Podcast: Just Like Crossing Over

This week’s theme: A potpourri of jazz songs that have crossed over into the mainstream in some way. For example, Mercy, Mercy Mercy, The Sidewinder, or The Girl From Ipanema. Featured artists include John Coltrane, McCoy Tyner, Elvin Jones, Steve Davis, Vince Guaraldi, Monte Budwig, Colin Bailey, Herbie Mann, John Handy, Wes Montgomery, Ron Carter, Ray Barretto, Billy Taylor, Ben Tucker, Grady Tate, Les McCann, Eddie Harris, Benny Bailey, Leroy Vinnegar, Donald Dean, Stan Getz, Jaoa Gilberto, Astrid Gilberto, Antonio Carlos Jobim, Dave Brubeck, Paul Desmond, Joe Morello, Eugene Wright, Lee Morgan, Joe Henderson, Bob Cranshaw, Barry Harris, Billy Higgins, Cannonball Adderley, Nat Adderley, Joe Zawinul, Victor Gaskin, Roy McCurdy.

Podcast: Hal Perlman Centennial, Part Two

This week’s theme: Part two of a two-part celebration of my father’s 100th birthday. Featured artists include Horace Silver, Joe Henderson, Carmel Jones, Ella Fitzgerald, Dinah Washington, Clifford Brown, Clark Terry, Donald Byrd, Hank Mobley, Kenny Burrell, Herbie Hancock, Oscar Brown Jr., Dave Brubeck, Paul Desmond, Randy Weston, Cecil Payne, Lockjaw Davis, Johnny Griffin, Junior Mance, and many more.

Catching Up on Some High-End Blue Note Vinyl

Time to follow up on some of the jazz vinyl auctions we’ve been watching on eBay, starting with Duke Jordan, Flight to Jordan, Blue Note 4046. This was an original West 63rd Street pressing offered by the Jazz Record Center. It looked to be in M- condition for both the record and the cover. When we spotted this there were four days left in the auction and the bidding was at $1,600. The final price was $2,753. Still a market for the high-end stuff from reputable sellers, right? From the same auction there was Sheila Jordan, Portrait of Sheila, Blue Note 9002. This was an original New York USA pressing that looked to be in M- condition for both the record and the cover. The final price was $306. Keeping up with the Jordans, I guess. Read more

Condition is Still Critical . . . Isn’t It?

Let’s look at some random jazz vinyl we are watching and have been watching on eBay, starting with Joe Henderson, Page One, Blue Note 4140. This looked to be an original pressing, listed in VG or VG+ condition for the record and G+ for the cover with water damage on the bottom. There were 13 bidders for this record and the final price was $439. From the same seller there was Sonny Clark, Cool Struttin’, Blue Note 1588. This was an original West 63rd Street deep-groove pressing, listed in VG+ condition for the record and VG for the cover. The final price was $2,475. Over the years, when people have contacted me for advice about selling their collections, I have always emphasized the importance of condition. While it is still of great import, of course, it seems that there has been a shift in the market and collectors are more willing to pay high prices for records in less than great condition. We’ve all been noticing this for a while, I’m sure, so it probably requires an adjustment for those of us buying or selling records to be aware of this pretty fundamental change in what jazz collectors are looking for these days. As with most trends, you wonder if this one will last and will become kind of a new standard in our little world of jazz collecting. Read more

A Supreme Love Supreme, Prestiges and Blue Notes

Still here. Still watching jazz vinyl on eBay. Here’s one: John Coltrane, A Love Supreme, Impulse A-77.  Gotta give the seller credit for being loquacious and highly descriptive about this record. We know why he is selling it, what equipment he played it on, how loud. It is one of the more unique listings I’ve seen. Anyway, after reading all that, I would guess, as the seller does, that the record is in VG+ condition, that it is an original pressing and the cover is probably in VG+ or VG++ condition. The start price is $400 and so far there are no bidders with a bit more than a day left on the auction. The seller says he is ambivalent about selling the record because he is afraid to play it, so maybe the market will make it an easy decision for him to keep it. Read more

$hade$ Of Redd

Well, whaddya know: Freddie Redd, Shades of Redd, Blue Note 4045. This was the one we mentioned the other day from our friend Rudolf. Mint condition, original pressing. The speculation was that this would be the one to break the $2,000 barrier. Indeed. It sold for $3,551.50. Guess I got my copy just in time. Rudolf, could you ever have imagined that your jazz records would bring this kind of annuity? How about this one: Joe Henderson, Page One, Blue Note 4140. This was an original mono New York USA label. The record was listed in EX+ condition and the cover was EX. The final price was $941. Read more

The New Abnormal?

Interesting article in The New York Times yesterday about how the pandemic has created a spike in the market for collectibles (Here’s How Bored Rich People Are Spending Their Extra Cash). While I think the headline is not quite accurate and designed to attract eyeballs rather than inform (hey, I am still a journalist/editor at heart), the premise of prices going up for collectibles certainly pertains to our jazz vinyl market here at Jazz Collector. Although records are not one of the collectibles mentioned in the article, a lot of our recent posts have been about skyrocketing prices. Perhaps it’s a phenomenon of the pandemic and will wither a bit when the world goes back to some kind of new normal, or maybe it’s indicative of a market that seems to know no ceiling. Whatever it is, it’s becoming more and more tempting to get back in the game and start selling records again. Let’s see why, starting with J. R. Monterose, Blue Note 1536. This was an original Lexington Avenue pressing listed in Ex condition for the cover and record. Based on the pictures of the cover that Ex would translate into VG (at best) if I was looking to buy. The final price was $2,650. Read more

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