One Sells, The Other Doesn’t

John Jenkins copyBack to watching jazz vinyl on eBay. Here are some of the records that we missed in the past few days, starting with John Jenkins and Kenny Burrell, Blue Note 1573. This was an original pressing with the West 63rd Street address on both labels. The record was listed in VG+ condition and the cover was as well. It sold for $865.55, which is getting up there for a VG+ record. At the same time there was this copy of the same record. This one also looked to be an original pressing and seemed to be in better condition than the other one. The seller listed it as Ex+, which typically translates to around VG++. Yet, this one only received a top bid of $224.50 and failed to reach the seller’s reserve price. I’m sure I’m missing something in the listings, but I can’t figure it out. And it can’t be because one of our readers doesn’t like the seller for whatever reason. If we had that kind of clout, we’d start our own eBay for Jazz Collectors only.

Here’s one for the $1,000 bin:

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Two for The $1,000 Bin; More Promos

Eric Dolphy copyToday we have a couple of updates for the $1,000 jazz vinyl bin and a bit more on promos, including the WLPs (white label promos) that are apparently a common term that is new to me after 45 years of collecting. First, for the $1,000 bin there is Eric Dolphy In Europe, Debut 136. This is the original Danish pressing and the record and cover both looked to be in M- condition. The record sold for $1,026.

This one is left over from New Year’s, but CeeDee had sent it to me and I had forgotten to post it: Hank Mobley, Soul Station, Blue Note 4031. This was an original West 63rd Street pressing listed in Ex condition, which sounds like VG++ based on the grading system we use here at Jazz Collector. It sold for $1,605. I happened to be perusing my collection late last night and came upon this record and almost forgotten that I had it: Almost, but not quite. I’ve only had it for a little more than a year, since the Baltimore score of a lifetime. I think I will listen to it later today.

Back on the promo front there was this:

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Some Sell, Some Don’t, One Gets Quite A Price

Kenny Dorham Jazz VinylMany ages ago, when I last posted on Jazz Collector, there were many items I was watching on eBay that have subsequently sold. Or not. Here are some of them:

Kenny Dorham and the Jazz Prophets Volume 1, ABC Paramount 122. This was an original pressing listed in VG++ condition for the record and M- for the cover. It sold for $510. One of the things I’ve always liked about this record is the “Volume 1.” Obviously, somebody thought there was going to be a Volume 2, but it never materialized. Wonder if anyone here knows what happened to Volume 2? I searched for this record for years. About 20 years ago I passed up a very nice copy at the Jazz Record Center, which Fred Cohen very generously agreed to sell to me for $100. I have no idea why I didn’t buy it, but I didn’t. I finally acquired a copy last year in that lovely Baltimore collection. Still haven’t listed to it, though. Getting a turntable upgrade in New York this week. Maybe now’s the time.

This one had a starting price of about $1,500 and, not surprisingly (to me, at least), did not attract any bidders:

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Condition in the Eye of the Beholder

Johnny Griffin Jazz VinylOkay, this is the last catch-up for now, then I will move on to more current listings.

Introducing Johnny Griffin, Blue Note 1533. This was an original Lexington Avenue pressing in VG+ condition for the record and VG for the cover. As we are seeing, the prices for records in less than pristine condition seem to be rising, at least if the records are original Blue Notes. This one sold for $710.

Here are a couple of Eric Dolphy records, also in less than pristine condition: Eric Dolphy, Out There, New Jazz 8252. This seemed to be an original purple label pressing listed in VG or VG+ condition for the vinyl and VG+ for the cover. It sold for $177. Eric Dolphy, At the Five Spot Volume 2, Prestige 7294. This was an original yellow label pressing. The record was in just VG condition and the cover was VG+. It sold for $147.50.

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A Few More For the Jazz Collector Price Guide

flanaganHere’s some more jazz vinyl from the watch list, then we will attempt to put some of these into the Jazz Collector Price Guide.

Is this yet another copy of Tommy Flanagan Overseas, Prestige 7134 from Atomic Records? Someone mentioned that they had seen feedback on the previous listing, so the assumption that this is a second copy. Hard to believe. It took me 42 years to find one copy, and they end up with two. This one was in M- condition for the record and VG++ for the cover. It sold for $2,850.

John Jenkins with Kenny Burrell, Blue Note 1573. This looked to be an original West 63rd Street deep groove pressing. The record was in VG+ condition and so was the cover. The price was $676.66.

