Tag: Jackie McLean

Tracking Jazz Vinyl From The Jazz Record Center

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Sorry to be so inconsistent with my posting schedule. Lots of real work, the paying-the-bills kind, these days. Anyway, back on eBay and I see there’s a new auction from the Jazz Record Center with some choice items, including:

Bill Evans Trio, Explorations, Riverside 351. This is an original blue label pressing in what looks to be M- condition for the record and “extraordinary” condition for the cover. The pricing on this one starts at $200, there is already a bidder and the auction closes in four days.

Hank Mobley Quintet, Blue Note 1550. This is also an original pressing in M- condition for both the record and the cover. The start price is $1,500 and, as yet, there are no bidders.

This one seems headed for the $1,000 bin: Jackie McLean, Lights Out, Prestige 7035. This is an original pressing in “virtually new” condition, M- for both the record and the cover. The bidding is already in the $700 range and there have already been eight bids.

One more: The Unique Thelonious Monk, Riverside 209. This is an original pressing with the white label. It is also in “near new” M- condition for the record and the cover. The price is now in the $425 range.

 

 

Catching Up on Jazz Vinyl Auctions

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Here’s an update on some of the jazz vinyl we were watching last week, and a few that we’re watching this week:

Jackie McLean, The New Tradition, Ad Lib 6601. This was an original pressing. The record was listed in VG+ condition and the cover was VG. The price was $1,025.

Sonny Rollins, Volume 1, Blue Note 1542. This was not an original pressing, but was an early pressing with the West 63rd Street address. The record was in M- condition and the cover was lasted at VG+. It sold for $251.39.

Grant Green, Idle Moments, Blue Note 4154. This was an original pressing that was listed in VG++ condition for both the record and the cover. The seller was bobdjukic and it was only listed as “rare” not “insanely rare.” No matter. It still got top dollar: $570.

And here are a few we’re watching for this week:

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Tracking Some Rare and Wonderful Prestige Vinyl

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Here are the results of a few more jazz vinyl auctions we’ve been watching on eBay, all involving the Prestige label:

Webster Young, For Lady, Prestige 7106. This was an original New York yellow label pressing that looked to be in VG++ condition for both the record and the cover. Always liked this record, featuring Mal Waldron and Paul Quinichette in addition to Young. This one did not sell. It had a top bid of $510 but failed to meet the seller’s reserve price.

This was from a different seller but also did not sell: Jackie McLean, Lights Out, Prestige 7035. This was an original New York pressing in what was described as pristine M- condition. The top bid was around $620, but that was lower than the reserve price. I’m surprised this one didn’t get a higher bid, and I’m sure the seller was too, but, to be fair, the seller’s feedback rating is less than 99 percent, which probably impacted the bidding.

Barbara Lea, Lea In Love, Prestige 7100. This was an original New York pressing. The record was M- and the cover was VG++. It sold for $385. This seller often has great records and has a strong reputation. I wonder why they vary their terminology between the Goldmine M-, VG+, VG, etc., and the E+, E, E-? Perhaps if they read Jazz Collector they will provide an answer.

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3 LPs From the Heart of the Jazz Collector Era

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Here’s some jazz vinyl we’re watching now on eBay.

This one is closing soonL Jackie McLean, 4, 5 & 6, Prestige 7048. This one is rated at VG++ for the cover and somewhere between VG+ and VG++ for the vinyl. The seller mentions that the sound is VG++ but the visual is VG+. I tend to go with the visuals when grading, particularly for records of this era, because they are almost always going to sound better than they look. But I can see what the seller is getting at. The price on this is more than $800.

Don’t see this one all that often: Gil Melle, Patterns in Jazz, Blue Note 1517. This is an original Lexington Avenue in M- condition for the vinyl and what looks to be about VG+ for the cover, based on the description. The price is about $500 and there are still a few days left on the bidding.

No bids on this one yet, but there probably will be soon: Art Blakey and the Jazz Messengers A Night at the Bohemia Volume 2, Blue Note 1508. This is an original Lexington Avenue flat-edge pressing. The record is another of those VG+ or VG++ and the cover is VG+. The start price is about $300.

 

Tracking Some Original Prestige Jazz Vinyl

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Here’s some more jazz vinyl we’re watching on eBay: Miles Davis, Relaxin’, Prestige 7129. This is an original New York deep groove pressing in M- condition for the vinyl and VG++ for the cover. The auction closes tomorrow and the price is in the $230 range. I mentioned in passing that I recently purchased a collection and an M- original pressing of this record was included, so I’m interested in seeing the price. I am just about ready to start writing about my latest adventure in pursuing and purchasing this collection, so stay tuned.

It would have been nice if there were a copy of this record in the collection but, alas, there was not: Hank Mobley, Mobley’s Message, Prestige 7061. This is an original New York pressing in VG++ condition for the vinyl and VG+ for the cover. The price is hovering in the $170 range with three days to go, but it has not yet reached the seller’s reserve.

