Tag: Kenny Dorham

A Trio of Blue Notes For A Monday Morning

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Back to watching records on eBay. Don-lucky send me this as a heads-up, knowing my interest, expressed many times here, in obtaining an original pressing of this record: Freddie Redd, Shades of Redd, Blue Note 4045. This was an original pressing that was close to M- for the record and VG+ for the cover. The price was $721.67. This was way too rich for my blood. As I’ve explained, I’m in transition now, with some records in storage, so my collection isn’t all together in one place, so it’s hard to think about buying more records when I don’t even have access to all of the ones I currently own. Still, if I came upon a nice copy of this record for a reasonable price, or if someone offered up a nice collection, I assume the old adrenaline will kick in and I’ll be peeling off $100 bills.

Here’s some jazz vinyl for the $1,000 bin: Kenny Dorham, Round Midnight at the Cafe Bohemia, Blue Note 1524. This was an original Lexington Avenue pressing and it was listed in Ex+ condition for the record — is that better than VG++, but less than M-? — and the cover was VG++. The price was $1,259.77.

This next one didn’t quite make the $1,000 bin but it came close:

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Updates From The Jazz Record Center Auction, Part 2

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We did promise a Part 2 of our post on the recent auction from The Jazz Record Center, so here goes (apologize for the delay):

Why isn’t this record worth more: Thelonious Monk and Sonny Rollins, Prestige 7075? This was an original New York pressing. The record was in M- condition — nearly new — and the cover looked like it was at least VG++, maybe better. It sold for $192.50. I happen to think this is a terrific album. I love Sonny’s interpretation of The Way You Look Tonight. When I was first getting into jazz I used to compare this version to the Stan Getz version on Stan Getz Plays and it took me a while to reconcile not only that it was the same song, but that it was even the same instrument. My ears are obviously much more sophisticated now, but at the time the difference in approach seemed so stark. And I liked both versions. Anyway, I repeat my query: Why is this great original Prestige, featuring two of the geniuses of modern jazz, not even a $200 record?

This has always been one of the rarest and more expensive of the Riversides, for good reason: Sonny Rollins, The Sound of Sonny, Riverside 241. This was an original white label pressing and it was in M- condition for both the record and the cover. It sold for $765. It’s the presence of Sonny Clark with Rollins that makes this one so sought-after, no?

Now for a few Blue Notes:

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Watching Jazz Vinyl From the Jazz Record Center

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Our friends at the Jazz Record Center have a new auction this week and we always like to keep an eye on their stuff because it gives a pretty good indication of the overall market, which still seems to be down these days, right? Here are a few of their listings:

Eric Dolphy at the Five Spot Volume 1, New Jazz 8260. This is an original pressing with the purple label and deep grooves. The record looks to be in M- condition, and the cover probably VG+ with some seam splitting. The start price is $75, there are no bidders and there are eight days to go. We’ve seen this record sell for as much as $966 in the Jazz Collector Price Guide, so we’d expect that this will fetch a much higher price than the start price. We’ll see.

Horace Parlan, On the Spur of the Moment, Blue Note 4074. This is a weird one, with a Review stamp on one label with the New York USA address, and the other address the West 63rd Street label. As noted by Fred Cohen, proprietor of the Jazz Record Center, the original pressing on this one should have the West 63rd address on both labels. So what does that make this? Here’s where we get into that whole debate again about original and first pressings. This one has a start price of $200 and no bids as of yet.

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Jaro, Jaro, Jaro

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What’s the collective knowledge out there about the Jaro label? I mention this because I am watching copies of the Kenny Dorham and J.R. Monterose records, which are both on eBay now, and because I listened to a reissue of the Monterose record a few weeks ago and it was terrific. Here’s what we are watching, among other items: The Arrival of Kenny Dorham, Jaro 5007. This looks to be an original pressing in strong VG+ condition for the record and the vinyl. The start price is about $200 and, so far, there are no bidders. There are two copies of the Monterose I’m watching: J.R. Monterose, The Message, Jaro 5004. This looks to be an original mono pressing that is in VG++ condition for both the record and the cover. The bidding has reached about $230 with a little more than a day to go and the seller’s reserve price has not yet been met. There is also this one: J.R. Monterose, The Message, Jaro 8004. This is a stereo pressing of the same record. The vinyl looks to be VG+ and the cover probably VG++. The start price is $160 and so far there is one bidder.

Catching Up on Rare and “Megarare” Jazz Vinyl

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Here are some other items we were watching before we got distracted.

Remember that nice batch of 10-inch LPs? They did quite well. Kenny Dorham Quintet, Debut 9. The record was listed in VG++ condition and the cover was near mint. The price was $430.55. Sonny Rollins Quintet, Prestige 186. This one was also VG++ for the record and near mint for the cover. It sold for $510. Miles Davis with Sonny Rollins, Prestige 187. This was in near mint condition for both the record and the cover. It sold for $305. I’d take it at that price if, indeed, I was buying records these days.

Even though this was was described as “megarare” — shades of BobD — it didn’t sell at a start price of about $300: John Coltrane, Giant Steps, Atlantic 1311. This was a stereo pressing with the bullseye label. The record was VG++ and the cover was VG+.

