Tag: John Coltrane

Lady in $atin and $tereo

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BillieHere are a few more jazz vinyl auctions we are watching on eBay. This one is from the seller bobdjukic and it is always suprising: Billie Holiday, Lady in Satin, Columbia 8048. This is a six-eye stereo pressing listed in VG++ condition for the record and VG++ for the cover. It is always surprising in that this seller is somehow able to get collectible prices for this record, where no one else can. This one is already at more than $120. And the explanation is . . . ?

This is from the same seller at, at this point, it is actually priced at less than the Billie Holiday record: John Coltrane (et al), Tenor Conclave, Prestige 7074. This looks to be an original New York yellow label pressing. The seller lists the record in VG++ condition and the cover as well, but it seems clear from the pictures of the cover that the real condition is VG+. Perhaps why the bidding is relatively low, at about $115 with a few hours left on the auction.

I now have duplicate copies of this great Blue Note and will be figuring out my next step once I get a chance to grade and listen to both copies:

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Rare Insanity

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HankWe will ring in the new year with a few nice jazz vinyl auctions we are watching on eBay, starting with a big one: Hank Mobley, Blue Note 1568. This is a close-to-original pressing (original in my eyes) in that it has the deep grooves and West 63rd Street addresses on the labels. Some are sticklers and demand that one side have a New York 23 label. This one is in M- condition for the record and Ex for the cover, which is probably VG++ in Jazz Collector parlance. the bidding has already topped $2,500, but it has not yet reached the seller’s reserve price.

The seller bobdjukic as back with another batch of insanely rare records and he brings up an interesting question on this one: John Coltrane, My Favorite Things, Atlantic 1361. He claims this is an original stereo pressing with the blue and green labels and the white fan logo. I’ve actually never know the keys to identifying an original My Favorite Things and I’m certainly not about to trust this guy. Perhaps someone out there can shed some light, mono and stereo? This one is listed in M- condition for both the record and the cover. The price is already more than $100. Three are additional interesting items from this seller, which I will be watching for future posts. Stay tuned.

 

Getting “Hipp” To Some Nice Jazz Vinyl

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juttaOkay, back to the business of watching rare jazz vinyl on eBay. I’ve been less diligent about watching (and posting) because 1: I’ve been spending a lot of time listening to the records from the collection I just purchased in Baltimore and 2: Having purchased this major collection and melding it with my collection, the last thing I am looking to do now is purchase any more jazz records. But I realize I have an obligation to our loyal readers here at Jazz Collector, so back to eBay it is. Lots of great items on the board right now, including:

Jutta Hipp at the Hickory House, Volume 1, Blue Note 1515. This is an original Lexington Avenue pressing listed in VG++ condition for the record and VG+ for the cover. It is currently in the $450 range with more than two days left on the auction. The same seller is selling Jutta Hipp at the Hickory House Volume 2, Blue Note 1516. This is a not-quite-original. It looks like the original vinyl, in VG++ condition, with a later cover, which looks to be in nice condition, but without a listed grade. Bidding on this one is already more than $200. One more from the same seller:

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Another Adventure in Jazz Collecting, Baltimore Part 7

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Blue TrainSo I was back on the phone with Dan and poring through a box of Charlie Parker 78s. There were a bunch of Dials, some Mercurys and Savoys. I had never had much luck securing Charlie Parker Dials, so this would be a very welcome addition to my collection. Then I went into another one of those Capital mailers and it was filled with Blue Notes. A bunch by Miles Davis and Lou Donaldson, including “If I Love Again,” which Dan put on in the background to accompany me. These, too would be a welcome addition to the collection and they made me realize how pleased I was that this collection ended up in my hands because I would really treasure and appreciate these records. There aren’t that many people who collect and appreciate 78s anymore and I, fortunately, happen to be one. They also seem to fit quite nicely into my collection, filling in a lot of the gaps.

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Another Adventure in Jazz Collecting, Baltimore Part 6

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Zemanta Related Posts ThumbnailSo now some of the best records from the Uncle Bruce Baltimore collection were in my apartment and it was about 1 in the morning and, of course, I couldn’t sleep knowing the records were sitting there waiting to be perused. I moved the records from boxes to crates and began just looking through them one more time, this time with no hurry, no rush. It was a great moment, a man, a dog and his score. I didn’t listen to any of the records at this point. There was just something about keeping them as a whole and letting the feeling linger that I didn’t want to disturb.

