Art Pepper Quartet, Modern Art, Intro 606. This one was rated in VG+ condition for both the record and the cover. I have to give the seller and/or Photoshop credit — that is a fine looking picture of the cover and it certainly looks a lot more appealing than VG+. I have a feeling some of the bidders felt the same way: This one sold for $1,580 with 20 bids and about half as many bidders. Love the simplicity of the cover of this one. Anyone know who did it? Intro is not a label that gets noticed too often.

J. R. Monterose, The Message, Jaro 5004. This looked to be an original mono pressing in VG++ condition for the record and VG+ for the cover. It sold for $888.78.

Beverly Kenney, Like Yesterday, Decca 8994. This was an original deep-groove pressing with the pink promo label. It looked to be in quite gorgeous condition and was graded M- for both the record and the cover. Quite a nice find, which was reflected in the final price, which was $790, the highest we’ve ever seen for this record.

The Arrival of Kenny Dorham, Jaro 5007. This was an original pressing that was listed in VG++ condition for both the record and the cover. It was a bit of a strange auction — there were only two bids and the winning bid was an even $800. Anyway. There was a lot more interest in this one, with more than 20 bids: Kenny Dorham, Quiet Kenny, New Jazz 8225. This was an original deep groove pressing in VG+ condition, which I’d say was questionable based on the description. It sold for $740.

This one nearly made the $3,000 bin: Donald Byrd, Byrd Blows on Beacon Hill, Transition 17. This was an original pressing with the booklet. The record looked to be in M- condition, minus the labels, of course, and the cover looked to be about VG++. The price was $2,926.54, which is still staggering to me.

And what would a day in Jazz Collector world be without a few Blue Notes to admire:

Art Taylor, AT’s Delight, Blue Note 4047. This was listed as an original pressing, although it would have been nice to see pictures of the labels, and it was described as being in at least M- condition. It sold for $887. Hank Mobley and His All Stars, Blue Note 1544. This was also an original pressing that was described as being in VG+ condition for both the record and the cover. VG+ is often a catchall label that has a wide range. For instance, based on this descriptions I’d definitely take this VG+ over the Quiet Kenny VG+. This one sold for $686.76. Johnny Griffin Volume 2, Blue Note 1559. This looked to be an original deep groove pressing in just VG condition for the record and VG+ for the cover. It sold for $611.

Hank Mobley, Blue Note 1568. This was the one that was in M- condition for the record and VG++ or M- for the cover. It sold for quite a hefty price, $4,600, but not a record high. This guy was bid all the way up to $2,720 and STILL didn’t meet the seller’s reserve price. Wow: Jackie McLean, The New Tradition, Ad Lib 6601. The record was described as being in M- condition and the cover was VG++ or M-.

This one, believe it or not, entered the $2,000 bin: Bill Evans, Waltz for Debby, Riverside 399. The seller didn’t actually apply a grade for either the cover or record, but noted that the vinyl was in “great shape” other than for a paper scratch or two. Somewhat reassuring, but not enough for me to wager $2,075, which is what the winning bidder put up. It was a white label promo copy, but still.

Here are a couple more for the $1,000 bin:

J. R. Monterose, The Message, Jaro 5004. This was an original pressing in M- condition for the record and the cover. It sold for $1,292.56.

Dexter Gordon, Dexter Blows Hot and Cool, Dootone 207. This one had the original red vinyl and was in VG+ or better condition for the record and VG or better for the cover. It sold for $1,025.

Hank Mobley and Lee Morgan, Peckin’ Time, Blue Note 1574. This was an original West 63rd pressing with the deep grooves. It was in VG++ condition for the record and VG+ for the cover. It sold for $1,315. So, if you have this record, where do you file it, under Morgan or under Mobley? Mine, a Japanese pressing, is under Mobley.

From the same seller came: Cliff Jordan and John Gilmore, Blowin’ In From Chicago, Blue Note 1549. Love the cover. This was a promo copy in VG++ condition for the record and VG+ for the cover, although the picture looks like it might be a little less so. It sold for $1,155.

Also from the same seller: Sonny Clark, Dial S for Sonny, Blue Note 1570. Same for this one: An original pressing, vinyl in VG++ condition, cover in VG+ condition. The price was $896.

How about something that’s not Blue Note:

J.R. Monterose, The Message, Jaro 5004. This one was graded in VG+ condition for both the record and the cover. It sold for $544. It was also a promo copy.

Stan Getz In Stockholm, Verve 8213. This is an original pressing with the trumpeter label. Excellent LP with Getz in fine form. This one is listed in M- condition for the record and VG+ for the cover. It is currently at $100.

