John Coltrane | jazzcollector.com

Would You Pay $5,000 For This Record?

April 28, 2014 Al 28 comments

As promised, here is the original DownBeat review of Hank Mobley, Blue Note 1568, perhaps the most valuable and treasured of all the Jazz Collector collectibles. This is from Oct. 30, 1958 and the reviewer is John A. Tynan:

“Hank Mobley — Blue Note 1568: Might Moe and Joe; Falling in Love With Love; Bags Groove; Double Exposure; News.

“Personnel: Mobley, tenor; Curtis Porter, alto, tenor; Bill Hardman, trumpet; Sonny Clark, piano; Paul Chambers, bass; Art Taylor, drums

“Rating — Three and a half stars

“One of the nicer things about Al Lion and associates at Blue Note is that they don’t hesitate to present new talent they consider worthwhile. On this set is presented 29-year-0old Philadelphia saxman Curtis Porter, who is equal to the company. Although it is Mobley’s date, the leader allows generous space for the wailing of his fellow reedman, which makes for a high degree of hard blowing.

Another Fun Night of Jazz Vinyl

April 25, 2014 Al 25 comments

Well, I had so much fun the night before, I decided to do it again last night. Listening to a classic jazz record, that is. My choice was John Coltrane, Coltrane, Prestige 7105. Why this record? It is one that has always slipped through the cracks for me and, honestly, I don’t think I had ever given it a really close listen until last night. The first copy I purchased of this record was a blue label pressing in mediocre condition with a not-so-great cover. I never owned an original copy until I purchased the Irving Kalus collection last year and now, I’m almost embarrassed to say, I own two mint original copies of this record as a result of the Bruce W. West Baltimore collection. Part of the reason for listening to this record was practical: Do I keep two copies, one for the city and one for the country? Or do I potentially sell one on eBay or bring it to the WFMU Record Fair in New York next month? So I had an hour last night and I put this record on the turntable and, again, it was magic.

Prestige

Having Fun With Jazz Records

April 24, 2014 Al 19 comments

I had fun with my records last night. I had about an hour and a half where I had nothing to do, nothing I wanted to read, and I decided I would just sit and listen to two records fully rapt, eyes closed, no distractions. But what to play? I just went to the shelves and the first record that caught my eye was Mating Call, Tadd Dameron and John Coltrane, Prestige 7070. Why Mating Call? I’m not sure. It’s not a record I’ve listened to often and it’s not on my regular play list. When I want to listen to Coltrane, there are other records that grab my eye. Perhaps I haven’t listened to Mating Call in 10 years, so I wanted to check it out again. And I did. What a great record. This is actually, I think, the first record on which Coltrane was the sole featured horn player. His playing is great, not nearly as adventurous as it would become, but far more confident than on Miles, Prestige 7014. He had either come a long way in the period between those recordings, or the format gave him more room to showcase his gifts. As for Tadd Dameron, Read more

John Coltrane Vinyl For the Ages

March 27, 2014 Al 4 comments

Back to our life’s mission of watching rare jazz vinyl on eBay. For some reason this morning I noticed several of the Red Garland Prestige records with John Coltrane. These are nice records and can still be purchased for reasonable prices. The exception is Prestige 7123, which is a Coltrane date and is typically one of the higher priced Prestiges, particularly with the original cover. Speaking of 7123: John Coltrane with the Red Garland Trio, Prestige 7123. This is an original New York pressing and this is the original cover. It was later issued as Traneing In with another cover. This one is in M- condition for the record and probably VG+ or maybe a little better for the cover. The price is already more than $250 and there are still four days left on the auction.

I noticed two copies of this one:

From The Jazz Collector Newsroom

February 28, 2014 Al 6 comments

Here are some news items that have come into my mailbox that may be of interest to loyal readers of Jazz Collector.

You know those cool, inexpensive record shelves produced by Ikea, the Expedit line? Well, if you want any, you better stock up now. They are discontinued, which apparently has caused something of a brouhaha among record collectors. A spokesman for the company says there is a new line in place to replace Expedit, called Kallax. For its part, Ikea is stating that it is updating and improving the Expedit line, but record collectors don’t seem appeased, judging by the outcry. I took a look at the Kallax line, here, and, frankly, I don’t see what the fuss is about. I own one large Expedit unit and if I had to replace it with a Kallax I think I would survive.