When morning came I had to get ready for the WFMU Record Fair. I already had 14 boxes of other records in my cramped apartment. I started looking through the Baltimore collection to see if there was anything obvious I could pull out and possibly sell at the record show. I found a few items: There were three Sonny Rollins Blue Notes I now had in triplicates; the copy of Mating Call was an upgrade from my copy; I already had two mint copies of Study in Brown, so I could sell a spare. Same with John Coltrane with the Red Garland Trio, Prestige 7123, and one of the Bud Powell Blue Notes

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Another Adventure in Jazz Collecting, Baltimore Part 1

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On Thursday, Nov. 14, 2103, I received the following e-mail:

“Hello Al,

When our father passed away, my siblings and I inherited our Uncle Bruce’s jazz record collection. It’s roughly 1,000 records and spans from the mid ‘50s to the mid ‘70s. Apparently our uncle was a serious collector, the rumor is that we only got part of the collection. However, the part we have isn’t bad from what I can tell, because it includes the following Artists/Titles that currently appear in articles on your site: John Coltrane/Blue Train; John Coltrane/Soultrane; Wynton Kelly/Kelly at Midnight; Hank Mobley/Mobley’s 2nd Message; Sonny Rollins/Saxophone Colossus.

We are selling the entire collection. Please let me know if you’re interested or have any suggestions about the best/most efficient way to reach the target audience.

Best regards,

Rob (Baltimore, MD)”

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Catching Up On a Jazz Vinyl Quintet

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dolphyLet’s catch up on a few more jazz vinyl auctions we were tracking, including: Eric Dolphy, Out There, New Jazz 8252. This was an original pressing with the purple labels and deep grooves. The record looked to be in VG++ condition and the cover was VG+. The price was $416. I like the covers on this one and Outward Bound. Very cool, and reflective in their way of the music.

This one from the Jazz Record Center wound up selling and fetching a pretty nice price: Lester Young, The President, Norgran 1005. This was an original yellow label pressing in what looked to be M- condition for the cover and the record. The final price was $365.

Here are a few other items from the Jazz Record Center auction:

Tommy Flanagan, The Cats, New Jazz 8217. This was an original purple label deep groove pressing in M- condition for both the cover and the record. It sold for $449.

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Quickie Quiz

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One of our readers poses a question on the previous post about the Blue Note sessions on which John Coltrane appears. He lists Blue Train, Johnny Griffin’s A Blowing Session, Whims of Chambers and Sonny’s Crib. That’s all I can think of as well. That’s not the quiz. The quiz is this: On how many Blue Note sessions does Cannonball Adderley appear?

Breaking a Few Records

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Blue TrainDidn’t quite get in all of the jazz vinyl auctions I wanted to post from yesterday, so here are a few more.

John Coltrane, Blue Train, Blue Note 1577. This was an original pressing. The seller didn’t give it a grade, but from the description is sounded like the vinyl was probably M-. The cover was probably VG++, based on the pictures. It sold for a whopping $3,000. That’s far and away the highest price we’ve ever seen for Blue Train in the Jazz Collector Price Guide.

Thelonious Monk, Monk, With Sonny Rollins and Frank Foster, Prestige 7053. This was a New Jersey pressing, not an original. The cover also had the New Jersey address. This one has the Andy Warhol cover, which gives it some additional prestige, if you’ll pardon the play on words. The record was in VG++ condition and the cover looked to be VG++ as well. This one was listed by bobjdukic, and he has somehow figured a way to get prices that no one else can match. For this second pressing, he was able to get a top bid of $955.21.

Here’s another Warhol cover from the same seller:

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JRC Vinyl and a “Cheap” Colossus?

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Johnny CJust wanted to follow up on some of the items from the Jazz Record Center auction of last week.

Ted Brown Sextet, Free Wheeling, Vanguard 8515. This was an original pressing in M- condition for the record and VG++ for the cover. The simple post surprisingly generated quite a bit of comment. Perhaps that attention pushed up the interest in the record? It wound up selling for $510.

Johnny Coles, Little Johnny C, Blue Note 4144. This was an original pressing in M- condition for the record and cover. When I did the post there were no bids at $100. The bidders eventually jumped in, pushing the price to $338. As one of the commenters suggested, perhaps that is a nice bargain for a great record.

This one was listed as a John Coltrane record, but in my collection it sits under “H” with Wilbur Harden as the leader: Mainstream 1958, Savoy 12127. This was an original red-label pressing in M- condition for the record and probably VG++ for the cover. It sold for $272. Probably a good idea to list it under Coltrane.

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