Tag: Gerry Mulligan

Rare Vinyl, eBay Complaints: An Email Grab Bag

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Somebody sent me this link: Sonny Rollins, Saxophone Colossus, Prestige 7079. This was an original New York yellow label in nice condition, VG++ for both the record and the cover. It sold for $2,028. Not sure why this particular link was sent to me, but I figured I’d share it nonetheless. Nothing seems out of whack to me, in terms of the eventual price or the provenance of the record as an original pressing. Maybe someone else can find something. You have all been more observant than I have been lately, it seems. Perhaps too many distractions at my end. Maybe I should just retire from work and devote myself full-time to Jazz Collector. 🙂

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Have I Ever Mentioned That I Like Buying Jazz Records?

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Time to close the books on the latest round of stories and sprees that sprung from my first visit to Spike’s Record Rack in Castkill, NY a few weeks ago. You may recall that I purchased about 15 records, which I somehow found to be more than somewhat rejuvenating in terms of listening to music and appreciating the breadth and depth of my collection. After I got home from that first visit to Spike’s with the 15 records, I did what I typically do, which is clean the records, listen to a few and sort out which ones may be duplicates with records I already own, so as to ensure that I keep the copy in best condition for my own collection. In this case, I was surprised to see that I did not have a copy of Oscar Peterson Plays Irving Berlin on Clef. Certainly I’ve had one in the past, but I must have weeded it out based on the condition.  I gave it a quick listen and it was about what would be expected, perhaps even a bit better because the sound quality was quite good and the condition was excellent.

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A Visit to A Record Store, Upstate NY Edition

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Sometimes you are lucky enough to  find a decent jazz vinyl score where you would least expect it. Here’s one for you. The other day I was scheduled to pick up The Lovely Mrs. JC at the Amtrak station in Hudson, NY, for a weekend in The Berkshires. I’ve already checked out the record store in Hudson more times than I can count, so not much interest there. But I happened to do a search of record stores in the region and, voila, there was a complete guide to them all, courtesy of an online publication called Chronogram. I have wanted to check out the one in Beacon, NY, called Hudson Valley Vinyl, because our friend and sometime-contributor Clifford has recommended it to me in the past. Not to mention that it is on the way when I drive up from Manhattan to The Berkshires. But, alas, timing hasn’t worked out, yet. In the meantime, I noted one of the stores was a new one, just opened in April of this year. It is called Spike’s Record Rack and it is in Catskill, NY, just 10 minutes or so from the Hudson Amtrak station. The listing in the article was quite sparse because the store was quite new when it was written, but I had some time to kill before The Lovely Mrs. JC’s train was due to arrive, so, I figured, what the hell. At the very least I would get a lovely drive over the Rip Van Winkle Bridge and the Hudson River during the peak of fall foliage up here in the mountains. Read more

Catching Up (Again) On Jazz Vinyl Auctions

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Louis smith Jazz VinylAnd now I will clean out some more jazz vinyl from my eBay watch list, starting with Louis Smith, Smithville, Blue Note 1594. This was an original West 63rd Street pressing. The seller listed the record and cover as VG++, although the picture of the cover looked less than VG++ to these eyes. Nonetheless, the record sold for $1,677.

Jazz By Sun Ra, Transition 10. This was an original pressing with the booklet. The record was listed in Ex condition and the cover was VG++. The final price was $1,475. In a similar vein there was also Sun Ra and His Solar Arkestra Playing Secrets of the Sun, Saturn GH 9954. This was an original pressing. The record was probably VG+ based on the seller’s description and the cover was also VG+. The final price was $1,135.

These have all been mentioned in previous posts, but now we have final prices to consider:

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Shock and Awe!!!!!!

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duke copyReaders continue to express shock and awe at the prices on the funkyousounds auction of the Dr. Herb Wong collection. One missive comes in from Dylan concerning this record: Duke Pearson, The Right Touch, Blue Note 84267. This is a Liberty pressing. An original Liberty, but a Liberty nonetheless. And it is a stereo pressing. This one had a promo stamp. The record was M- and the cover was VG++. The price was $560. And then there was Gerry Mulligan, Night Lights, Phillips 600-108. This is the one we mentioned the other day. Stereo pressing, promo stamp, VG++ condition. We were surprised when the bidding had reached $60. The final price was $434. If anyone has a viable explanation for this one, I’d love to hear it: Duke Ellington and Johnny Hodges, Blues Summit Verve 8822. This is a reissue — the type that is very hard to sell on eBay for even $10 or $15. This was a sealed copy and it sold for $349.67. Or this one: Miles Davis, Milestones, Columbia 40837. This is just a plain old reissue. I remember seeing these all the time in $2 or $5 bins. This one sold for $278. I’m going to do a few more, just because I’m sitting here absolutely stunned as I go through the list:

