Tag: Jazz Collector Era

Tracking Some Rare and Wonderful Prestige Vinyl

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Here are the results of a few more jazz vinyl auctions we’ve been watching on eBay, all involving the Prestige label:

Webster Young, For Lady, Prestige 7106. This was an original New York yellow label pressing that looked to be in VG++ condition for both the record and the cover. Always liked this record, featuring Mal Waldron and Paul Quinichette in addition to Young. This one did not sell. It had a top bid of $510 but failed to meet the seller’s reserve price.

This was from a different seller but also did not sell: Jackie McLean, Lights Out, Prestige 7035. This was an original New York pressing in what was described as pristine M- condition. The top bid was around $620, but that was lower than the reserve price. I’m surprised this one didn’t get a higher bid, and I’m sure the seller was too, but, to be fair, the seller’s feedback rating is less than 99 percent, which probably impacted the bidding.

Barbara Lea, Lea In Love, Prestige 7100. This was an original New York pressing. The record was M- and the cover was VG++. It sold for $385. This seller often has great records and has a strong reputation. I wonder why they vary their terminology between the Goldmine M-, VG+, VG, etc., and the E+, E, E-? Perhaps if they read Jazz Collector they will provide an answer.

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3 LPs From the Heart of the Jazz Collector Era

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Here’s some jazz vinyl we’re watching now on eBay.

This one is closing soonL Jackie McLean, 4, 5 & 6, Prestige 7048. This one is rated at VG++ for the cover and somewhere between VG+ and VG++ for the vinyl. The seller mentions that the sound is VG++ but the visual is VG+. I tend to go with the visuals when grading, particularly for records of this era, because they are almost always going to sound better than they look. But I can see what the seller is getting at. The price on this is more than $800.

Don’t see this one all that often: Gil Melle, Patterns in Jazz, Blue Note 1517. This is an original Lexington Avenue in M- condition for the vinyl and what looks to be about VG+ for the cover, based on the description. The price is about $500 and there are still a few days left on the bidding.

No bids on this one yet, but there probably will be soon: Art Blakey and the Jazz Messengers A Night at the Bohemia Volume 2, Blue Note 1508. This is an original Lexington Avenue flat-edge pressing. The record is another of those VG+ or VG++ and the cover is VG+. The start price is about $300.

 

Is There a “Jazz Collector” Era?

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What are the points of demarcation for the era of jazz that we love and write about here on Jazz Collector? When people ask me about the jazz I love, I generally characterize it as the period from around 1945 to 1964 or 1965. Not that there hasn’t been great jazz — and great jazz records — before or after that period, but those are the years I use to describe the era of jazz I collect and love. The 1945 starting point is pretty clear — the birth of bebop and the first bebop recordings. But what about my arbitrary end point point of 1964/1965? I was thinking about that today and three things came to mind: 1. A Love Supreme was recorded in 1964 and in some ways, that’s the end of the era for me. After that Coltrane went way avant garde and his recordings started to veer away from music I could relate to. To me, A Love Supreme kind of feels like a coda musically to the period that started with Bird and Diz and the other boppers; 2. Blue Note was sold to Liberty in 1965. Talk about the end of an era! The third reason hadn’t occurred to me until now, but I think it has to do with The Beatles and the dramatic changes taking place in pop and rock music. The jazz guys started thinking they had to cross over to make money and be relevant and the music began shifting as well. I look at the DownBeat covers from the late 1960s and by then pop music had even usurped jazz in the industry’s leading jazz magazine. Anyway, it was something I was thinking about while fishing on the lake today and I was curious what others think. Others?