Tag: JJ Johnson

Catching Up: A Little Trane, A Little JJ

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Sorry for taking such a long and totally unexpected hiatus. I got caught up in things and just never put aside time to post. I won’t do that again. Anyway, I have not forgotten Rudolf’s question about the status of my Great Jazz Vinyl Countdown and I will address that soon, but first let me catch up on other stuff. I had noted the small John Coltrane autograph from the Jazz Record Center when I last posted and I had expectations it would go for a fairly high price, which it did: $491.85. And no, I was not the bidder, although that is certainly something I wouldn’t mind having. I was also watching this one: Jay Jay Johnson Volume 2, Blue Note 1506. This looked to be an original Lexington Avenue flat edge pressing. It was only in VG+ condition for the vinyl and VG- for the cover. Many of the flat-edge Lexington Avenue  Blue Notes have been

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A Plug For Us, A Few For the Price Guide

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I must say, I got some pleasure out of reading this listing:

The Magnificent Thad Jones, Blue Note 1527. This was an original Lexington Avenue pressing and the seller was not an expert and he took it to a professional cleaner to have cleaned. Even better, when he posted the listing he provided a link and referenced Jazz Collector to help people learn more about the record. Nice touch, if I do say so myself. Anyway, the record looked to be in M- or VG++ condition, and the cover was probably around VG. The price was $385.

Here are a few more going into the Jazz Collector Price Guide this morning:

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For the $1,000 Bin: Griffin, JJ, Hubbard

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It’s been a while since we’ve updated the $1,000, and there are, as expected, a few new entries. Here goes:

Introducing Johnny Griffin, Blue Note 1533. This was an original Lexington Avenue pressing and it was listed in M-, pristine condition. The price: $2,651.01.

Also from the same seller were these: The Eminent Jay Jay Johnson, Volume 1, Blue Note 1505. This was also an original Lexington Avenue pressing and it was also in pristine condition. It sold for $1,507, which is way more than we’ve ever recorded in the Jazz Collector Price Guide. In fact, our previous high price for any JJ Johnson record was less than $400. There there was: The Eminent Jay Jay Johnson Volume 2, Blue Note 1506. This was

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On eBay: Some Blue Notes, Curtis Fuller Savoy

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I’m sitting here hanging out with the lovely Mrs. JC and whilst she’s chatting on the phone I’ve spent the last hour going through two full days of jazz records on eBay. Here are some of the items I found — far fewer collectibles than I would have expected to encounter over 48 hours, by the way:

Johnny Griffin, The Congregation, Blue Note 1580. This is an odd one: It has the original vinyl, but the cover does not seem to be an original. Does anyone know the vintage of the cover — it has no address on it? The cover is by Andy Warhol, so that has always added to the value of this particular Blue Note. The record and cover are both listed in M- condition. Despite the cover the bidding has already reached more than $240 and the record has yet to reach the seller’s reserve price.

The Eminent Jay Jay Johnson Volume 1, Blue Note 1505. This is an original Lexington

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More Blue Note Favorites, Courtesy of Downbeat

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I did that post earlier today and mentioned that Downbeat had done a whole feature asking various artists about their favorite Blue Note records. I was able to dig up my copy of the magazine — I don’t have a subscription anymore, but I had purchased this one on the newsstand because of the cover. It was from March of 2009. The cover, as you can see, has Joe Lovano with his favorite Blue Note: Art Blakey and The Jazz Messengers, Free For All, Blue Note 4170. It’s quite gratifying to see his picture with a vinyl pressing, and a mono vinyl pressing at that and perhaps even an original mono pressing. Inside, the magazine asked a variety of other jazz artists to name their favorite Blue Notes as well. Here are their replies:

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More Confessions of A Vinyl Addict, Part 2

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ReissuesOK, so I got to the JJ Johnson record and realized it was a New York USA pressing, and then I got to Blue Note 1513, Thad Jones, Detroit-New York Junction, and realized it was a Japanese pressing, and then I got to Blue Note 1515, Jutta Hipp at the Hickory House Volume 1, and realized, hey, I don’t own that record at all.

I knew all of that. I knew I didn’t have a complete original collection of Blue Notes. I knew I wasn’t even close to having a complete collection of original Blue Notes. I knew I never aspired to having a complete collection of original Blue Notes. But I felt compelled to go on, to go through the entire 1500 series and know exactly what I had

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Jazz Vinyl Countdown: Benny Golson On Riverside

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This is one of our favorite records: Benny Golson, The Modern Touch, Riverside 256. It is a very nice sextet recording from 1957 with an all-star lineup: Kenny Dorham on trumpet; Golson on tenor; JJ Johnson on trombone; Wynton Kelly on piano; Paul Chambers on bass, Max Roach on drums. Love Dorham’s playing on this LP, JJ as well, and the arrangements are solid. It’s also one of those records on which both sides are equally good and listenable. We highly recommend it and we know we are going to keep it in our collection. The issue, however, is this: We have both an original pressing of this record on Riverside as well as a reissue on Jazzland: Reunion, Jazzland 85. The reissue is in a little bit better condition and, to be honest, they both sound about the same to us on our equipment. So which to keep, the one in better condition or the original?

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More and More Blue Notes: Quite a Week on EBay

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It is quite a week on eBay this week. Yesterday we pointed out two quite compelling Blue Notes for auction and if you were dig a bit deeper you would notice that the seller of the Cliff Jordan-John Gilmore LP, herschel78, has quite a trove of additional treasures. I will point some of these out momentarily. We have also received an email from a seller named pretovelho, who has just put up about 200 records, including a large number of Blue Notes, some of which will will point out here as well. We are also putting up a few nice records under our nom-de-ebay AJDoctor, one of which is the first Moondog LP on Prestige, entitled Moondog, Prestige 7042. This one is in nice shape and already has a bid of $99. As for some of the other choice items we’ll be watching this week, here is a sampling:

The Eminent Jay Jay Johnson Volume 1, Blue Note 1505. This is an original Lexington

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Catching up With a Few More Warhol Covers

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We’ve been watching prices for albums with covers by Andy Warhol. Here are a few more that sold recently on eBay:

Johnny Griffin, The Congregation, Blue Note 1580. This was an interesting one in that the record was listed as in only G+ or VG- condition, which means it is probably something most of us wouldn’t put on our turntables. The cover was listed in VG+ condition. It sold for $311.

J.J. Johnson, Kai Winding and Bennie Green, Trombone by Three, Prestige 16-4. This was an original pressing and a very rare 16-RPM LP. It was in VG++ condition, both the record and the cover. The price was $290.

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Another Warhol Cover, On Prestige

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A lot of people have been coming to Jazz Collector looking for information about jazz covers by Andy Warhol. We’ve written quite a bit on these, so it’s worth doing a search on the site. A seller today sold a Warhol cover we hadn’t seen before. It was on the LP Trombone By Three, featuring JJ Johnson, Kai Winding and Bennie Green. We own the 33-RPM version of the record, with an illustration by Don Martin (of Mad Magazine fame, we presume). This copy was a rare 16-RPM version, Prestige 16-4. The record and cover both seemed to be in VG++ condition and the price was $290. As for the authenticity of the item, if you look at the picture you can clearly see the Warhol signature.

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