John Coltrane | jazzcollector.com

DG or Not DG; That Is The Question

July 19, 2014 Al 17 comments

Found a little time this morning to peruse eBay and these are some of the items I noticed, starting with Kenny Burrell and John Coltrane, New Jazz 8276. This is listed as an original purple label pressing, but I’m not so sure. I zoomed in on those labels and they didn’t look to me like they had deep grooves. One of our regular readers asked me about this record the other day, so here it is if you want to take a chance. I’d be a little careful. The record is probably VG++ and the cover either VG+ or VG++. The start price is in the $150 range and so far there are no bidders. Perhaps I’m not the only one looking for deep grooves. One other question: To those of you who own this record and organize their records alphabetically, where do you put this one: Under Burrell or Coltrane? I used to keep it under Coltrane, but it would get lost among all of the other Prestiges, so now I keep it under Burrell and I actually notice it. Lovely record too.

Ruminations on Trane and Dizzy

July 16, 2014 Al 11 comments

There’s a new auction from the Jazz Record Center on eBay. I like to watch their auctions, not just because of their sterling reputation as sellers, but also because I often learn something new, or at least recall something I’ve forgotten. For example, John Coltrane, Coltrane Jazz, Atlantic 1354. I have a hard time keeping track of the Atlantic original pressings once they stopped with the black labels, and this is a nice reminder that the original pressing of this record has the red and purple labels. This is the mono pressing, which is always nice to have, although in the case of this record, I typically prefer the stereo pressing. In any case, this one is in M- condition for the record and the cover and has a start price of $75 with no bidders, so far. I’m getting some new equipment this week. I’m thinking about the first record to play and this would be on the list if I had a stereo copy, but I don’t so I’m taking if off the list. Right now I’m thinking perhaps Way Out West or Sonny Rollins Plus Four or perhaps Blue Train.

This one I find really interesting:

Jazz Vinyl

Miles Way Ahead

May 27, 2014 Al 12 comments

Here’s an interesting one I seemed to miss: Miles Davis, Miles Ahead, Columbia 1041. This is an original pressing but that’s not what makes it interesting. On the back cover are six signatures: Miles Davis, Julian” Cannonball” Adderley, John Coltrane, Bill Evans, Jimmy Cobb and Paul Chambers. The signatures are all in blue ballpoint pen. The seller admittedly had no idea of the provenance of the signatures or whether they were legitimate. Seems that he picked up the record at a yard sale or estate sale. The cover was probably in VG+ condition with a seam split on the bottom. There were 39 bids on the item and in the last hour it went from about $2,000 to its final price of $3,100.99. Imagine if the signatures aren’t legitimate? Or, on the other hand, imagine what this would have fetched if the signatures were 100% verified. I do have a question, however. Why would Jimmy Cobb sign his name “Jimmie Cobb?” Are there other circumstances where he went by Jimmie, as opposed to Jimmy or, as on Kind of Blue, James Cobb?

Autographs

Back on eBay, Finally

May 26, 2014 Al 2 comments

Catching up on a few remnant items on my watch list, then will plow forward with some records that are on auction this week, which is also the week of the WFMU Record Fair, which is where I will be on Friday and Friday only.

Bill Evans, Waltz for Debby, Riverside 399. This was an original white-label promo copy listed in VG+ condition for both the record and the cover. The seller’s description made it seem as if he undergraded the condition, but, as a bidder, I would trust the actual grade over the description. So, if you trust the grading, the VG+ promo copy of Waltz for Debby was a $1,025 record.

Duke Pearson, Profile, Blue Note 4022. This looked to be an original pressing with the West 63rd address, deep grooves, ears, Van Gelder. The record and the cover both appeared to be in VG++ condition. The final price was $366. Given what we’ve seen in the market lately, does that seem a little low.

Here’s another Blue Note of the same time frame:

A Conclave of Coltrane

April 30, 2014 Al 11 comments

Just cleaning out the last of my eBay watch list before moving on to new items.

John Coltrane, Tenor Conclave, Prestige 7074. Notice how I listed this as a John Coltrane record. It is actually one of those Prestige jam sessions featuring Coltrane along with Hank Mobley, Al Cohn and Zoot Sims. So Why do I think of it as a Coltrane record? Because that’s where I place it within my collection, under the Coltranes. Where else would you put it? Mobley aficionados aside, Coltrane is the one transformational musician in that group, aside from being, by far, my favorite tenor play among the four of them. So, to me, it’s always been a Coltrane record, and one I am quite happy to own. This one was in M- condition for the record and probably VG+ or VG++ for the cover. It sold for $350. A bargain for someone, IMHO. This one falls into the same category: John Coltrane, Wheelin’ and Dealin’, Prestige 7131. This one features Coltrane along with Frank Wess and Paul Quinichette. For me, it’s a Coltrane record. This one was in VG+ condition for the record and the cover and sold for $263. Wonder what prices they would be selling for if they were on Blue Note? Double that? Triple?