This one is on the verge of closing as I write this post:

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Thinking About Language and Condition

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Time to catch up on some jazz vinyl we’ve been watching this past week, starting with Bill Evans Trio, Explorations, Riverside 351. This one was graded in EX condition for the vinyl — which I interpret to be what Goldmine would characterize as VG+. That is, not near mint, but a record that has obviously been played, but is mostly clean. I think people see EX and expect excellent condition and perhaps that inflates the price. The cover was listed as EX+, which I interpret as VG++. Looking at  grading labels and language people use is important, I think, in being an aware consumer and not being totally surprised by what you get. It would be nice if there were a universal language and grading system, but then again what would we do with all of the “insanely rare” and “holy grail” language that crops up so often? Anyway, this record sold for $512, a price that leads me to believe someone is expecting an “Excellent” record. What that means, I guess, is in the eye of the beholder.

This one, from the same seller, also got top dollar: Read more

A Jazz Vinyl Potpourri From Jazz Record Center

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We always like to watch the auctions from the Jazz Record Center because they are a nice gauge of the overall market. Here are a few items from their latest auction, starting with: Sonny Rollins, The Sound of Sonny, Riverside 241. This is an original pressing with the white labels. It is listed in M- condition for both the record and the cover. The start price is $200 and so far there are no bidders, but we’d expect that to change. We’ve seen copies of this record sell for more than $500 in the Jazz Collector Price Guide.

Bud Powell’s Moods, Norgran 1064. This is an original yellow label pressing. The record and the cover both look to be in M- condition. It has a cover design by David Stone Martin and has a start price of $100. We’d also expect this one to sell, right?

The bidding has already started on this one: Dizzy Reece, Star Bright, Blue Note 4023. This is an original pressing that also looks to be in M- condition for both the record and the cover. The auction closes in about five days and the bidding is now in the $260 range.

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And Now For Some Prestiges

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Yesterday was Blue Note day, today we promised a look at some of the Prestiges.

Jackie McLean, Lights Out, Prestige 7035. This is from the same seller that is selling the Mobley, which is now approaching $3,500 and still hasn’t met the reserve price. The Jackie record looks to be in what I would call VG++ condition for the vinyl and VG+ for the cover. It is an original pressing with the yellow label and New York address. The record is in the $400 price range and has already passed its reserve.

Doug Watkins, Soulnik, Prestige/New Jazz 8238. This looks to be an original purple label pressing with the deep grooves. The record is listed in M- condition and the cover is VG++, with a Preview Copy stamp on the back. The start price for this one is around $150 and so far there are no bidders.

John Coltrane, Cattin’ With Paul Quinichette, Prestige 7158. This is an original yellow label pressing with the deep grooves and it is in M- condition for both the record and the cover. The start price is around $300 with no bidders. The seller may be stretching a bit with that start price, but then again . . . . .

 

More Jazz Vinyl For the $1,000 Bin

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Time to update the $1,000 bin and there is quite a lot to update, not counting some of the ones we’ve watched recently, such as the Hank Mobley 1568 and others from the recent Jazz Record Center auction. Here goes:

Paul Gonsalves, Boom-Jackie-Boom-Chick, Vocalion 587. This was an original British pressing that looks to be in M- condition for the record and VG++ for the cover. It sold for $1,593.88.

Lee Morgan, Candy, Blue Note 1590. This was an original pressing with the West 63rd Street address and it was in VG++ condition for the record and the cover. It sold for $1,578.99.

This was a surprise to sell for such a high price tag: Clifford Brown Memorial Album, Blue Note 1526. This was an original Lexington Avenue pressing with the framed cover. It was in M- condition for the record and probably VG++ for the cover. It sold for $1,567.

Jackie McLean, The New Tradition, Ad Lib 6601. This was an original pressing. The cover was VG+, but the record was in VG or worse condition, based on the seller’s description. It sold for $1,376.11.

Finally, here’s one we meant to include from the Jazz Record Center auction because it was actually in the $3,000 bin:

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Tracking Jazz Vinyl: New Jazz and A Blue Note

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Here’s some jazz vinyl we’ve been watching on eBay:

George Wallington, The New York Scene, New Jazz 8207. This was an original pressing with the purple label and the deep grooves. The record was described as looking VG but playing much better, which is often the case with these LPs that were pressed on heavy vinyl in the 1950s. The cover was VG+. The price was $218.50. With some records, you never forget exactly where and how you purchased them. This is one of those records for me. I was in one of my favorite record stores on Long Island, years ago, and there was a 25 cent discard bin. I usually ignored it because it was mostly junk in poor condition. This one day I happened to look through it and, boom, there was this record. I pulled it out, figuring it must have been either cracked or completely scratched up. It was in perfect mint condition. Somebody made a mistake. Whenever I’d go into that record store after that, I’d always make sure to check the 25 cent discard bin. And, wouldn’t you know it, a couple of years later I found an original Prestige Bennie Green LP, also in nice condition. I still have both records in my collection.

Jackie McLean, Capuchin Swing, Blue Note 4038. This was an original deep groove pressing and was listed in VG++ condition for the record and M- for the cover. It sold for  $407, which is a little bit surprising because we’d expect this record, in this condition, to fetch more than that. Although, to be fair, the $407 is the highest price we’ve seen for this in the Jazz Collector Price Guide. So, the question is, why does this record, an excellent record indeed, not get the same prices as some of the other rare Blue Notes of the same era?

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