Tag: Jazz Record Center

Jazz Vinyl: Zoot, Newks and More

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Let’s catch up on the results of the latest jazz vinyl auction from the Jazz Record Center. I follow their auctions closely because, to me, they are the most reputable of all dealers and, therefore, I see their auctions as fully reflective of market realities, no hype.

Zoot Sims, Down Home, Bethlehem 6051. This was an original red-label pressing in M- condition for both the record and the cover. It sold for $510. I recently picked up my first copy of this record and listened to it the other day. Quite nice: Great Zoot and nice to hear early Dave McKenna. The copy  I purchased is in M- condition for the vinyl and VG+ for the cover. Very pleased.

Sonny Rollins, The Sound of Sonny, Riverside 241. This was an original white label pressing in what looked to be M- condition for both the record and the cover. The price was $426. This one went for a little more than usual: Sonny Rollins, Sonny Boy, Prestige 7207. The record looked to be M- and the cover was probably VG++, with a couple of minor blemishes. It sold for $170.39.

Grachan Moncur III, Evolution, Blue Note 4153. This was an original New York USA pressing in M- condition for both the record and the cover. It sold for $688.90. Wow.

Lee Konitz, Tranquility, Verve 8281. This was an original pressing with the trumpeter logo. It was in M- condition for the vinyl and probably VG++ for the cover. It sold for $111.87.

 

A Jazz Vinyl Potpourri From Jazz Record Center

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We always like to watch the auctions from the Jazz Record Center because they are a nice gauge of the overall market. Here are a few items from their latest auction, starting with: Sonny Rollins, The Sound of Sonny, Riverside 241. This is an original pressing with the white labels. It is listed in M- condition for both the record and the cover. The start price is $200 and so far there are no bidders, but we’d expect that to change. We’ve seen copies of this record sell for more than $500 in the Jazz Collector Price Guide.

Bud Powell’s Moods, Norgran 1064. This is an original yellow label pressing. The record and the cover both look to be in M- condition. It has a cover design by David Stone Martin and has a start price of $100. We’d also expect this one to sell, right?

The bidding has already started on this one: Dizzy Reece, Star Bright, Blue Note 4023. This is an original pressing that also looks to be in M- condition for both the record and the cover. The auction closes in about five days and the bidding is now in the $260 range.

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Jazz Vinyl Watching on Dolphy, Mingus, Evans, Candid

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When I slipped off the face of the Jazz Collector earth last week there was a pending auction I was watching from the Jazz Record Center. So, just to complete my updating process, here are some of the jazz records from that auction:

Man, some of the Eric Dolphy records are going for big bucks. The latest example: Eric Dolphy in Europe Volume 1, Prestige 7304. This was an original pressing with the yellow label — near the end of the cycle for yellow-label Prestiges. The cover was in the original shrink wrap and both record and cover were in M- condition. this one sold for $565.55.

Bill Evans, Interplay, Riverside 9445. This was an original stereo pressing with the black labels. The record and cover were in M- condition. The price was $191.38.

Here were a couple of Candids: Charles Mingus, Mingus, Candid 8021. This was an original pressing with the deep grooves and it was in great condition, M- all the. It also had a promo stamp. Nice cover, right? Also features Eric Dolphy and Booker Ervin. You’d think it would be worth more than $115.50 but, alas, that was the sale price. Charles Mingus (et al), Newport Rebels, Candid 8022. This too was an original deep groove mono pressing in M- condition. It sold for $113.50.

 

More Jazz Vinyl For the $1,000 Bin

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Time to update the $1,000 bin and there is quite a lot to update, not counting some of the ones we’ve watched recently, such as the Hank Mobley 1568 and others from the recent Jazz Record Center auction. Here goes:

Paul Gonsalves, Boom-Jackie-Boom-Chick, Vocalion 587. This was an original British pressing that looks to be in M- condition for the record and VG++ for the cover. It sold for $1,593.88.

Lee Morgan, Candy, Blue Note 1590. This was an original pressing with the West 63rd Street address and it was in VG++ condition for the record and the cover. It sold for $1,578.99.

This was a surprise to sell for such a high price tag: Clifford Brown Memorial Album, Blue Note 1526. This was an original Lexington Avenue pressing with the framed cover. It was in M- condition for the record and probably VG++ for the cover. It sold for $1,567.

Jackie McLean, The New Tradition, Ad Lib 6601. This was an original pressing. The cover was VG+, but the record was in VG or worse condition, based on the seller’s description. It sold for $1,376.11.

Finally, here’s one we meant to include from the Jazz Record Center auction because it was actually in the $3,000 bin:

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One for the $3,000 Bin (And A Few More)

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So how did some of those jazz vinyl auctions we were watching pan out? Thought you would never ask.

Hank Mobley, Blue Note 1568. This was an original pressing of one of the rarest and most valuable of all jazz records and it was sold by the most reputable of all jazz sellers, the Jazz Record Center in New York. The record was in M- condition and the cover looked like VG++. We’ve seen this record sell for more than $5,000 in the past on the Jazz Collector Price Guide. Not this time. This one sold for a mere $3,362.

Presenting Ernie Henry, Riverside 222. This was also from the Jazz Record Center and it was an original white label pressing that looked to be in quite lovely condition, M- for both the record and the cover. This one sold for $510. Great cover, isn’t it? Perfection, really, with the great picture and his eyes closed and the scripted typeface with the finger pointing to Ernie. Love it. Great record too.

