On eBay: Blue Note, Transition & Hyperbole

Was watching this later pressing to see if it would sell: John Jenkins with Kenny Burrell, Blue Note 1573. This was a United Artists pressing. The vinyl was in M- condition, but the cover had a corner clip. The starting price was $44.44 and there were no bidders. Not sure where the market is for these United Artists pressings. I do have a bunch of them and I’m planning to hold onto them. They sound fine, not like the original pressings, but not like the reprocessed stereo editions either.

Here’s an interesting one from our “friend” Bobdjukic: Don Byas, Tenor Sax Solos, Atlantic 11233. This is a 10-inch LP with an interesting cover. The listing notes that it is an uncredited David Stone Martin illustration and, I have to admit, it looks like one for sure. But when this seller says something is “absolutely certain” I tend to wonder. In this case, I think he’s accurate, but it would nice to get confirmation from one of the experts out there as well. The rest of the hyperbole in the listing is a true work of art. Here is some of the language: “One of the rarest jazz albums in existence,” plus “We are reasonably certain that less than four copies

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A Few More For the $1,000 (and $2,000) Bin(s)

This one has been breaking the $1,000 barrier pretty consistently: Louis Smith, Smithville, Blue Note 1594. This copy seemed to be in VG+ condition for the record and VG condition for the vinyl, based on the seller’s description. Still, it sold for $1,148.

Jazz Record Center had a few more in the $2,000 bin, including: Tommy Flanagan Overseas, Prestige 7134. This one was in beautiful M- condition and sold for $2,650.07. One of the nice things Fred often does in the listings is provide little details that help to expand our knowledge of the market. In this case the little tidbit is that there is no address on the cover because Prestige at the time was transitioning from New York to New Jersey.

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Back on eBay and The Bidding is Busy

Hey, everyone. Seems since I came back everyone stopped using the Reader Forum. It would be a shame if that trend continues, because I find it very useful and, at times, more interesting than my own posts. Nevertheless, I am back and I am back to posting and I am back to looking at records every day on eBay. Which means today I am looking at pretty nice auction from Fred Cohen at the Jazz Record Center, which many of you were also watching in the Reader Forum. Here are some of the choice items, closing soon:

Donald Byrd, Byrd Blows on Beacon Hill, Transition 17. This is an original pressing, labels unattached (of course) with the booklet in beautiful condition. The current price is $1,791. I’m saying the record sells for $3,300. Anyone want to take the over or the under?

There’s also this on Transition:

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More Blue Note Favorites, Courtesy of Downbeat

I did that post earlier today and mentioned that Downbeat had done a whole feature asking various artists about their favorite Blue Note records. I was able to dig up my copy of the magazine — I don’t have a subscription anymore, but I had purchased this one on the newsstand because of the cover. It was from March of 2009. The cover, as you can see, has Joe Lovano with his favorite Blue Note: Art Blakey and The Jazz Messengers, Free For All, Blue Note 4170. It’s quite gratifying to see his picture with a vinyl pressing, and a mono vinyl pressing at that and perhaps even an original mono pressing. Inside, the magazine asked a variety of other jazz artists to name their favorite Blue Notes as well. Here are their replies:

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For the Price Guide: A Blue Note Bonanza

We’ve been quite busy updating the Jazz Collector Price Guide, so we will do a few posts over the next few days highlighting some of the new entries, starting with some Blue Notes, of course. There are no links to these, FYI.

Kenny Drew, Undercurrent, Blue Note 4059. This was an original pressing with the West 63rd Street address and just one side deep groove. The record was listed in VG+ condition for both the vinyl and the cover and it sold for $285.

Baby Face Willette, Stop and Listen, Blue Note 4084. This was an original pressing with the NY USA label. the record looked to be in VG++ condition for both the vinyl and the cover. It sold for $200.

