Shock and Awe!!!!!!

duke copyReaders continue to express shock and awe at the prices on the funkyousounds auction of the Dr. Herb Wong collection. One missive comes in from Dylan concerning this record: Duke Pearson, The Right Touch, Blue Note 84267. This is a Liberty pressing. An original Liberty, but a Liberty nonetheless. And it is a stereo pressing. This one had a promo stamp. The record was M- and the cover was VG++. The price was $560. And then there was Gerry Mulligan, Night Lights, Phillips 600-108. This is the one we mentioned the other day. Stereo pressing, promo stamp, VG++ condition. We were surprised when the bidding had reached $60. The final price was $434. If anyone has a viable explanation for this one, I’d love to hear it: Duke Ellington and Johnny Hodges, Blues Summit Verve 8822. This is a reissue — the type that is very hard to sell on eBay for even $10 or $15. This was a sealed copy and it sold for $349.67. Or this one: Miles Davis, Milestones, Columbia 40837. This is just a plain old reissue. I remember seeing these all the time in $2 or $5 bins. This one sold for $278. I’m going to do a few more, just because I’m sitting here absolutely stunned as I go through the list:

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A Classic, But Is It A Collectible?

Ellington copyFollowing up on the latest auction from the Jazz Record Center, starting with Duke Ellington at Newport, Columbia 934. This was an original mono six-eye pressing. The record itself was sealed — in those days Columbia had a sealable inner sleeve. So the record was unplayed and the cover was M-. The price was $227.50. This is quite an important record in the history of jazz, capturing the concert that helped to revitalize Ellington’s career, but I’ve never known it to be particularly collectible. I’ve had original pressings at record shows and haven’t been able to sell them, even for $20. I’m not sure how much the market has changed for this record, although in certain circumstances, such as this one, clearly it can now sell for collectible prices. There was a previous copy that once sold for about $127, but the seller was bobdjukic so I’ve always assumed that was an aberration.

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Insanity Check

Monk2 copyHaving taken note of what I considered to be the pretty high price on that stereo copy of Giant Steps, and having taken note that it was a listing by the seller bobdjukic, I wandered over to eBay to look at some of the other completed listings of his recent auctions because I am always impressed and somewhat taken aback by the prices he is able to get on most of his jazz vinyl listings. And, while there wasn’t that much jazz in these latest auctions, the prices continue to rise to the occasion, so to speak. Here are a few examples:

Thelonious Monk, Monk’s Dream, Columbia 1965. This is a two-eye pressing that is listed in VG++ condition for the record and VG++ for the cover, although upon close examination of the pictures of the cover it would seem more like a VG+ on my grading system. This one was only listed as “very rare,” but it sold for $127.50, which is significantly more than we typically see for this album.

Duke Ellington at Newport, Columbia 934. This is an original six-eye mono pressing that is in shrink wrap, although, to be fair, they were not actually shrink wrapping records when this came out in 1957.

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A Random Assortment of Jazz Vinyl

eddie costaHere are a few more jazz records we’ve been watching on eBay, starting with Duke Ellington & John Coltrane, Impulse 30. This was an original white label promo copy listed in M- condition for both the record and the cover, although it would be hard to tell from the main picture accompanying the listing. When selling on eBay, always strive for a nice clear picture. Although this one failed in that regard, it didn’t fail to achieve a nice collectible price, which was $316.

This is one I actually bid on: Eddie Costa, Guys and Dolls Like Vibes, Coral 57230. This was an original pressing listed in VG++ condition for both the record and the cover. I own the record, so why did I bid on it? Well . . . it was sitting with no bids with three hours left on the auction and a start price of just $10. The seller didn’t include the important information that Bill Evans is the pianist on this record, which adds to its value and, more importantly, adds to its musical quality, which, of course, is excellent. A really nice record and for my bid of $20, what would be so bad having two copies? Read more

Miles, Monk and a New Face

Here are some of the items I was watching from the recent auction by the Jazz Record Center, starting with: Wynton Kelly, New Faces – NewSounds, Blue Note 5025. This was an original 10-inch pressing that looked to be in VG++ condition for both the record and the cover. The price was $191.38. I should have bid on it. Great music, great cover. How can these 10 inch Blue Notes not be worth more money, given what’s going on with 12-inch Blue Notes?

Miles Davis, Steamin’, Prestige 7200. This was an original New Jersey yellow label pressing that was in probably M- condition for the record and at least VG++ for the cover. It sold for only $75. Weird. Why wouldn’t this get more. It’s actually my favorite among the Miles Prestiges that were all recorded in that one session — Steamin’, Cookin’, Workin’, Relaxin’. By contrast, look at this one from the same auction: Miles Davis, Relaxin’, Prestige 7129. This was an original New York pressing in virtually identical condition to Steamin’. It sold for $393.

