Tag: Jutta Hipp

The Great Jazz Vinyl Countdown, Ad Infinitum

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Finally, the real deal.

To answer some of your post pressing questions. Yes, those are many of my records on the current Carolina Soul eBay auction. Seeing the actual listings makes it pretty clear to me one of the reasons why Jason and I weren’t able to strike a deal: We were grading the condition of the records on a different curve. That wasn’t the only reason, but it must have played an important factor. As a collector and former seller on eBay, I was grading the records quite a bit differently than Jason and his team, who are admittedly more in touch with today’s marketplace. Some of the obvious examples are ones I’ve written about here. Like the Jutta Hipp and Zoot Sims record on Blue Note and the Donald Byrd on Transition. I know that I got those records from the Bruce M. West collection in Baltimore, and I am pretty sure those records weren’t played more than two or three times. When I listened to them, once each, they were clean. In my collection, I had graded the vinyl condition at M- or VG++ at worst. Read more

A New Adventure in Jazz Collecting, Part 6

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I was going to milk the suspense for a couple more days, but I changed my mind. I’ll cut right to the chase. I was prepared to sell Jason from Carolina Soul Records about 5,500 records. My strong preference was an outright purchase and not a consignment. Jason was prepared to buy 5,500 records from me and had the wherewithal to make the outright purchase based on the amount I told him I was looking for. He and his colleague Nate came up to my home in The Berkshires and spent the better part of a day and evening poring through the 5,500-or-so records I had put aside. The opportunity for a big deal was in place . . . . Read more

A New Adventure in Jazz Collecting

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Sometime over the next few weeks the seller Carolina Soul Records will be running an eBay auction that will include many really, really nice original jazz collectibles. These will include a beautiful copy of Jutta Hipp With Zoot Sims, Blue Note 1530, along with nice copies of the other 12-inch Jutta Hipp Blue Notes; a really nice original New York pressing of Sonny Rollins Saxophone Colossus, as well as Blue Note 1542, 1558 and 1581; a West 63rd copy of John Coltrane, Blue Train, Blue Note 1557, plus more than a dozen additional original Tranes; a bunch of Miles originals; Donald Byrd Blows Beacon Hill on Transition, Kenny Dorham Blue Note, Lou Donaldson Blue Note. I could go on.

How do I know so much about this upcoming auction? Read more

A Modern Jazz Quintet

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Let’s go back to the eBay watch list and catch up on some jazz vinyl auctions that may be of interest to the Jazz Collector masses, starting with Chet Baker, Chet, Riverside 299. This looked to be an original blue label deep groove pressing featuring, among others, Bill Evans on piano, which usually seems to generate added interest from collectors. This looked to be graded in EX condition for the record and the cover. The final price was $1,187.  Per Popsike, this is the second highest price ever recorded for this record. In 2018 a mintier copy sold for $1,225.

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Filling Up the $1,000 Bin

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Catching up on the eBay jazz vinyl watch list. Let’s start with one that was sent to me by Japhy: Jackie McLean, Swing, Swang, Swingin’, Blue Note 4024. This was an original deep-groove. West 63rd Street mono. The record and the cover were both in VG++ condition. The final price was $1,650. Japhy’s note was titled “Swinging for the fences,” and he did my homework for me: “A new high of $1,650 for Jackie McLean Swing, Swang, Swingin’ in reported VG++/VG++ condition. Prior high was $1,283 back in 2005.” Speaking of “Swingin’” new highs, we were watching this one the other day: Read more

Hawes, Hipp, Trane and More

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Some random stuff from eBay and email. I hadn’t particularly though of this record as a collectible: Hampton Hawes, For Real, Contemporary 7589. This was a stereo pressing with the yellow label and I couldn’t tell from the listing if it was a deep groove and/or original. It was in VG++ condition for the record and VG+ for the cover. It sold for $113.50, which is not Blue Note pricing, but still in the range of what I would view as a collectible. Just took a look at Popsike and, lo and behold, this record does have a particular cachet, with many copies selling for more than $100 and a top price of more than $300 for a mono pressing. I’m sure it’s a great record, with Harold Land on tenor, and I’m also sure that the presence of Scott La Faro on bass for one of his last albums adds to the interest and thus the value. Not being on eBay all of the time, and not doing any buying or selling myself, it sometimes happens that nice records slip through the cracks of my awareness. Here’s another one to put on my want list because, alas, I no longer have a copy. Read more

Rare Jazz Vinyl: A Question of Condition

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I had my eye on this one to see if it would sell: Jutta Hipp, At the Hickory House, Volume 2, Blue Note 1516. This was an original pressing with the Lexington Avenue label. So, it was listed in VG++ condition for the record and VG++ for the cover. Except . . . the record had a few light surface scratches and played with some surface noise. So maybe the vinyl condition gets downgraded a notch. And then . . . the cover has a seam split ton the top with visible damage, so that gets graded down at least a notch, perhaps two. Then the question becomes how much do you trust a seller when there’s a clear discrepancy and the start price for the record is more than $900. The answer on eBay was “not enough,” since nobody bid. The record is back for sale with a lower start price, barely, of about $900.

Here‘s another:

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Four Favorites, For a Price

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Back online again and tracking some of my favorite jazz records on eBay, starting with Jackie McLean, McLean’s Scene, New Jazz 8212. This is an original deep groove purple label pressing. The record is listed in VG+ or perhaps better condition and the cover is VG++. The start price is about $200 and so far there are no bidders with more than five days left. This one will get action, right?

Miles Davis, Kind of Blue, Columbia 1355. This is an original white label promotional copy. The record is listed in M- condition and the cover is Ex or Ex+ condition. There are more than four days left on the auction and the bidding is in the $170 range, with 13 bids. Curious to see where this ends up. We were watching a promo Kind of Blue a few weeks ago that had a $600 start price and no bidders — but it also had some condition questions. We have seen promo copies sell for as much as $2,700 in the past, but this one will not get to that level.

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To Buy (It Now), Or Not to Buy (It Now)

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Regular contributor Daryl Parks posed an interesting question about auctions versus buy-it-now listings on eBay. From the beginning here at Jazz Collector we have focused on auctions. Not sure why, but that was how I always did business on eBay, when I did do business on eBay, both as a buyer and as a seller. Daryl was helping a friend with some listings of jazz records, and the friend preferred buy-it-now, particularly for what he described as “big ticket” items, in this case original Blue Note pressings from Curtis Fuller and Jutta Hipp. His explanation, as explained by Daryl: “Buy-it-now attracts different types of buyers who prefer to avoid roller-coasters and unpredictability while resulting in predictable outcomes for the seller; he has always had great success with this approach.” Read more

The Rise of the Second Pressings?????

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Sorry, again, for the paucity of posts and thanks, again, to Clifford for pitching in. There’s a lot to catch up on so let’s begin, starting with Sonny Rollins, Saxophone Colossus, Prestige 7079. I think we may be seen a new paradigm taking shape in our Jazz Collector world. This copy was in extremely nice condition, graded M- for both the cover and the vinyl. It sold for $1,002.99, which some might think would be a bargain price for an original of Saxophone Colossus, and, of course, that would be accurate. But this was not an original pressing, but instead was a yellow label New Jersey pressing. I think we’re starting to see the rise of the second — and later — pressings because the originals are so expensive and so hard to come by, particularly in near mint condition. Makes me regret that I sold so many of my Liberty Blue Notes for $20 or so when I was selling regularly on eBay in the first part of the 2000s. Then again, the reason I was able to sell those Liberties was because I had acquired original pressings and no longer needed them, so nothing really to complain too strenuously about.

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