A Piece of Silver, A Tuba and Two Guitars

Here’s some of the jazz vinyl we’re watching on eBay, starting with: Horace Silver Quintet, Blue Note 5058. This is an original Lexington Avenue pressing that looks to be in M- condition for both the record and the cover. We’ve seen this one sell for as much as $537 in worse condition in the Jazz Collector Price Guide. This one has a start price of $99 and it also has a reserve. So far there are no bidders and there are only two days to go. I imagine someone will take a chance on this great record, but who knows.

Never figured out why there wasn’t more of a market for this one: Ray Draper Quintet Featuring John Coltrane, New Jazz 8228. This is a nice record, with Coltrane doing Sonny Rollins’ Paul’s Pal, which appears on Tenor Madness, which also features Coltrane. Perhaps it’s the idea of a tuba player as the lead artist. This one is an original pressing and it is listed in M- condition for the record and the cover. The current price is $111 and there’s only one bidder.

Kenny Burrell and Jimmy Raney, Two Guitars, Prestige 7119. This is an original New York yellow label and it looks to be in VG++ condition for both the record and the vinyl. Wouldn’t mind having a copy of this one, but the price is already out of my range at $292.

 

Cool Struttin’, Giant Steps and Other Jazz Classics

Let’s catch up on some of the interesting rare jazz vinyl we’ve been watching at Jazz Collector. Big Bear apparently put a magnifying glass to this record and found that it was not necessarily an original pressing: Sonny Clark, Cool Struttin’, Blue Note 1588. In addition to the question about the “original-ness” of the record there was also some concern expressed here about the lack of information about the listing. The record wound up selling for $1,913.88 in M- condition, which is probably significantly less than it would have received if it had been offered by a reputable seller with a strong reputation, such as Jazz Record Center or Euclid. Nonetheless, it is still quite a hefty price, particularly if it is not a first pressing. This one came from the same seller and failed to sell: Paul Chambers, Bass on Top, Blue Note  1569. I tried the magnifying glass trick myself but to no avail: Either my magnifier was faulty or my eyes were faulty or, more likely, a combination of the two. I couldn’t figure out if this was original or not. Perhaps other potential bidders had the same problem. Nobody was willing to hit the start price of $500.

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No Holiday For Watching Jazz Vinyl

It may be the holiday season around much of the world, but eBay never takes a vacation. Neither, apparently, does Jazz Collector. Here is some interesting jazz vinyl we’ve been watching on eBay. We’ll start with the $1,000 been. This one is still for sale: Hank Mobley, Hank, Blue Note 1560. This is an original pressing that’s listed in near mint condition for both the record and the cover. The price is already more than $1,100 and there are still two days to go.  This is also a regular to the $1,000 bin: Kenny Dorham, Quiet Kenny, New Jazz 8225. This was an original pressing, deep grooves, purple label, and it was listed in VG++ condition for both the record and the cover. It sold for $1,415. Merry Christmas for someone. John Jenkins with Kenny Burrell, Blue Note 1573. This was an original pressing that was either M- or very close to M-, based on the seller’s description. It sold for $1,156.99.

Here are a few interesting items closing in the next day or so:

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Watching Some Prestige Jazz Vinyl

Here’s some jazz vinyl we’re watching on eBay now:

Tommy Flanagan, The Cats, New Jazz 8217. This is an original pressing with the purple labels and deep grooves. It is a relatively early John Coltrane record featuring Trane as a sideman, along with Kenny Burrell. The record and cover are both in M- condition and the price is in the $250 range, but it has not yet reached the seller’s reserve. My personal story with this goes back nearly 40 years when I was doing some record trading with a sax player named David Krieger and I had a broken leg and couldn’t drive and something came up and he had to leave so I was alone in his basement with his entire record collection, including some gorgeous Blue Notes. I could have taken off with a few gems but of course I did not. I can’t ever look at a copy of The Cats and not think of Dave who sadly passed away earlier this year.

This one is a pretty one right in the time frame when Prestige was doing some of its best work:

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JRC Auction: A Little Trane, A Few Blue Notes

It’s always interesting to watch the Jazz Record Center auctions on eBay and the latest is closing today. Here are a few of the items:

John Jenkins and Kenny Burrell, Blue Note 1573. This is an original pressing that looks to be in M- condition for both the record and the cover. The start price on this was $1,000 and there is a bid on it, so it will be sold and will enter the virtual $1,000 bin.

John Coltrane, Giant Steps, Atlantic 1311. Here’s a more clear explanation of this than we’ve heard before. Jazz Record Center refers to this as the “pinwheels” label, although we’ve most often seen it described as “bulls-eye.” It is described as an “original deep-groove second press,” which kind of makes sense. It’s still valued among collectors, even though it is not a first press. This one looks to be in M- condition for the record and the cover and is already at more than $170. Speaking of original Coltranes on Atlantic: John Coltrane and Milt Jackson, Bags and Trane, Atlantic 1368. This is an original mono pressing with the red and purple labels, although I’m still not 100 percent sure how to distinguish it as a first pressing. This one is in M- condition and so far there are no takers at $50.

