Tag: John Coltrane

Updates: $1,000 Bin, Dizzy, Sonny, Trane

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Still updating the Jazz Collector Price Guide. It can be a bit tedious, but it’s important, isn’t it? Let’s hope so. Anyway, here are a few items on the extremes: A couple more for the $1,000 bin and a few that normally don’t make the Price Guide but, for one reason or another, have broken through.

First the big ones: Walter Davis, Davis Cup, Blue Note 4018. This was an original pressing and it was listed in M- condition for both the record and the cover. It sold for $1,300. Also, Paul Chambers Quintet, Blue Note 1564. This was an original pressing. The record and cover looked to be in VG+ or VG++ condition. The price was $1,032.

Here are a couple that don’t often get collectible prices: Dizzy Gillespie, Afro, Norgran 1003. This was an original yellow label pressing with a cover design by David Stone Martin. It was only in VG condition and sold for $72. That may not be a Blue Note price, but it is still somewhat surprising. Few of the Dizzy record

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New Ones For The Jazz Collector Price Guide

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Here is some more jazz vinyl that will go into the Jazz Collector Price Guide:

When did this become a $100 record: Barney Kessel, The Poll Winners, Stereo 7010? This was an original pressing with the black label. The vinyl was in M- condition and the cover was VG++. The final price was $97, so it wasn’t officially a $100 record. Still, I had no idea that Kessel was this collectible. I’m not complaining about it, since I do have all of his records on Contemporary, just a bit surprised by this one. In any case, it will be making its first appearance in the Jazz Collector Price Guide.

Also premiering in the Jazz Collector Price Guide will be: Bill Jennings, Enough Said!, Prestige 7164. This was an original yellow label pressing with

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On eBay Now: Some Nice 10-Inchers, Trane, Evans

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Some of the heavy-duty jazz vinyl sellers have auctions closing in the next couple of days, so let’s see what’s coming up. We had mentioned Jazz Record Center and some of the 10-inch LPs. So far, the American 10-inch Blue Note is beating out the original French Vogue: The Gigi Gryce and Clifford Brown Sextet, Blue Note 5048, is currently at $107 with two bidders (it should sell for a lot more), while the original French Vogue, Gigi Gryce and his Orchestra Featuring Clifford Brown, Vogue 173 is at $100 with one bidder (it too should sell for a lot more). Jazz Record Center also has a few nice 12-inch LPs we are watching, including this one: Wheelin’ and Dealin’, Prestige 7131. This is an original New York pressing in near mint condition. It features an all-star sax lineup of John Coltrane, Paul Quinichette and Frank Wess. It is currently in the $300 price range.

Our friends at Euclid Records also have some nice items this week, including:

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On EBay: A Few From Impulse

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We’ve been very busy with eBay the past couple of weeks — putting records on eBay is what we often do when we are procrastinating from other work, so this would be the evidence that we’ve been in heavy-duty procrastination mode. Anyway, our neurosis is your gain: This week we’ve had 70 items on eBay, several of which closed yesterday, many more of which close today, and a few more of which close tomorrow. Part of what we have up there now is a nice batch of Impulse LPs we’ve either pulled from our own collection, or pulled from the collection we purchased in Trenton back in May. Here are a couple of examples:

Archie Shepp, Four For Trane, Impulse 71. This is an original orange label pressing in nice VG+ condition. It is closing later today and is currently at $40.  Also from the same batch is this:

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Catching Up: Bud, Monk, Trane, Blue Note

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Okay, let’s see how things turned out on some of the jazz vinyl we’ve been watching on eBay:

The Amazing Bud Powell Volume 2, Blue Note 5041. This was one of the nice 10-inch LPs offered this weekend by the seller roverd-90. It was listed in M- condition for both the record and the vinyl and it sold for $432. Also from that batch was this: Thelonious Monk, Genius of Modern Music, Blue Note 5002. This one M- for the vinyl and VG++ for the cover. The price was $313.66. We were also watching this copy of John Coltrane, Blue Train, Blue Note 1577. This was  a second (or later) pressing with the New York USA label. The vinyl was listed in M- condition and

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Jazz Vinyl Countdown: John Coltrane, Ballads

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No, I am not thinking about getting rid of one of my all-time favorite records. No, this is a question about what to do with multiple copies. As noted in the headline, the record is: John Coltrane, Ballads, Impulse 32. I have had two original pressings of this record, one a mono and one a stereo. To me, this makes sense. But recently I purchased a second stereo copy of the record, this one a reissue. I have to be honest. The reissue sounds as good as the original. So I’m going to sell my original stereo pressing, and I’m going to first offer it here at the Jazz Collector site. It’s not a high-end collectible like Blue Train, but it’s a wonderful record, beautiful and romantic with a great selection of songs. It features Trane with McCoy Tyner, Jimmy Garrison and Elvin Jones.

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The Great Jazz Vinyl Countdown: John Coltrane, Settin’ The Pace, Prestige 7213

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As you may expect, the whole idea of permanently and arbitrarily shrinking my record collection, which has taken close to 40 years to accumulate, is causing quite a bit of trauma around here, around here being inside my very guts. So, if you’ll excuse me, I will ease into the process over the next few days before undertaking any gut-wrenching decisions. Therefore I shall start with one of my all-time favorite records: John Coltrane, Settin’ the Pace, Prestige 7213. This is a great record, probably my second favorite of all the Coltrane Prestiges (right behind Soultrane). The first “Arthur Schwartz” side, with the amazing ballad “I See Your Face Before Me” and the incredible “If There Is Someone Lovelier Than You” is all-time great Trane. The challenge is not deciding whether to keep this record for a collection of 1,000 — if the collection were to be shrunk to 20 records, this would probably still make the cut. The question is merely

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Jazz Collector’s Essential Cannonball Adderley

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Blipp asks on an earlier post if we can make any recommendations on Cannonball Adderley’s earlier material, in particular the Mercury records. We can certainly do that, and we’re sure others in the audience will be happy to weigh in as well. First, we will give our own Jazz Collector version of our top five Cannonball LPs altogether. Blipp has been listening mostly to the Capitol stuff, he says, and we don’t think any of those records is going to make our list. Here goes:
1. Cannonball Adderley, Know What I Mean with Bill Evans, Riverside 433. Evans and Adderley obviously had a great rapport from their days with Miles and the addition of Percy Heath and Connie Kay made for a more lyrical setting that suited both Evans and Adderley quite well. And, as one might expect, within that lyrical setting they both swing like crazy.
2.  Cannonball Adderley Quintet in San Francisco, Recorded at the Jazz Workshop, Riverside 311. The ground-breaking early quintet with Bobby Timmons and the great tracks of “This Here” (with Cannonball’s engaging introduction) and “Hi-Fly,” plus a very swinging “Spontaneous Combustion.” This LP captured the energy of the group

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A Bargain At Under $1,000?

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If a record should sell for more than $1,000, perhaps this would fit the bill: Sonny Rollins, Tenor Madness, Prestige 7047. This was a beautiful, New York pressing in mint minus condition, for both the record and the cover. Sonny and Trane together, an early Prestige, great cover. It’s got it all. This one sold for $832. As great a record as this is, this is the highest price we’ve ever recorded for it. The previous high in the Jazz Collector Price Guide was $543.  I actually think this one would have sold for a higher price with a better picture. Someday soon we will be adding a copy of this to the $1,000 been, we are quite sure.

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