This week’s theme: It’s Springtime! Featured artists include Charlie Parker, Ella Fitzgerald, Count Basie, Dexter Gordon, Karin Krog, Kenny Drew, Niels-Henning Orsted Pederson, Carmen McRae, Stan Getz, Shelly Manne, LeRoy Vinnegar, Lou Levy, Conte Candoli, Johnny Griffin, Red Garland, Paul Chambers, Arthur Taylor, Kenny Dorham, Cannonball Adderley, Paul Chambers, Jimmy Cobb, Cedar Walton, Max Roach, Sonny Rollins, Clifford Brown, Richie Powell, George Morrow, Harold Land, Sarah Vaughan, John Coltrane, Wilbur Hardin, Astrud Gilberto.

This week’s theme: All the Things You Are in multiple settings. Featured artists include Art Tatum, Ben Webster, Charlie Parker, Dizzy Gillespie, Miles Davis, Bill Evans, Eddie Gomez, Tal Farlow, Dan Axelrod, Eddie Costa, Booker Ervin, Tommy Flanagan, Richard Davis, Alan Dawson, Phineas Newborn Jr., Oscar Pettiford, Kenny Clarke, Johnny Griffin, John Coltrane, Hank Mobley, Lee Morgan, Wynton Kelly, Paul Chambers, Art Blakey, Ella Fitzgerald, Horace Silver, Rosemary Clooney, Scott Hamilton, Warren Vache, Carmen McRae, Kenny Dorham, Doug Watkins, Dexter Gordon, Barry Harris, Buster Williams, Tootie Heath.

This week’s theme: Part two of a two-part celebration of my father’s 100th birthday. Featured artists include Horace Silver, Joe Henderson, Carmel Jones, Ella Fitzgerald, Dinah Washington, Clifford Brown, Clark Terry, Donald Byrd, Hank Mobley, Kenny Burrell, Herbie Hancock, Oscar Brown Jr., Dave Brubeck, Paul Desmond, Randy Weston, Cecil Payne, Lockjaw Davis, Johnny Griffin, Junior Mance, and many more.

We were also watching some jazz vinyl from the Jazz Record Center, including Mal Waldron, Mal/2, Prestige 7111. This was an original yellow label pressing with the New York address. We assessed the record as being in VG++ condition, based on the description, and the cover as VG++. We threatened to possibly bid on this copy, since we don’t have an original, John Coltrane is one of the musicians, and, at the time, the bidding was in the $260 range. Alas, we moved on to other events in our life, hence the relatively infrequency of recent posts, and forgot all about Mal/2. The final price was $568.88, which would have been beyond our bidding in any case. Nothing ventured, nothing lost, nothing gained – except I still have my Japanese pressing.

As I am typing this and creating new links, I am on the Jazz Record Center web site and I see they have another auction closing in about five days. Let’s see, here is a deep-groove West 63^rd Street pressing of Lou Donaldson, LD+3, Blue Note 4012. Interesting that they don’t use the word “original” in the description, so perhaps someone can shed light on why this copy would not be an original. In any case, the record and cover look to be in M- or VG++ condition. The bidding starts at $150 and so far there are no bidders.

From the same auction: Workin’ With the Miles Davis Quintet, Prestige 7166. This is an original yellow label New Jersey pressing. The record and the cover both look to be in M- condition. The cover is still in its original shrink wrap and, psychologically, it definitely looks cooler in the shrink wrap. Perhaps that is leading to higher bidding? The bidding on this one has already surpassed $400.

Let’s look beyond the usual suspects, at least as far as eBay sellers. Here’s one:  Dizzy Reece, Star Bright, Blue Note 4023. This looks to be an original deep-groove West 63^rd Street pressing. The record is listed in M- condition and the cover is VG+, with some writing on the back. The auction closes in about five days from this posting and the bidding is in the $600 range.

One more: Johnny Griffin Sextet, Riverside 12-264. This looks like an original pressing with the small reels and mic logo and the deep grooves. It also has promo stamps on the cover and label. I don’t remember all the factors that go into making these early Riverside’s original, so I could be missing something? Anyway, this copy is listed as VG++ for the record and VG++ for the cover. Nice looking copy. Bidding starts in the $250 range and so far there is no action. If it were a Blue Note with this personnel in this time frame, who knows what it would be. But it isn’t.

Clifford Brown Memorial, Prestige 7055. This is an original yellow-label New York pressing that looks to be in M- condition for the record and the cover. The current price is only $200. I say “only” because this looks like the best condition you will ever find this record. Also, does any other artist have two “Memorial” albums? Not just two “Memorial” but on Blue Note and Prestige?

Here are a couple that are not from the Jazz Record Center, starting with Kenny Dorham and the Jazz Prophets, Volume 1, ABC Paramount 122. The record and cover look to be in VG+ condition. Bidding starts at $500 with no bidders yet and the auction closing in about  two days.

Dexter Gordon, Dexter Calling, Blue Note 4083. This is described as an original New York USA pressing listed in M- condition for the record and cover. Start price is about $500 with no bidders yet for an auction that closes in about three days.

To follow up on some of the records we were watching:

Cliff Jordan, Cliff Craft, Blue Note 1582. This was an original West 63^rd Street pressing that looked to be in V++ or so condition for the record and the cover. When we looked at this record, the bidding was in the $860 range. We knew it would break the $1,000 mark, and perhaps the $2,000 mark. It came pretty close, selling for $1,939.08.

From the same seller: Johnny Griffin, The Congregation, Blue Note 1580. Again, this was an original pressing in “excellent/superb” condition, with the added benefit of a cover design by Andy Warhol. We anticipated a final price “north of $3,000,” but we were a bit off. The top bid was $2,823.08.

To no surprise, the two Lee Morgan records and the Chet Baker 10-inch record did not sell.

Let’s try to find a few records that will actually be sold. Here’s a great one: Johnny Griffin, The Congregation, Blue Note 1580.This is an original West 63^rd Street pressing, famous not just for the music, but also for the cover art by Andy Warhol. The record is listed in Excellent Plus condition and the cover is listed as “brilliant EXCELLENT++.” There are 28 bids, the bidding is in the $1,300 range and there are four days left in the auction. I would suggest a price north of $3,000 is where this record will end up, and I may be underestimating by a lot. We’ll see.

Here’s another gem from the same seller: Cliff Jordan, Cliff Craft, Blue Note 1582. This looks to be an original West 63^rd Street pressing. Interesting note on the labels – a previous owner wrote in the times for each track. Going to go back to the Johnny Griffin record and see if the same thing happened there. And the answer is . . . yep, same owner. Lots of Excellents and Plusses in the listing for the condition of the vinyl and the cover. Bidding is in the $860 range and this one will surely end up in the $1,000 bin, unless there’s a separate $2,000 bin, and it may end of there.

All right, one more. Oh, here’s another Warhol cover and a listing from our friends at the Jazz Record Center in New York: Kenny Burrell, Blue Lights, Volume 2, Blue Note 1597. This is listed as a RVG-stamped West 63^rd street pressing, with no deep groove. The record is listed in “excellent” condition and the cover is listed in “new condition – immaculate in every respect.” Bidding is in the $380 range with more than five days left on the auction. If you are interested in perusing other auctions from this listing, just click here for the Jazz Record Center.

This week’s theme is a simple one: John Coltrane on Blue Note. Enjoy.

This week’s theme: Riverside Records, Part II

This week’s theme: The Riverside Label, Part I

This week’s theme: Jazz Meets Broadway