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Rare Jazz Potpourri: Classic Trane, Billie’s First

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A Love Supreme Jazz VinylHere’s a jazz vinyl potpourri for today, starting with John Coltrane, A Love Supreme, Impulse 77. This looks to be an original mono pressing with the Van Gelder stamps in the deadwax and the orange labels. The record is in VG++ condition and the cover is in Ex. The bidding is getting close to the $450 range with a little more than a day left in the auction, as of this writing. Although A Love Supreme has pretty much always been regarded as a masterpiece, I really saw it as a big collector’s item until the last few years. Sort of like Kind of Blue: Even though there may be more copies of these records than some others, there is also much greater demand for original pressings. These records not only appeal to collectors, but pretty much to anyone with a love for jazz.

I find this one really interesting:

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Let The Insanity Continue

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Bird copyForty-eight comments (and counting) on the last post. And the traffic on Jazz Collector has been as high as normal. Thank you all for keeping the discussion going while I was pre-occupied last week with doing my real job, the one that pays for the mortgage and the Blue Notes around here. This week I will be under similar pressure, so please feel free to comment on this post and take the discussion wherever you would like. I see that a lot of the previous discussion was a reprisal of a familiar theme, the ability of one particular seller, bobdjukic, to get prices that seem otherworldly to the rest of us in the Jazz Collector world. I personally have no beef with him, never met him, never dealt with him. He does seem to have some magic formula for getting top prices, but I imagine his customers are satisfied because the only way to get those prices is to have repeat business. In any case, after reading the comments, I took a look at his latest auction results to satisfy my own curiosity. Here are some of the ones that caught my eye:

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Some Surprises From Jazz Record Center Auction

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gerry mulligan jazz vinylOur friends at the Jazz Record Center had an auction last week and here are some of the results:

Gerry Mulligan Meets Johnny Hodges, Verve 8367. This was an original pressing with the trumpeter logo and it was in M- condition for both the record and the cover. I was surprised to see this one sell for $148.37. Neither Hodges nor Mulligan is typically all that collectible, and this is one of the later Verves among those with the trumpeter logo. Any theories as to why this would sell for nearly $150? Is the market shifting back to Verves a little?

I’ve never seen this one before: Charlie Parker and Dizzy Gillespie, A Nite at Carnegie Hall, Black Deuce. This was the full set of 78s capturing the historic September 29, 1947 concert. As noted in the listing, this was a pirated record release, but it was the first of the issues in any form. The set looked to be in excellent, near mint condition. They sold for $688.

This one almost made it into the $2,000 bin:

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Realistic Pricing. Not

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gerryI still have a few records and comments left over from the other day, so here goes.

What are some people thinking? Here’s a listing I decided to watch: Gerry Mulligan, Night Lights, Phillips 600-108. This was a stereo pressing with a promo label. The record was in M- condition and the cover was VG+. If you walked into a store and saw this record for $10 and you didn’t have it, you might buy it. The seller had a start price of $126. Seriously. Not only were there no bids, but only six people looked at the listing and I think three of them were me because I was so incredulous. At least there was free shipping.

Spend 24 hours on eBay and you’ll find dozens of similar examples. The seller of this record have had more than 80 all by himself: Lee Konitz with Warne Marsh, Atlantic 1217. This was an original black label pressing in M- condition for both the record and the cover. A a nice record, to be sure, but a start price of $320? From a seller who calls himself “vinyl realist?” Give him credit, though. He did manage to sell a few records and get top dollar for them.

 

Catching Up on Some 10-Inch Jazz Vinyl

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Can’t sleep so I’m up early updating the Jazz Collector Price Guide. Here are some 10-inch records that will be going in:

Miles Davis All Stars Volume 2, Prestige 200. This looks to be an original pressing with the yellow label, probably one of the first Prestiges to have the famous yellow label. The record was listed in VG++ condition and the cover was VG+. The price was $204.50.

I think this was the first LP issued by Blue Note: Mellow The Mood, Blue Note 5001. It features Ike Quebec, Benny Morton, Buck Clayton and others. The record was VG and the cover was VG++. You’d think it would fetch a high price just for the historic value. But, alas, this copy did not: It sold for $28.

I’ve never seen this one and it has quite a cool cover: Bill Jennings/Leo Parker Quintet, Billy in the Lion’s Den, King 527. This was listed in VG condition for both the record and the cover. It sold for $81.

Hard to find this one in M- condition, but here was a copy: Gerry Mulligan Quartet, With Chet Baker, Pacific Jazz 5. It sold for $115.52.

And now for some 10-inch Blue Notes:

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