Tag: John Coltrane

Grails, Holy Grails and Actual Jazz Records

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Nice discussion on the previous post. Here are a bunch of rare jazz records on my eBay watch list as I prepare to take a brief holiday. Let’s start with Donald Byrd, Byrd Blows on Beacon Hill, Transition 17. The seller uses one of our least favorite terms, “Holy Grail,” which wouldn’t apply to this record even if it was suitable language, if you get my drift. Anyway, this looks to be an original pressing with the booklet. The record is listed in Ex condition and the cover looks to be a fairly generous VG. The bidding is in the $1,300 range with more than four days left on the auction, so you could see this in the $2,000 bin when all is said and done. The top price for this record, according to Popsike, has been about $3,840. I was fortunate when I purchased the collection in Baltimore to get a beautiful clean original copy of this record.

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Are You Ready for the $6,000 Bin?

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Got a note from our friend Japhy yesterday pointing me to this: John Coltrane, Blue Train, Blue Note 1577. This was an original pressing with the New York 23 labels and “Review Copy” stamp on the labels. It was listed in Ex+ condition, which I would imagine to be VG++, and the sellers points at that there are some “slightly audible” tics. The cover is listed in M- condition. Not that it matters, but it had a Blue Note inner sleeve with the Tina Brooks album Back to the Tracks, which, to my knowledge, wasn’t released until sometime in the 1980s. In any case, this record sold for $6,343, which is certainly why Japhy would have forwarded it to me. According to Popsike this copy of Blue Train, tics and all, sets a new price record and is the first to surpass $5,000, let alone $6,000.

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Random Rarities

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Randomness from an eBay watchlist. John Coltrane, A Love Supreme, Impulse 77. This looks to be an original mono pressing. The record and cover are both graded as M-, although the picture seems to show wear on the cover, unless that is just a reflection from the camera. In any case, there are five days left on the auction and the bidding is already in the $325 range. Out of curiosity, I popped over to Popsike to see if A Love Supreme had ever made it into the $1,000 bin and the answer is that yes, indeed, it has, a few times, maxing out at $1,225. You kind of get the feeling because the album is such an icon, that the value will continue to go up. Is this the highest price we’ve seen for any Impulse? I can’t think of one off the top of my head.  I put it in this post primarily because I wanted to show a picture of the cover, which always puts a smile on my face. Read more

Have I Ever Mentioned That I Like Buying Jazz Records?

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Time to close the books on the latest round of stories and sprees that sprung from my first visit to Spike’s Record Rack in Castkill, NY a few weeks ago. You may recall that I purchased about 15 records, which I somehow found to be more than somewhat rejuvenating in terms of listening to music and appreciating the breadth and depth of my collection. After I got home from that first visit to Spike’s with the 15 records, I did what I typically do, which is clean the records, listen to a few and sort out which ones may be duplicates with records I already own, so as to ensure that I keep the copy in best condition for my own collection. In this case, I was surprised to see that I did not have a copy of Oscar Peterson Plays Irving Berlin on Clef. Certainly I’ve had one in the past, but I must have weeded it out based on the condition.  I gave it a quick listen and it was about what would be expected, perhaps even a bit better because the sound quality was quite good and the condition was excellent.

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Potpourri: Rare Jazz Vinyl, Bill Evans Tributes

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Time to catch up on a few items from our watch list on eBay, starting with John Coltrane, Soultrane, Prestige 7142. This was an original New Jersey yellow label that looked to be in M- condition for both the record and the cover. When first first looked at this on Jazz Collector, it had a start price of $200 with no bidders. In the end, it wound up selling for $618, which is pretty near the top price was Soultrane. I was pleased to see Rudolf’s comment on the last post because I wholeheartedly agree that this is my favorite of the Coltrane’s on Prestige. If we watch this space long enough, I’m pretty sure we’ll see the day when a mint copy of Soultrane ends up in the $1,000 bin.

The Sonny Clark record, Sonny Clark, Cool Struttin’, Blue Note 1588, which turns out not to have been an original pressing Read more

Of Market Value and Music Value

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Back on eBay and wanted to first catch up on some of the items we were watching last time, starting with George Wallington, New York Scene, New Jazz 8207. This was the one from the Jazz Record Center and the bidding was at close to $800 when we wrote about it. The record wound up selling for $2,000, well surpassing the previous top price paid for this record, according to Popsike. I still find it fascinating that certain records have a strong appeal to collectors, i.e., value, while other records of the same era, perhaps by more prominent artists, have less of an appeal. Off the top of my head, I’ll use Sonny Rollins Plus Four as an example. This is a great record, featuring ground-breaking artists in their prime, on Prestige, yet it has never come close to the $1,000 mark, let alone $2,000. I’m sure I can come up with other examples, but you get the drift. I’m sure it has to do with supply and demand and all of that and perceptions of what is “rare” and what isn’t, which, I guess, is one of the nice things about having sites like eBay and Popsike to monitor the market and see on a daily basis what actual market value looks like. Back in the dark ages before the Internet, most of us were probably operating in the dark, not quite understanding the market value of what we were collecting. I guess we were focusing on the music that we loved.

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Hype, Hyperbole and High Prices; Just Another Day on eBay

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Back on eBay again for the first time in weeks and was greeted to this: John Coltrane, Coltrane, Prestige 7105. What caught my eye about this listing was this line: “Awesome red cover of one of the rarest jazz albums.” Then I saw that the bidding had already reached more than $510 for this second pressing with the New Jersey label. The combination of high hyperbole and high price, could only mean one seller and, of course, I was right. You can click the link and guess yourself, but for regular readers here it won’t be much of stumper. The record and cover are graded as VG++. I kind of like the red cover, but prefer the original green. Does anyone know why Prestige did this, not just with this record, but with others? Did they think people would want to buy the same record twice? Rudolf?

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A New Coltrane Studio Recording. Really.

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I was taking a break from work earlier and, as I am wont to do, I opened up my iPad to The New York Times to find out what latest assault on our democracy is being inflicted by our president and his cohorts and, lo and behold, I was greeted, to my great surprise, right at the top of the page, by a picture of none other than John Coltrane. Now this, of course, piqued my interest and the story that accompanied the photo piqued my interest even more, as I’m sure it will for most of you out there in Jazz Collector land. The article is titled Lost John Coltrane Recording From 1963 Will be Released at last and the crux of it is that there is actually a NEW studio recording from the classic Coltrane Quartet that was recorded by Impulse in 1963 and somehow, someway, was never released. It’s hard to believe such a thing was possible, given Coltrane’s importance, popularity and the reality that a record company would never lose an opportunity to make money, but it seemed to have happened nonetheless. According to the article, which you should all read, the recording was in the possession of Coltrane’s first wife, who we know as Naima, and was recently discovered by her family. Huh? It doesn’t seem to make any sense, but there it is.

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Dolphy Vinyl, Autograph Updates

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Here are a few odds and ends we’ve been watching on eBay, starting with some Dolphy: Eric Dolphy at the Five Spot Volume One, New Jazz 8260. This was an original purple label, deep groove pressing. The record and cover were both listed in V++ condition, although the picture of the back cover would be more VG+ in my eyes. It’s always tempting when the front cover is so nice to try to ignore other blemishes. In my eyes, VG++ is reserved for covers that would otherwise be M- but have a single minor flaw, such as the original owner writing the date on the back, which was the case with all of the records I purchased in the Bruce M. West collection in Baltimore. A cover such as this, with blemishes and tape stains doesn’t quite say VG++ to these eyes, but I’m sure the buyer will be pleased, otherwise, he wouldn’t have bid $612.50.

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