Tracking Another Batch of 10-Inch Jazz Vinyl

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There’s another really nice set of 10-inch LPs on eBay now, including: Sonny Rollins Quintet, Prestige 186. This is an original pressing with a great cover. The record is in VG++ condition and the cover is M-. The start price is about $500 and there are no bidders yet. If I was in a buying mood, which I’m not, I’d consider this for $500. When will you ever see a clean copy of this record again? The same seller has several more beauties. How about this: Miles Davis With Sonny Rollins, Prestige 187. This is in M- condition for both the record and the cover. The start price is about $300 and, again, there are no bidders yet. One more: Kenny Dorham Quintet, Debut 9. This one is VG++ for the record and M- for the cover. The start price is around $350 with no bidders as of this post. It’ll be interesting to see what happens with these records. How often do you find such nice collectibles in such nice condition? Start prices are high, but . . . .

Watching Some Nice 10-Inch Blue Notes

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Here’s some jazz vinyl we’re watching on eBay:

This seller has some nice 10-inch LPs, including: The Eminent Jay Jay Johnson Volume 3, Blue Note 5070. This is an original pressing featuring Hank Mobley and Horace Silver. It looks to be in very nice condition, graded VG++ by the seller for both the record and the cover. This one has a start price of $250 and there are no bidders so far. Also, Lou Donaldson and Clifford Brown, New Faces, New Sounds, Blue Note 5030. This is an original pressing also graded in VG++ condition. The start price on this one is $200 and there is one bid as of now. One more: Lou Donaldson, New Faces, New Sounds, Blue Note 5021. This is another one that looks great, with a sparkling cover rate in M- condition. Don’t see that too often. The cover is VG++. The current price is $275 and there are more than four days to go.

Speaking of 10-inch Blue Notes:

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Updating the $1,000 Bin & A Few More

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Here are some $1,000 and near-$1,000 records we missed:

Kenny Dorham, ‘Round About Midnight at the Cafe Bohemia, Blue Note 1524. This was an original pressing that was listed in M- condition for the record and excellent condition for the cover, which is, what, VG+, VG++? This one sold for $1,315.

People have already commented on this one elsewhere on Jazz Collector, but it seems reasonable to me, given the state of the Blue Note market: Cannonball Adderley, Somethin’ Else, Blue Note 1595. This looked like an original pressing and was in M- condition for both the record and the cover. It sold for $1,250.

This one came from the bobjdukic batch and, given the condition, sold for a fairly whopping price tag: Lee Morgan, Indeed!, Blue Note 1538. It was listed as “insanely rare” (of course), but it was also listed in VG to VG-minus condition for the vinyl, which would definitely indicate surface noise. The cover was VG+ and the price was an even $1,000, which, I suppose, is a sign of something  to conspiracy theorists.

Here was an original copy of Sonny Rollins, Saxophone Colossus, Prestige 7079, the barely missed the $1,000 bin. This looked to be in VG+ or VG++ condition for the vinyl and probably around VG+ for the cover. It sold for $948,

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If It’s Monday it Must be Blue Note

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Speaking of Hank Mobley, there’s this: Hank Mobley, Blue Note 1568. This is an original pressing and the seller has it in M-condition for the vinyl and excellent for the cover, which typically translate to VG+. There’s only a little more than a day left on the bidding and it’s only $660. I guess a lot of people are lurking in ambush. We’d still expect this to sell for more than $2,000, right?

Here’s a beauty from a seller with zero feedback who is selling his father’s collection, apparently one at a time starting with Kenny Dorham, Afro Cuban, Blue-Note 5065. He describes the record as VG++ and the cover as VG, but his experience is clearly limited so who knows? Pictures look pretty good to me, but the start price is a little rich for my blood: $350. There are no bidders, but I have a feeling it will sell.

And here would be the 12-inch version: Kenny Dorham, Afro-Cuban, Blue Note 1535. This one is M- for the record and VG++ for the cover. It is more than $300 already. Which begs the question: Which would you rather have, the 10-inch LP or the 12-inch LP? Of course, most of you will be inclined to say “both” but what if it were only one?

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Tracking Prices in an Alternate Universe

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Let’s catch up on some of the jazz vinyl we were watching last week. Remember that copy of Miles Davis, Steamin’, Prestige 7200, pictured a few items below?   That was the one from bobjdukic and it was in M- condition, an original New Jersey pressing? It sold for $760. Wow! I’ll put it in the Jazz Collector Price Guide, but it’s hard to imagine that this will now be the going rate for this record. This guy seems to have a customer base that’s in an alternate universe from the customer base buying jazz vinyl from every other seller on eBay. There are many examples, but look at this one as well: Stan Getz, Imported From Europe, Verve 8331. This isn’t even an original pressing and he was able to get $122.50 for it. It leaves me somewhat speechless, but someone, somewhere, was willing to pay the price.

This is from a different seller and more in line with current market realities: Duke Jordan, Flight To Jordan, Blue Note 4046. This was an original pressing with the West 63rd label, deep grooves, ear, etc. It was listed in M- condition for the record and VG+ for the cover. It sold for $741.

This is a nice record:

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