This seller had a few interesting records from the Prestige New Jazz label, including:

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Watching Jazz Vinyl Prices on The Rise

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Here’s some jazz vinyl we were watching on eBay:

Clifford Brown Quartet, Blue Note 5047. This was an original 10-inch Lexington Avenue pressing. The record was in M- condition and the cover looked like it was probably VG++. The price was $900.12. That’s the highest price we’ve ever recorded for this album in the Jazz Collector Price Guide.

Speaking of new highs, this was one from the recent Jazz Record Center auction: Grachan Moncur III, Some Other Stuff, Blue Note 4177. This was in M- condition and sold for $775.43. As we’re seeing pretty consistently, these later original Blue Notes are really increasing in value. I had sold a copy of this record for around $500 a couple of years ago and that was, by far, the highest price we’d seen up to that point.

Sonny Clark Trio, Time 70010. This was an original pressing rated VG++ for the record and VG+ for the cover, even though the headline stated it was M-. Pretty interesting/deceptive move by the seller. It sold for $699.99.

Look at the price on this original Riverside:

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Tracking Autographs: Duke, Miles, Sonny, Trane . . .

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It was interesting watching the recent auctions of autographed vinyl and ephemera from the Jazz Record Center. With autographed items there’s always going to be a question of authenticity but there’s no reason to believe these items weren’t genuine. There are autographs and then there are autographs — I remember a couple of years ago there was an auction of a letter from Bill Evans to John Coltrane that sold for $38,000. There was nothing in this grouping that came close to matching that in either uniqueness or value, but there was some nice prices nonetheless, including:

John Coltrane and Milt Jackson, Bags and Trane, Atlantic 1368. This one, which me mentioned the other day, was signed by Coltrane, Jackson and Hank Jones. It sold for $758. Others: Miles Davis, Early Miles, Prestige 7168. This record is an early reissue, with a yellow label. This also has autographs By Miles Davis and Sonny Rollins. It sold for $377. 89. This is not a record we track often in the Jazz Collector Price Guide because it is not an original but, suffice to say, it would not normally  sell for that amount sans autographs. One more: Duke Ellington, Such Sweet Thunder, Columbia 1033. This was an original pressing signed by Ellington. It sold for $191.38. Under normal circumstances, no autograph, this is really like a $10 or $20 record.

John Coltrane Autograph (And More) On Ebay

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Oh, it’s a nice time on eBay when we get to watch auctions from both the Jazz Record Center and bobdjukic.

How much would you like a John Coltrane autograph? I know I would. This is from the Jazz Record Center: John Coltrane, Bags and Trane, Atlantic 1368. This is listed as an original mono pressing with the red and purple labels — although, for the live of me, I still can’t get the original Atlantics straight once they are past the black labels — but the key to this record is that it is signed by Coltrane, Milt Jackson and Hank Jones. The record and cover appear to be in about VG++ condition. The price is around $750 with more than two days to go. From the same auction is a Jazz at the Philharmonic program from 1956 with a bunch of cool autographs, including Dizzy Gillespie, Stan Getz, Connie Kay, Milt Jackson, Roy Eldridge and Flip Phillips. There’s one bidder for this one, so far, and the price is $100.

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Catching on On Some Interesting Jazz Vinyl

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When I last left eBay, about a week ago, here were some of the items I was watching:

Thelonious Monk, Brilliant Corners, Riverside 226. This was an original pressing with the white labels. It was listed in VG+ condition for the vinyl and VG++ for the cover and I recall the seller as being very reputable from previous dealings, as buyer and seller. As I was packing my records to move, I noticed that my copy of Brilliant Corners was a blue-label pressing and it was in maybe VG+ condition. I put this one on my watch list to potentially bid on it, not just as potential fodder for Jazz Collector. I think I would have gone to at least $180 for an original pressing. This one sold for $100, so I missed out.

I also had my eye on this for my own collection, but I knew the price would go way beyond my comfort zone — and it did: Lee Morgan Sextet, Blue Note 1541. This was an original Lexington Avenue pressing and the vinyl was in M- condition. The cover was VG+. It sold for $1,475. One of these days I’ll find a reasonable copy for the right price. Right?

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JRC Auction: A Little Trane, A Few Blue Notes

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It’s always interesting to watch the Jazz Record Center auctions on eBay and the latest is closing today. Here are a few of the items:

John Jenkins and Kenny Burrell, Blue Note 1573. This is an original pressing that looks to be in M- condition for both the record and the cover. The start price on this was $1,000 and there is a bid on it, so it will be sold and will enter the virtual $1,000 bin.

John Coltrane, Giant Steps, Atlantic 1311. Here’s a more clear explanation of this than we’ve heard before. Jazz Record Center refers to this as the “pinwheels” label, although we’ve most often seen it described as “bulls-eye.” It is described as an “original deep-groove second press,” which kind of makes sense. It’s still valued among collectors, even though it is not a first press. This one looks to be in M- condition for the record and the cover and is already at more than $170. Speaking of original Coltranes on Atlantic: John Coltrane and Milt Jackson, Bags and Trane, Atlantic 1368. This is an original mono pressing with the red and purple labels, although I’m still not 100 percent sure how to distinguish it as a first pressing. This one is in M- condition and so far there are no takers at $50.

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