I thought this one might fetch a higher price as well:

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Guys and Dolls and Jazz Vinyl

Sorry I haven’t posted for a few days, but, judging by the comments, you guys seemed to do pretty well without me. In any case, I return with some items I’ve been watching on eBay, starting with some jazz vinyl that seems to indicate the clear split in the market between the super-collectibles, i.e., original Blue Notes et al, and the many other records that were collectible at one time but seem to have lost some of  their market/cachet. Starting with Eddie Costa, Guys and Dolls Like Vibes, Coral 57230. This was an original pressing, in VG++ condition for the record and probably about VG+ for the cover. We’ve covered this in the past for the Jazz Collector Price Guide and it has sold for as much as $136. The seller did not do himself any favors by failing to mention in his listing that the pianist on this date was Bill Evans. It’s also a terrific record. There was one bidder who got this record for $30. From the same seller was Johnny Hodges and Duke Ellington, Back to Back, Verve 8317. This was an original pressing with the trumpeter label in M- condition for the vinyl and probably the same for the cover. Again, there was one bidder and a price of $30. Is there so little interest in Hodges and Ellington these days? One more, also Guys and Dolls by the Manhattan Jazz All-Stars, Columbia 8223. This was an original stereo pressing inVG++ condition for the record and VG+ for the cover. It is also a nice album, was somewhat collectible at one time, and features Zoot Sims, Phil Woods, Dave McKenna and others. This one didn’t get a single bid at $20.

 

Jazz Vinyl on eBay: A Little Bit of Trane

Here’s some jazz vinyl we’ve been watching on eBay:

John Coltrane, Giant Steps, Atlantic 1311. This was a stereo pressing with the bullseye label. The original mono was black label and the original stereo was green label so this was a second pressing. It was in M- condition and received a top bid of $150.50, which is not bad for a second press, but it still did not meet the seller’s reserve.

This one was another Coltrane, offered by the Jazz Record Center: Duke Ellington and John Coltrane, Impulse 30. This was an original mono pressing with the orange label and the Van Gelder stamp in the dead wax. The price was $151.50. We’ve seen this one sell for nearly $400 in the Jazz Collector Price Guide, so we’re a little surprised it didn’t get more, considering the reputation of the seller.

Cool Struttin’ for $2,700; A Pair of Boxed Sets

Here’s one for the $2,000 bin: Sonny Clark, Cool Struttin’, Blue Note 1588. This was an original pressing that looked to be in M- condition and had beautiful pictures and came from a highly reputable seller. It sold for $2,701.99.

I had a couple of boxed sets I was watching. I have mixed feelings about boxed sets: I like the idea of the packaging and the extended liner notes and all of that, but when I actually look through my records to decide what to play, I rarely look through them and rarely play them. I have a bunch of the Mosaics — probably 50 in all — plus some nice Norgrans and Verves. I suppose if I had more time to listen, and more time to concentrate . . . Anyway, I have this record in a boxed set and was watching it on eBay: Stan Getz at the Shrine, Norgran NG 2000-2. This one was in M- condition of the records — two of them — and VG++ for the packaging. It sold for $280.55. This one also has the advantage of

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Adventures in Jazz Collecting: The Auction, Part 6

Now we get to the batch of records that turned out to be the most pleasant surprise of all. There was at one point a group listed as such: Bill Evans, Seven Riverside LPs. There was a picture on the Web site and there was a copy of Waltz for Debby in there and perhaps an original pressing of New Jazz Conceptions as well. Anyway, I was hoping to steal this one, but once the bidding surpassed $400 I realized there was no steal to be had and I had better keep my mouth shut. The package eventually went for $650. Ah, well. However, about 15 minutes later there was another group of LPs, described as such: Bill Evans, Eleven LPs, Eight Verve and Three Riverside. There was no picture or other description. I won this lot at $80, so my total for these 11 records was $93.60. This is a great batch of music, and each record is in

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Free Duke Jazz Vinyl: The Winner Is . . .

I was so busy having my Blue Note existential crisis last week I forgot to end the contest for the latest giveaway: Duke Ellington, Ellington at Newport, Columbia 8648. This is not an original pressing but is a later stereo issue that’s in near mint, unplayed condition. As always with our giveaways we have one copy that will go to a Jazz Collector reader who has commented on the site during the contest’s duration. This week we have a lot of newcomers to the competition, which is great. Traffic has been building pretty steadily on the site and we are now able to tally our monthly page views in the tens of thousands, believe it or not. In any case, those eligible for the Duke LP are:

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