A Weekend With Jackie, Basie, Warhol, Monk

As promised, here are a few more records to keep an eye on this weekend, as well as some sellers who have interesting items.

Jackie McLean, A Long Drink of the Blues, Prestige New Jazz 8253. I‘ve always loved the second side of this LP, with Jackie in a quartet setting doing Embraceable You, I Cover the Waterfront and These Foolish things. This particular copy of the record is an original, but not in great condition. Sometimes, if the price is right, it makes sense to bid on something like this, hoping that the record sounds better than it looks. In any case, this is a record worth looking at and it’s also worth looking at some of the other items from this seller this weekend.  A few weeks ago we wrote about a Joe Newman record selling for a high price because of a cover illustration by Andy Warhol. Now here’s another album with a Warhol cover, Count Basie, RCA 1112. This is being sold by Atomic Records, one of the largest eBay jazz sellers.

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“Charlie Yardbirdaronee”

 

My friend Dan called the other day. He’d just bought a copy of “Slim’s Jam”, the original 78 on the Bel-Tone label, featuring one of Charlie Parker’s early recorded solos recorded in December 1945 when he was in Los Angeles. Dan paid 40 bucks on eBay for the 78. I don’t have a copy of the 78, but I do have the cut on the original Savoy 12-inch LP, The Genius of Charlie Parker, Savoy MG-12014, so I put it on. This is a classic, of course, featuring Slim Gaillard introducing each of the musicians in his own inimitable style: “Here comes Zutty in the door with his brushes . . . This is a fun, Jack McVouty and his tenor.” And, inevitably, “Charlie Yardbirdaroonee,” who, as we soon learn, was “ havin’ a little reed trouble.”

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Interesting Quotes from ’50s Downbeat Issues

I couldn’t sleep again the other night so I went into my music room and started poring through the batch of 115 Downbeat and Metronome magazines I bought at the WFMU Record Show in New York last week. Most of the magazines are from the 1940s and 1950s, with a few Downbeats from the 1960s thrown in. I love these things because they give you a real view of the history of jazz as it was happening. I’m always surprised that so few people seem to be collecting the old magazines. It’s okay, because the prices are always reasonable and it would be nice if they stay that way. Anyway, over the next few weeks I’ll be sharing some of the interesting items I find as I go through the magazines. Here are a few snippets: Read more

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