far.

e-Bay Watch: Getz, JR, Byrd, Mobley, et al

Here’s some jazz vinyl we’re watching now on eBay. Some of these are closing soon, so by the time many of you read these they will be sold.

Stan Getz In Stockholm, Verve 8213. This is an original pressing with the trumpeter label. Excellent LP with Getz in fine form. This one is listed in M- condition for the record and VG+ for the cover. It is currently at $100.

Euclid Records has some nice records today, including these: J. R. Monterose, The Message, Jaro 5004. The record is in M- condition and the cover is just VG. It is already priced at more than $650. Jackie McLean, The New Tradition, Ad Lib 6601. How much do you want to own a copy? Would you accept one in G condition for the record, with noise, and VG for the cover? Someone will. This one is about $125 and I expect it will sell for a bit more than that. Bud Powell, Time Waits, Blue Note 1598. This looks to be an original pressing. The record is in VG++ condition and the cover is VG+. The current price is $175.

Haven’t seen this one in awhile, but now it’s up for the second time in a week:

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Jazz Vinyl Update: Richardson, Monk, et al

Here’s some jazz vinyl we were watching over the weekend:

Jerome Richardson, Roamin’ With Richardson, New Jazz 8226. This was an original pressing that was listed in VG++ condition for the vinyl and VG+ for the cover. It sold for $305. Looks like a new seller on eBay who will be posted some more items in the next few weeks.

Thelonious Monk, Prestige 7027. This looked to be an original pressing with the kakubushi cover. It looked to be in VG++ condition for both the record and the cover. The price was $250.

This seller from South Korea sold some nice records this weekend, including: Duke Jordan, Flight to Jordan, Blue Note 4046. This was an original West 63rd Street pressing. The vinyl was M- and the cover was VG++. The price was $638. Also, Curtis Fuller, Volume 3, Blue Note 1583. This was also an original pressing and this one was in VG+ condition for both the record and the cover. It sold for $421. Finally, Art Farmer, Donald Byrd, Idrees Sulieman, Three Trumpets, Prestige  7092. This was an original New York pressing in M- condition for the vinyl and VG++ for the cover. It sold for $344.

Some Nice Jazz Vinyl For the $1,000 Bin

Time to update the $1,000 jazz vinyl bin:

Here’s quite an interesting one: Donald Byrd in Paris and Parisian Throughfare, Volumes 1 and 2, Brunswick 903 and 904. This was an auction of two rare records, released in France , and listed in M- condition for both records and both covers. The seller described them as like new. I’m familiar with the U.S.  Signature release of these records and, in fact, I own Volume 1. I’m not sure how and when these were released in France and the U.S., but I imagine someone out there will have that information to share. These records, quite attractive and enticing, fetched $2,400 as a pair.

Horace Parlan, Us Three, Blue Note 4037. This was an original pressing listed in M- condition for both the record and the cover. It sold for $1,675. I actually owned a copy of this record is nearly the same condition, maybe slightly less, and sold it for $1,500 last year to a Jazz Collector reader. We were both pleased, and I’m pleased to see the price is holding steady, if not increasing.

Helen Merrill, Emarcy 36006. This looked to be an original pressing with the drummer logo and the blue writing on the back, although it would have been nice to have seen a picture of the back cover. Nevertheless, this one was in VG++ condition for the record and the cover and it sold for $1,545

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More Jazz Vinyl: Byrd, Trane, Book, Jackie

I spent some time yesterday putting some new items in the Jazz Collector Price Guide and came across a few odds and ends worth sharing.

This is yet another Blue Note that has hit a new high price in the past few weeks, at least as far as we can tell: Donald Byrd, Byrd in Hand, Blue Note 4019. This was an original West 63rd Street pressing and it was listed in M- condition for the vinyl and probably VG++ for the cover. It had a nice picture, as you can see. The price was $637, which was not only a high for this record, but a high for any Donald Byrd Blue Note for the Jazz Collector Price Guide. This follows recent high prices for Wayne Shorter and Ike Quebec on Blue Note as well.

This one was getting a little bidding action and I’m not sure why, although it is certainly an excellent record: John Coltrane, Ole, Atlantic 1373. This seemed to be a routine pressing with the purple and orange label. With Atlantics of this vintage, I’m not sure how to tell if it’s an original, other than the heaviness of the vinyl and cover. Perhaps someone out there has some more information. Anyway this was in M- condition for the record and cover and it sold for $53.01.

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Jazz Vinyl This Week: A New High For Shorter

Here is some of the jazz vinyl we’ve been watching this week on eBay:

Wayne Shorter, JuJu, Blue Note 4182. This was an original New York USA mono pressing in M- condition for both the record and the cover. The price was $537. This is the highest price we’ve ever recorded for this record in the Jazz Collector Price Guide and is, in fact, the highest price we’ve ever recorded for any Wayne Shorter album.

This one was from the same seller: Kenny Burrell, Blue Lights Volume 2, Blue Note 1597. This is one of the ones with the Andy Warhol cover. This was not an original pressing — at least not a first pressing — because it had the New York USA labels as opposed to the West 63rd Street labels. We’ve been watching a lot of second and third presses lately, particularly the Blue Notes, because we’ve seen a pretty strong uptick in prices. This one sold for $179.50 in M- condition for both the record and the cover.

We flagged this one when the bidding topped $60 because we’ve never considered it that much of a collectible:

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Six Blue Note LPs, Six For the $1,000 Bin

There were some comments on the earlier posts about Prestige prices being high. Here are some Blue Notes from the same time period and some of the same sellers:

Sonny Clark, Sonny’s Crib, Blue Note 1576. The record was mis-labeled as Dial S for Sonny in the listing, but I don’t think that impacted the price. The vinyl was listed in M- condition and the cover was M- and it was a nice clear picture in the listing, as you can see here. The record sold for $3,050.

Cliff Jordan, Blue Note 1565. This too was an original pressing from the same seller, also with a nice picture, also in M- condition for both the vinyl and the cover. It sold for $2,444, which was the highest price we’ve ever recorded for

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