Euclid Records has some nice records today, including these: J. R. Monterose, The Message, Jaro 5004. The record is in M- condition and the cover is just VG. It is already priced at more than $650. Jackie McLean, The New Tradition, Ad Lib 6601. How much do you want to own a copy? Would you accept one in G condition for the record, with noise, and VG for the cover? Someone will. This one is about $125 and I expect it will sell for a bit more than that. Bud Powell, Time Waits, Blue Note 1598. This looks to be an original pressing. The record is in VG++ condition and the cover is VG+. The current price is $175.

Haven’t seen this one in awhile, but now it’s up for the second time in a week:

Donald Byrd, Parisian Thoroughfare, Brunswick 87904. This is the original French pressing and it is listed in VG+ condition for both the record and the cover. It has a start price of $299 and so far there are no takers. Last week this record, along with its other volume, were sold as a set for $2,400. I would expect a buyer at $300 or more for this record, wouldn’t you?

This one is back again as well: Hank Mobley Quartet, Blue Note 5066. This is the original 10-inch pressing. The record is listed as VG or VG- and there is mention of surface noise, or, more accurately, “crackle.” The cover is VG. The current price is $152 with a couple of days left.

We also have some records we’re selling this week, including: Freddie Hubbard, Hub Tones, Blue Note 84115. This is a stereo pressing with the New York USA logo and it is in very nice condition. It is currently at $45.

Sal Salvador, Tribute To the Greats, Bethlehem 74. This was an original red label pressing with promo stamps. The record was M- and the cover was VG++. You don’t often see Salvador among the collectibles, even his 10-inch Blue Note doesn’t always rate with the other Blue Notes. This one did all right, selling for $154.

J.R. Monterose, The Message, Jaro 5004. This was also a promo copy, with a white label that had a nice vintage look to it. The record was in VG+ condition and the cover was VG+ as well. The price was $422.

Introducing Jimmy Cleveland, Emarcy 36066. This was an original

deep groove pressing with the blue label and the drummer logo. The record and the cover were in M- condition. The price was $75.

Jimmy Raney, Swingin’ in Sweden, Emarcy 36121. This was an original pressing in VG++ condition for the vinyl and M- for the cover. The price was $97.

Thelma Gracen, Emarcy 36096. This was also an original pressing, drummer label, and it was in VG++ condition for both the vinyl and the cover. The price was $327.

Illinois Jacquet and his Tenor Sax, Aladdin 803. This was a 12-inch LP. The record was M- and the cover was VG++. I can tell you from personal experience that it is hard to find Aladdin LPs in this condition. The price on this was $165.

The Arrival of Kenny Dorham, Jaro 4644. This seemed to be a mono pressing and it was listed in M- condition for both the cover and the record. The price was $943.33.

Jackie McLean, The New Tradition, Ad Lib 6601. This was an original pressing. The seller listed the condition of both the record and the cover as between VG and VG+. It sold for $840, which means the buying public probably figured the VG grading was more accurate than the VG+. I was listening to some jazz vinyl with the lovely Mrs. JC last night and I asked her if she recalled me ever playing Jackie McLean for her. She didn’t, so I put on

side 2 of A Long Drink Of the Blues, New Jazz 8253, where he plays three ballads, Embraceable You, I Cover the Waterfront and These Foolish Things. If you have this and haven’t listened to it in a while, check it out. Great, inventive, soulful playing. My only regret in pulling out the album was the realization that my copy is a blue label pressing with a Status cover. This one goes on the list of records that needs an upgrade. If anyone out there has a spare . . .

This will be a new high for this Prestige: Miles Davis Plus Horns, Prestige 7025. This was an original pressing in M- condition and it was sold by Euclid Records. The price was $799.

This one did sell for more than $1,000. Tommy Flanagan Overseas, Prestige 7134. When we were watching it the other day it was at about $400 and we speculated it might sell for less than $1,000. It sold for $1,440 in VG+ condition for the vinyl and the cover. Perhaps that can be considered a bargain in today’s market?

The Arrival of Kenny Dorham, Jaro 5007. This was an original pressing in VG++ condition for both the vinyl and the cover. It sold for $457. We’ve never tracked this one at more than $1,000 in the Jazz Collector Price Guide, but we’re pretty sure it has probably cracked the $1,000 barrier at some point. It’s a nice record and quite rare as well.

This one was autographed. Still not sure if an autograph enhances the value of a jazz record. Collectors can be quite picky about having their records untouched and pristine:

Max Roach, We Insist! Freedom Now Suite, Candid 8002. This was an original deep groove pressing. The seller wasn’t clear in the description and, based on what he said, we’d gauge this to be about VG+ for both the record and the cover. It was signed and dated by Max Roach in 1993. The price was $76. Seems like a good deal to me, but I happen to be a collector that likes having a record or cover signed by the artist. I was looking through some of my 78s yesterday and found an old Stan Getz 78 — Five Brothers on Prestige — that was signed in ink by Zoot Sims. Definitely put a smile on my face to see that autograph.