And now some Blue Notes:

Would You Pay $5,000 For This Record?

April 28, 2014 Al 28 comments

As promised, here is the original DownBeat review of Hank Mobley, Blue Note 1568, perhaps the most valuable and treasured of all the Jazz Collector collectibles. This is from Oct. 30, 1958 and the reviewer is John A. Tynan:

“Hank Mobley — Blue Note 1568: Might Moe and Joe; Falling in Love With Love; Bags Groove; Double Exposure; News.

“Personnel: Mobley, tenor; Curtis Porter, alto, tenor; Bill Hardman, trumpet; Sonny Clark, piano; Paul Chambers, bass; Art Taylor, drums

“Rating — Three and a half stars

“One of the nicer things about Al Lion and associates at Blue Note is that they don’t hesitate to present new talent they consider worthwhile. On this set is presented 29-year-0old Philadelphia saxman Curtis Porter, who is equal to the company. Although it is Mobley’s date, the leader allows generous space for the wailing of his fellow reedman, which makes for a high degree of hard blowing.

Another Fun Night of Jazz Vinyl

April 25, 2014 Al 25 comments

Well, I had so much fun the night before, I decided to do it again last night. Listening to a classic jazz record, that is. My choice was John Coltrane, Coltrane, Prestige 7105. Why this record? It is one that has always slipped through the cracks for me and, honestly, I don’t think I had ever given it a really close listen until last night. The first copy I purchased of this record was a blue label pressing in mediocre condition with a not-so-great cover. I never owned an original copy until I purchased the Irving Kalus collection last year and now, I’m almost embarrassed to say, I own two mint original copies of this record as a result of the Bruce W. West Baltimore collection. Part of the reason for listening to this record was practical: Do I keep two copies, one for the city and one for the country? Or do I potentially sell one on eBay or bring it to the WFMU Record Fair in New York next month? So I had an hour last night and I put this record on the turntable and, again, it was magic.

Prestige

Having Fun With Jazz Records

April 24, 2014 Al 19 comments

I had fun with my records last night. I had about an hour and a half where I had nothing to do, nothing I wanted to read, and I decided I would just sit and listen to two records fully rapt, eyes closed, no distractions. But what to play? I just went to the shelves and the first record that caught my eye was Mating Call, Tadd Dameron and John Coltrane, Prestige 7070. Why Mating Call? I’m not sure. It’s not a record I’ve listened to often and it’s not on my regular play list. When I want to listen to Coltrane, there are other records that grab my eye. Perhaps I haven’t listened to Mating Call in 10 years, so I wanted to check it out again. And I did. What a great record. This is actually, I think, the first record on which Coltrane was the sole featured horn player. His playing is great, not nearly as adventurous as it would become, but far more confident than on Miles, Prestige 7014. He had either come a long way in the period between those recordings, or the format gave him more room to showcase his gifts. As for Tadd Dameron, Read more

John Coltrane Vinyl For the Ages

March 27, 2014 Al 4 comments

Back to our life’s mission of watching rare jazz vinyl on eBay. For some reason this morning I noticed several of the Red Garland Prestige records with John Coltrane. These are nice records and can still be purchased for reasonable prices. The exception is Prestige 7123, which is a Coltrane date and is typically one of the higher priced Prestiges, particularly with the original cover. Speaking of 7123: John Coltrane with the Red Garland Trio, Prestige 7123. This is an original New York pressing and this is the original cover. It was later issued as Traneing In with another cover. This one is in M- condition for the record and probably VG+ or maybe a little better for the cover. The price is already more than $250 and there are still four days left on the auction.

I noticed two copies of this one:

From The Jazz Collector Newsroom

February 28, 2014 Al 6 comments

Here are some news items that have come into my mailbox that may be of interest to loyal readers of Jazz Collector.

You know those cool, inexpensive record shelves produced by Ikea, the Expedit line? Well, if you want any, you better stock up now. They are discontinued, which apparently has caused something of a brouhaha among record collectors. A spokesman for the company says there is a new line in place to replace Expedit, called Kallax. For its part, Ikea is stating that it is updating and improving the Expedit line, but record collectors don’t seem appeased, judging by the outcry. I took a look at the Kallax line, here, and, frankly, I don’t see what the fuss is about. I own one large Expedit unit and if I had to replace it with a Kallax I think I would survive.

There’s a lot of Blue Note activity going on. The company is launching what it calls a 75th Anniversary Vinyl Initiative by which it is

Blue Note

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