There’s a lot of Blue Note activity going on. The company is launching what it calls a 75th Anniversary Vinyl Initiative by which it is

Blue Note

A Prestige-eous Day

February 26, 2014 Al 6 comments

Let’s start the day with a couple of Prestige records we are watching on eBay, starting with Red Garland, Manteca, Prestige 7139. This is an original pressing with the New York address. When I started collecting, this record was fairly common, but most often with the New Jersey address. You don’t see that many with the New York address perhaps because it was at the end of the New York cycle. The latest number I’ve seen with a New York Address is Eddie “Lockjaw” Davis, The Cookbook, Prestige 7141. I’ve never seen a New York Soultrane, which is Prestige 7142. This copy of Manteca is in VG+ condition for the record and VG+ for the cover. The price is in the $160 range.

Art Farmer Quintet Featuring Gigi Gryce, Prestige 7017. This is an original pressing with the yellow label and New York address. The record is listed in M- condition and the cover is Ex. The bidding is now in the $200 range and there’s a bit more than a day left on the auction, as I type this. This is a terrific record, so I would expect the bidding to rise as the auction gets closer to the end.

Here’s a great Prestige record that did not sell:

Prestige

A Question of Ridiculous-ness

February 17, 2014 Al 9 comments

I told you there’s always excitement when we’re watching the bobdjukic auctions. CeeDee is back with this note:

SUBJECT: who is paying this kind of bread for these readily found LPs?

BODY TEXT: Al, I give up. I thought I could figure out “what sells and what doesn’t” but I’m finding I have no freakin’ idea!

RECORD IN QUESTION: Wes Montgomery and Jimmy Smith, Further Adventures of Jimmy and Wes, Verve 8766.

CONDITION: Sealed

PRICE: $455

So, for today’s quickie quiz: Which sale is more ridiculous, the Jimmy and Wes one above or the other one cited in the earlier post, namely John Coltrane, The Other Village Vanguard Tapes? This was also sealed and sold for $237.50. Or is there perhaps another that we missed? I vote for Jimmy and Wes being more ridiculous, although it was a close call. At least the Coltrane is a double record and sold for a price that was more than $200 lower than the Jimmy/Wes record.

A Random Assortment of Jazz Vinyl

January 23, 2014 Al 10 comments

Here are a few more jazz records we’ve been watching on eBay, starting with Duke Ellington & John Coltrane, Impulse 30. This was an original white label promo copy listed in M- condition for both the record and the cover, although it would be hard to tell from the main picture accompanying the listing. When selling on eBay, always strive for a nice clear picture. Although this one failed in that regard, it didn’t fail to achieve a nice collectible price, which was $316.

This is one I actually bid on: Eddie Costa, Guys and Dolls Like Vibes, Coral 57230. This was an original pressing listed in VG++ condition for both the record and the cover. I own the record, so why did I bid on it? Well . . . it was sitting with no bids with three hours left on the auction and a start price of just $10. The seller didn’t include the important information that Bill Evans is the pianist on this record, which adds to its value and, more importantly, adds to its musical quality, which, of course, is excellent. A really nice record and for my bid of $20, what would be so bad having two copies? Read more

Impulse

More Insanity, Even Rarer

January 4, 2014 Al 7 comments

Wow, did you see the final price of that copy of My Favorite Things? It was $645.

And the Billie Holiday, Lady in Satin, was $338.33.

Here are a couple more from the same seller, hard to explain:

Stan Getz, Sweet Rain, Verve 8693. This was a stereo pressing in excellent condition for the record and VG++ for the cover. It sold for $102.50.

Stan Getz, Jazz Samba, Verve 8432. This was a stereo pressing, sealed. It sold for $138.50.

Kenny Burrell, Tender Gender, Cadet 772. This was also sealed. It sold for $124.49. What would this normally sell for? Ten dollars? That’s a lot of money for some cellophane.

If you want to have some fun, check out some of the other completed auctions. Read more

Verve

Lady in $atin and $tereo

January 2, 2014 Al 16 comments

Here are a few more jazz vinyl auctions we are watching on eBay. This one is from the seller bobdjukic and it is always suprising: Billie Holiday, Lady in Satin, Columbia 8048. This is a six-eye stereo pressing listed in VG++ condition for the record and VG++ for the cover. It is always surprising in that this seller is somehow able to get collectible prices for this record, where no one else can. This one is already at more than $120. And the explanation is . . . ?

This is from the same seller at, at this point, it is actually priced at less than the Billie Holiday record: John Coltrane (et al), Tenor Conclave, Prestige 7074. This looks to be an original New York yellow label pressing. The seller lists the record in VG++ condition and the cover as well, but it seems clear from the pictures of the cover that the real condition is VG+. Perhaps why the bidding is relatively low, at about $115 with a few hours left on the auction.

I now have duplicate copies of this great Blue Note and will be figuring out my next step once I get a chance to grade and listen to both copies:

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