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Eyeing Original Jazz Vinyl on The Atlantic Label

I’m a big fan of the John Coltrane Atlantic period. Is there anyone in this audience who isn’t? I mean, Giant Steps, My Favorite Things, Coltrane Jazz — there are classics among them, for sure. Other than the clear black label on Giant Steps as an original mono, it’s never been all that clear to me what makes an Atlantic an original pressing. Deep grooves, heavy vinyl, yes, but the labels have different color combinations. And there’s also the bulls-eye, whether it is black or white. Anyway, I’m pleased that the Jazz Record Center is auctioning a couple of these records this week because they can contribute to the collective knowledge by identifying what is and is not an original pressing. For instance: John Coltrane, Coltrane Jazz, Atlantic 1354. This is described as an original stereo pressing with the green and blue labels. Tell the truth, did you know green and blue was the original label on this? The stereo, to my ears, is the preferred pressing on this one, starting with the great version of Little Old Lady. This original pressing has a start price of $50 and so far there are no takers, but there’s plenty of time left.

Into the $1,000 Bin, Including Rare Autographs

We’ve been away, now we are back, and we see that we’ve missed some pretty heavy-duty sales on eBay for some pretty heavy-duty dollars.Let’s catch up.

I think we predicted these two would sell for more than $2,000 and they did: Hank Mobley Quintet, Blue Note 1550. This was an original pressing in M- condition for both the record and the cover. It sold for $2,350. From the same seller was Kenny Dorham, Quiet Kenny, New Jazz 8225. This was also in M- condition for the record and the cover. The price: $2,075.

How about this one? Cannonball Adderley Quintet in Chicago, Mercury 60134. This was an original stereo pressing and it’s the one that features John Coltrane. What does it normally sell for, maybe $30? This one, however, offered by Euclid Records, happened to have been autographed by both Cannonball and Coltrane. What does that make it worth? How about $1,037. Don Lucky, where were you on this one? I know many of you are blase about autographs and actually prefer records that don’t have autographs, but to me, having a record signed by two of my heroes, that’s just priceless. Well, perhaps not priceless, but $1,037 seems a reasonable price.

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Jazz Vinyl: Jackie-ing, Hope and McGhee

Here’s some jazz vinyl we’re watching now on eBay. Jackie is back: Jackie McLean, The New Tradition, Ad Lib 6601. This one is from a reputable seller and is listed in VG+ condition for both the record and the cover. VG+ is always a risk, but this one is play-graded and sounds like it is in pretty good shape. The bidding has already topped $1,000 on its way to . . . . we’ll see. Also on eBay now is one of my favorites, Jackie McLean, Swing, Swang, Swingin’, Blue Note 4024. This looks to be an original pressing with the West 63rd address, deep grooves, RVG, ear. It is listed in M- condition for the record and VG++ for the cover. Start price is $650 and, with a day to go, there are no takers so far. For a high start price like that, I think most buyers would appreciate pictures of the labels, for what it’s worth, although I’d be OK bidding on this record if I was inclined to pay that high a price for it in any condition, which I’m not.

This one is tempting:

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Jazz Vinyl Catchup And Confusion Over Grading

Let’s catch up on some more rare jazz vinyl that sold recently on eBay.

John Coltrane, Giant Steps, Atlantic 1311. This looked to be an original black label pressing. There were some questions about the deep grooves, since the picture wasn’t clear, but the seller confirmed that there were, indeed, deep grooves on both sides. This one was listed in M- condition for both the record and the cover. It sold for $622.70. In the Jazz Collector  Price Guide we’ve seen Giant Steps sell for more than $1,000 several times, so perhaps it’s a bargain, perhaps it’s just market changes, perhaps it’s unfamiliarity with the seller.

Jutta Hipp, New Faces, New Sounds from Germany, Blue Note 5056. This was the original 10-inch pressing. It’s one of those listings that confuses me a little on labeling of conditioning. The seller says it looks VG+, but it plays more like Ex and therefore it was graded as Ex. In my thinking I’ve always correlated VG+ with Ex, but it sounds like Ex is more like VG, based on this listing, which I assumed to be a downgrade, but perhaps I’m wrong and it’s an upgrade based on the next item below. The cover was listed in just G condition, which is never very good. The price was $247.50.

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Updates From The Jazz Record Center Auction, Part 1

So the auction from the Jazz Record Center ended the other day and here are some of the results of items we were watching:

Sonny Rollins, Tenor Madness, Prestige 7047. This was an original pressing with the yellow label and New York address. It was listed in mint condition, not mint minus but mint, and the cover was probably M-. This one sold for $1,080. As loyal readers will know, this is one of my favorite records — really, with Coltrane and Rollins together for the only time, how could it not be a favorite — and it is a record of which I own two copies, a New York pressing in VG+ condition and a pristine New Jersey pressing. When I listen I always put on the New York pressing in VG+ condition. Why? Because it’s the original and the occasional pops and clicks are part of the charm and the passion, of course.

I always keep an eye out for this because it’s one of my favorite jazz collectibles, non-vinyl category: To Bird With Love. This is a book published in France by Chan Parker and Francis Paudras. It is a gorgeous book and it so obviously lives up to it’s title, as it is a loving tribute to Bird, with photos, letters, contracts and just about everything you could ever imagine. I bought a copy when it first came out and it’s something I’ve always treasured and often go back to, just to look through it and re-capture the magic of Bird: Especially with one of the Dials or Savoys on the turntable. This copy of the book was in mint condition and sold for $266.66. Someone will be quite thrilled, I’m sure.

 

 

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