Jackie McLean, A Fickle Sonance, Blue Note 4089. This was an original mono  pressing in M- condition for both the record and the cover. It sold for $338.

This one did not sell and has been relisted:

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From The Jazz Collector Newsroom

Zemanta Related Posts ThumbnailHere are some news items that have come into my mailbox that may be of interest to loyal readers of Jazz Collector.

You know those cool, inexpensive record shelves produced by Ikea, the Expedit line? Well, if you want any, you better stock up now. They are discontinued, which apparently has caused something of a brouhaha among record collectors. A spokesman for the company says there is a new line in place to replace Expedit, called Kallax. For its part, Ikea is stating that it is updating and improving the Expedit line, but record collectors don’t seem appeased, judging by the outcry. I took a look at the Kallax line, here, and, frankly, I don’t see what the fuss is about. I own one large Expedit unit and if I had to replace it with a Kallax I think I would survive.

There’s a lot of Blue Note activity going on. The company is launching what it calls a 75th Anniversary Vinyl Initiative by which it is

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Catching Up On a Jazz Vinyl Quintet

dolphyLet’s catch up on a few more jazz vinyl auctions we were tracking, including: Eric Dolphy, Out There, New Jazz 8252. This was an original pressing with the purple labels and deep grooves. The record looked to be in VG++ condition and the cover was VG+. The price was $416. I like the covers on this one and Outward Bound. Very cool, and reflective in their way of the music.

This one from the Jazz Record Center wound up selling and fetching a pretty nice price: Lester Young, The President, Norgran 1005. This was an original yellow label pressing in what looked to be M- condition for the cover and the record. The final price was $365.

Here are a few other items from the Jazz Record Center auction:

Tommy Flanagan, The Cats, New Jazz 8217. This was an original purple label deep groove pressing in M- condition for both the cover and the record. It sold for $449.

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Four for the Jazz Collector Price Guide

monicaHere are the results of some jazz vinyl auctions we’ve been watching on eBay:

Monica Zetterlund and Bill Evans, Waltz for Debby, Phillips 08222. This was an original mono pressing listed in “pristine” condition for the record, which we translate to M-, and VG++ for the cover. Not a lot of description from the seller, but certainly a lot of interest from the buyers. This one had 13 bids and sold for $555.65.

Louis Smith, Smithville, Blue Note 1594. This looked to be an original West 63rd deep-groove pressing. The record was listed in VG+ condition, and the cover was listed as VG+, but somehow the seller made it sound as if it were actually better than that. The play-grading described the record as between VG+ and VG++, with the description of some surface noise. And the nice clear picture of the cover made it seem that the cover may also have been better than VG+. I have a feeling whoever purchased this record may be hoping that it is, indeed, better than VG+. Why? Well, the price was $960. As for me, I tend to believe the seller’s original grading of VG+, and that’s what I would expect.

This looked like a nice one:

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From Riverside to New Jazz

quiet kennyNow that we’ve gotten everyone engaged in thinking about their favorite Riverside records, let’s try a couple of other labels. I was thinking about doing Prestige next, but I realized that my entire list up to 10 records would probably be all Sonny Rollins, John Coltrane and Miles Davis. So instead of Prestige for today, how about we try New Jazz instead. As usual, I will go first. These are five personal favorites on New Jazz, not “the best.” Also, not including Prestige reissues. I see my list is very straight-ahead, if you know what I mean. Here goes:

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Speculating on Some Rare Jazz Vinyl

LeeHere are some jazz records we’re watching on eBay, starting with this beauty: Lee Morgan Sextet, Blue Note 1541. This is an original deep groove Lexington Avenue pressing in M- condition for the record and VG++ for the cover. There are more than two days left in this auction and the bidding is already more than $1,100. Think this one will surpass $2,000? I do. I’m sure the seller hopes I’m right.

Not sure what to make of this one: Eric Dolphy, Outward Bound, New Jazz 8236. This is an original purple label pressing with a couple of oddities. One, it has a “Preview Copy” stamp on the back, which looks original. But is also has a cutout hole through the cover and the label. Usually the cutout hole was used for returned copies, not preview copies. I can’t recall owning any other Prestiges with both a Preview Stamp and a cutout hole. Perhaps Rudolf, who had the rare distinction of buying copies directly from the Prestige warehouse, can shed some light on this?

Wonder if this one will sell:

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