Podcast: Riverside Records, Part II
This week’s theme: Riverside Records, Part II
Tag: Kenny Drew
Heavy Hitter$
I went a few weeks back to clean out my eBay watch list and found a few items to share before moving forward. Here are some high-end items from the seller 1molecularrman, starting with Webster Young, For Lady, Prestige 7106. This was an original New York yellow label listed in VG++ condition for both the record and the cover. The final price was $2,175. I didn’t recall ever seeing a higher price for this record, but I don’t watch eBay every day the way I used to. Checking with Popsike . . . . yes, this is the highest price ever recorded for For Lady. Read more
This is New; And So Is That
Pardon the interruption. Since I last posted, I’ve driven back and forth to Chapel Hill, written about a dozen papers for work and even tested positive for COVID-19 antibodies. It’s been busy here and I haven’t been able to spend a lot of time on my records or on Jazz Collector. Having said that, I plugged back into eBay this morning and pulled a few records to share with you, starting with Kenny Drew, This is New, Riverside 236. This is an original white label pressing and it looks to be in VG+ condition for both the record and the cover. This is a nice quartet/quintet record featuring Donald Byrd and Hank Mobley. Put it on Blue Note with this personnel from this era and you have a record that would be a regular in the $1,000 bin. On Riverside, the bidding is in the $275 range with the auction closing later today. Read more
Another Adventure in Jazz Collecting, 10-inch Edition
After buying, curating and eventually selling the Ornette Collection from Dee, I felt myself gripped in that very old, very familiar, somewhat obsessive feeling of wanting more. Not necessarily more records because, Lord knows, I have enough records. No, it was all about wanting more action. So, I reached out to my friend here in The Berkshires who is planning to sell his collection at some point, but he said he isn’t quite ready yet to part with them. Then, out of the blue, another friend up here sent me a note with a link to an online auction of jazz records that was being conducted locally. The site was something called Caring Transitions, so I clicked the link and this is one of the pictures I saw:
A Recurring Case of Blue Note Envy
Back to eBay with four Blue Notes that come to you straight from my want list, leading off with Sonny Red, Out of the Blue, Blue Note 4032. This looks to be an original deep-groove West 63rd Street pressing that appears to be in M- condition for the record and VG++ for the cover. The bidding is now in the $300 range with four days left on the auction. This is a record that has sold for more than $1,000 several times in the past, with a top price of $1,802, according to Popsike. I certainly wouldn’t be surprised to see this copy end up in the $1,000 bin. This is a record I once owned and stupidly traded away back many years ago – I would say nearly 40 years? – when I was transitioning from fan to collector and I had set out to fill in all of the first 200 or so yellow-label Prestiges. Read more
Back At Our Post, Watching, Lamenting and Celebrating Jazz Vinyl
I don’t know what to say about my extended gap(s) between posts, so I will just apologize and hope to do better. I have somewhat of an excuse for the latest gap, sort of, in that part of that time has been in pursuit of a small record collection that has resulted in success, sort of, in that I am in possession of the records. Whether I want to be is another story, and what I will do with the records is also another story, and, sorry to do this to you, but I am not in a position to tell any of the stories yet, because we are still in progress. But all the stories bill be told in time, when they are complete. In the meantime, let’s get back to basic business, i.e,. looking at records on eBay.
Here’s a nice 10-inch Blue Note that caught my eye: Introducing the Kenny Drew Trio, Blue Note 5023. This is an original 10-inch Lexington Avenue pressing, in what looks to be M- condition for the record and VG+ for the cover. The bidding is at $250 with more than three days left on the auction. The record is from the Jazz Record Center, so, naturally, I clicked over to their other listings, and these are some of the items I saw: Read more
A Misadventure in Jazz Collecting, Part 2
If only I’d been prescient enough to record my calls with Debbie, then I’d be able to provide an accurate blow-by-blow account of the roller-coaster ride she took me on over the next six weeks, but, then again, reliving it in all of its sordid detail might have proven too much for my sanity. I had a pretty good sense of what was to come during our first phone call. I was feeling things out, not necessarily interested in buying the collection for myself, but genuinely interested in providing help and guidance. For all I knew she was a widow who desperately needed the money.
Turns out her hub, as she called him, was alive and relatively well, at least as far as I could tell, and, while I never did actually speak to him, there were several phone calls where I could hear him yelling in the background advice to the effect that I was trying to rip them off because I was telling her that the Japanese pressings of Blue Notes were not of the same value as original pressings, even though, as hub said, they were great records and should be worth a lot. But I am getting ahead of myself.
On the Menu: Classic Blue Notes and Prestiges
We’ll start today with a few from the Prestige label, opening with Zoot Sims Quartets, Prestige 7026. This is an original New York pressing that looks to be in about VG+ condition for the record and similar for the cover. It’s not a record that we’ve written about much. We don’t see it on eBay that often and it doesn’t typically command high collectible prices, compared to other original pressings from the era. This one has a start price of $200 and so far there are no bids, with the auction closing in two days. I happen to own a copy of this record, but haven’t listened to it in like 30 years. Maybe I’ll try it later. Zoot is always worth a listen, IMHO. Read more
Monday Morning Blue Notes
Let’s catch up on some completed and upcoming auctions of rare jazz vinyl on eBay, starting with Dizzy Reece, Blues in Trinity, Blue Note 4006. This was an original West 63rd Street pressing in VG++ condition for the record and VG+. When we first started watching this record it was in the $125 price range but was seeing a lot of activity. We speculated that it may approach the $1,000 bin and it wound up selling for $906.80. This one, Lee Morgan, Candy, Blue Note 1590, was in the $925 range when we first spotted it and, based on the seller and condition — M- for the record and cover — we speculated that it was destined for the $2,000, but it came up just short, selling for $1,807. Finally, there was Kenny Drew, Undercurrent, Blue Note 4059. This looked like an original pressing with the one sided deep groove, although there was some dispute about that among the commenters. I guess the pictures weren’t clear. It was a relatively new seller and the record and cover looked to be in M- condition. But the start price was quite high at $3,000 and there were no bids, so perhaps we will see this back on eBay with a lower price tag.
Random Musings and Blue Notes
I’m back with a completely random batch of records that are currently for sale on eBay, starting with one of my favorite LPs, Jackie McLean, McLean’s Scene, New Jazz 8212. This is an original purple label deep groove pressing listed in VG+ condition for both the record and the cover. The bidding is in the $160 range with four days left. When I think of my favorite alto players, there’s Bird, of course, then Cannonball, then a small group of a few more who were able to create a distinct sound despite the overwhelming presence and influence of Bird. This relatively short list includes Jackie, Paul Desmond, Phil Woods and just a couple of others such as Ernie Henry, who died so young. Then there are Johnny Hodges, who came before Bird and was certainly distinct and marvelous, and Sonny Stitt, who sounded perhaps the most like Bird but could play his ass off and is almost always a joy to put on the turntable, for me at least. Anyway, just some alto musings off the top of my head on a bright Wednesday morning, inspired by McLean’s Scene.