Tag: Joe Henderson

Trumpet Treasure and a Bird Call

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My friend Dan sent me a couple of interesting items in email this past week. First is this poster from Club Ruby on Baisley Boulevard in Jamaica, not that far from where we grew up. It is from May 1966 and features a one-night only jazz memorial tribute to Fats Navarro, Clifford Brown and Booker Little. Get a load of the lineup of trumpet players, not to mention Joe Henderson as the guest soloist. Imagine this in a small club in Jamaica, Queens? Dan sent it to me because one of our favorite local record stores, Greenline Records, is mentioned and we have quite a load of nostalgic memories of the owner of Greenline, Ben, as well as one of his employees, Larry. I will save the Greenline/Ben/Larry stories for another day, but wanted to share this cool poster.

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Mayhem, Music and Miscellany

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I’ve so far avoided writing about the impact that COVID-19 has had on the jazz community. At one point, I was keeping track of the deaths– Ellis Marsalis, Lee Konitz, Wallace Roney, Henry Grimes. But then my mailbox got flooded with new names, some of which I had never heard before, including local musicians and jazz people from Detroit, Philadelphia and other locales. It seemed that the jazz community was being disproportionately impacted, which was also noticed by the pop music critic in The Washington Post – “The coronavirus is devastating a uniquely American art form.” After Konitz died I had the following email/video exchange with my friend Dan: Read more

New Year’s Vinyl

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Happy New Year everyone. I hope all of your vinyl dreams come true. Perhaps you can find some on eBay, where we are, per usual, watching jazz records from our perch here far above Manhattan (well, actually, just seven stories), including the album Tenor Conclave, Prestige 7074. This is one of those jam session records featuring Hank Mobley, John Coltrane, Al Cohn and Zoot Sims, not to mention a pretty good rhythm section in Red Garland, Paul Chambers and Art Taylor. This is an original New York yellow label pressing that looks to be in VG+ or better condition for the record and Ex for the cover. The auction closes in more than three days and so far there are no bidders at a start price of $175. Read more

Grails, Holy Grails and Actual Jazz Records

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Nice discussion on the previous post. Here are a bunch of rare jazz records on my eBay watch list as I prepare to take a brief holiday. Let’s start with Donald Byrd, Byrd Blows on Beacon Hill, Transition 17. The seller uses one of our least favorite terms, “Holy Grail,” which wouldn’t apply to this record even if it was suitable language, if you get my drift. Anyway, this looks to be an original pressing with the booklet. The record is listed in Ex condition and the cover looks to be a fairly generous VG. The bidding is in the $1,300 range with more than four days left on the auction, so you could see this in the $2,000 bin when all is said and done. The top price for this record, according to Popsike, has been about $3,840. I was fortunate when I purchased the collection in Baltimore to get a beautiful clean original copy of this record.

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Four Favorites, For a Price

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Back online again and tracking some of my favorite jazz records on eBay, starting with Jackie McLean, McLean’s Scene, New Jazz 8212. This is an original deep groove purple label pressing. The record is listed in VG+ or perhaps better condition and the cover is VG++. The start price is about $200 and so far there are no bidders with more than five days left. This one will get action, right?

Miles Davis, Kind of Blue, Columbia 1355. This is an original white label promotional copy. The record is listed in M- condition and the cover is Ex or Ex+ condition. There are more than four days left on the auction and the bidding is in the $170 range, with 13 bids. Curious to see where this ends up. We were watching a promo Kind of Blue a few weeks ago that had a $600 start price and no bidders — but it also had some condition questions. We have seen promo copies sell for as much as $2,700 in the past, but this one will not get to that level.

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A Septet of Rare Jazz Vinyl

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Here’s one for you: Joe Henderson, Page One, Blue Note 4140. This was an original New York USA mono pressing. It was listed in Ex condition for the record and the cover. Certainly not mint minus or near mint or anything close to mint. It sold for $1,108.33.

From the same seller: Harold Vick, Steppin’ Out, Blue Note 4138. This was also an original mono pressing with the New York USA label. It was listed in Ex+ condition for the record and M- for the cover. It sold for $621.92.

Mal Waldron, Left Alone, Bethlehem 6045. This was an original red label pressing. The record was probably VG+ and the cover was listed as VG. The final price was $745.55.

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Tracking Jazz LPs That Are Hip and Hipp

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I know I haven’t posted in a while when I start getting little love notes from our old pal CeeDee, with gentle reminders such as “you may have seen these by now, but . . . ” Anyway, these a couple of the ones being called to my attention, starting with Kenny Dorham, Quiet Kenny, New Jazz 8225. This was an original pressing with the purple label and the deep grooves. The record was graded VG++ and the cover was VG+. The final price was $1,752.

Then there was Joe Henderson, Inner Urge, Blue Note 84189. This was an original stereo pressing with the New York USA labels and the ears in the dead wax. The record was listed in M- condition and the cover was VG++. The final price was $383. High for a stereo pressing, but certainly not surprising, right?

I didn’t have either of those on my watch list, but I did have this one, which fetched quite a fetching price:

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Another Stupid List: Favorite Blue Note Tracks

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Shades of Redd Jazz VinylThis will be fun. Last night I had another one of those very pleasant listening sessions up in The Berkshires, fueled by a few beers, a few vapes and the knowledge that I could play my music as loud and late as I pleased with no neighbors or anyone else to complain. I was watching politics on television as I do so often these days, taking particular delight in the latest polls showing that the blowhard, maniac, crazy man at the top of the Republic ticket is in steep decline and, IMHO, may not even make it to election day without having some kind of collapse/mental breakdown, if, indeed, we could even tell the difference between a nervous breakdown and the behavior he exhibits every single day on the campaign trail. After a couple of hours of this I had enough and decided to enjoy some music. Read more

What’s A Signature Worth, And What If It’s More Than Just An Autograph?

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Joe Henderson AutographHere are a few odds and ends from the Jazz Collector in box. Mark sent us this link: Joe Henderson, In ‘N Out, Blue Note 84166. The back cover is all messed up with writing all over it. Except, here’s the explanation from Mark: “So the seller claims the notes and signature are by Joe..an inquiry made to the seller revealed that this album came from the collection of a fellow who booked shows for the Left Bank Jazz Society in Baltimore.  Apparently there were many signed albums in his collection along with a photograph of Monk and Wynton Kelly sitting on his own couch! Anyway..interesting piece…” I kind of have a soft spot for memorabilia such as this, although I don’t actually collect it. The record and cover looked to be an original stereo pressing. The final price was $275. Not sure if the writing and signature ensured a higher price, or whether it actually diminished the price. I would guess a stereo copy would get less than $275, so someone probably through the writing was worth something. That’s how I would view it.

There was also this signed record, noted by one of our readers:

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Everything You Ever Wanted to Know (and More) About Blue Note 45-RPM Records

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Horace Silver copyYou will now be treated to a treatise covering more than you ever wanted to know about Blue Note 45s. So from now on, if you do happen to run across any interesting Blue Note 45s, you can do a search at Jazz Collector for this article and the shared knowledge of the community will be available for as long as I pay the bills to keep the site up and running. Here’s how I came by this newfound knowledge, which I wasn’t seeking, but which I will now share for others who may also not be seeking it. It started, as these things often do, with an e-mail inquiry, as follows:

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