This one sold for a big price, but it didn’t seem to be an original pressing:

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On eBay: Warhol, Burrell, Byrd on Transition

Here are some records we’re watching on eBay:

Kenny Burrell, Blue Lights Volume 1, Blue Note 1596. This is an original pressing with the West 63rd Street label and the Andy Warhol cover. It looks to be in very nice condition, listed as EX+ by the seller. By the way, how do you interpret Ex+ — I think of it is as less than Mint and better than VG+? Anyway, this one is EX+ and is currently priced at about $350 with a few hours left.  Here’s another one from the same seller: Sonny Clark, Sonny’s Crib, Blue Note 1576. This one has the West 63rd Street address but it does not have the deep grooves. The vinyl is listed as M- and the cover is listed in EX condition — what is that,

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An Avalanche of Thousand-Dollar-Plus Jazz Vinyl

We’ve been off line for a couple of days, just got back, went to My Ebay and noticed that the auctions of the seller Nautiluso are now in the midst of closing. Wow! Wait till you see these prices. Here’s a start:

Jutta Hipp with Zoot Sims, Blue Note 1530. Like most of the others in this group, this was listed in M- condition for both the record and the cover. The price was $3,342.99.

J.R. Monterose, Blue Note 1536. Condition: M- for record and cover. Price: $2,247.22

Lou Donaldson, Quartet, Quintet, Sextet, Blue Note 1537. Condition: M-. Price: $1,175

Hank Mobley With Donald Byrd and Lee Morgan, Blue Note 1540. Condition: M-. Price: $1,705.

Tommy Flanagan Overseas, Prestige 7134. Condition: M-. Price: $2,247.

Bill Evans, Waltz For Debby, Riverside 399. Condition: M-
Price: $1,500.

As noted, this is just a small sampling. There will be more to come. It would be great if some of the winners of this vinyl will report back to us on the condition and whether these records are, indeed, as pristine as they seem.

For The Price Guide: Riversides, Blue Notes

In addition to the Dinah Washington LP mentioned below, we are adding a few more records to the Jazz Collector Price Guide today. At some point, we surpassed more than 4,000 entries in the price guide. We find it quite valuable to use in buying and selling records, and also to help establish values for insurance and estate-planning purposes. We hope you all find it valuable as well. Here are a few more additions:

Kenny Drew Trio, Riverside 224. This was an original white label pressing. The record was in M- condition and the cover was VG++. The price was $898.88.

Here’s another nice Riverside: Zoot Sims, Zoot!, Riverside 228. This was also a white label pressing, in VG+ condition for both the record and cover. It sold for $158.50.

And what would the Price Guide be without Blue Notes. Here are a few new ones:

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For the Price Guide: Dolphy, Jackie, Criss, Kamuca

Time to catch up on some recent collectible items on eBay and update the Jazz Collector Price Guide, which has now surpassed more than 4,000 entries, each one, I’m proud to say, hand-entered and hand-selected by yours truly. Here are a few more I’ll be hand-entering this weekend:

Eric Dolphy, Last Date, Fontana 681008ZL. This is the original Dutch pressing. The record was listed as M- and the cover as VG++. It sold for $661. Also from Eric Dolphy, Outward Bound, New Jazz 8236. This was an original deep groove purple label. The record was M- and teh cover was VG++. The price was $283.

Jackie McLean, Swing, Swang, Swingin’, Blue Note 4024. This was an original West 63rd Street pressing. The record was listed as VG++ and the cover as VG+. The price was $547.11.

Sonny Criss, Jazz USA, Imperial 9006. This was an original pressing. The record was listed as

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Catching Up With Some Nice Savoys

I’ve been a big fan of the Savoy label since I started listening to jazz, perhaps because of the great Charlie Parker records, perhaps because the original Savoys always had the heavy vinyl and nice covers and great artists. I remember discovering the Dexter Gordon Savoy LPs and hunting all over to find copies, which, it turned out, weren’t even original pressings. It didn’t matter, not at that time, because it was only about the music. Anyway, we’ve been watching a couple of nice Savoys this week (one because it was our own record) and it was nice to see that they are among the more cherished collectibles, at least if you go by the prices reflected by the winning bids. Here are a couple of items, both of which will be added in due time to the Jazz Collector Price Guide:

Donald Byrd, Jazz Message #2, Savoy 12092. This was an original pressing with the blood red label. It was

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