Sorry to leave you hanging on Part 2 of this story. So I am on the phone listening to the auctioneer in the background. He is describing each lot – Here’s Number 14, Kenny Burrell on Blue Note, do I hear one hundred, a hundred ten, a hundred twenty, a hundred thirty, two hundred, two ten. This is going by in what seems like nanoseconds. For me to get in a bid I have to decide quickly how much, then I have to react quickly and, in the end I have one or two seconds to decide as the auctioneer is getting ready to close the auction. It’s a bit of an adrenaline rush, as you may imagine. Anyway, I lose out on all the Burrell records and I’m feeling a bit guilty about tying up the phone line and the next thing I know I’m bidding on a couple of Wes Montgomery records and the guy on the other end of the phone, who is the brother of the auctioneer, is telling me it looks like I’m going to win these records. And I do. One is Full House, a great Riverside record featuring Johnny Griffin. The other is The Incredible Jazz Guitar of Wes Montgomery, also on Riverside. I have bid $60 for
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