Tag: Lee Morgan

Two for the $1,000 Bin, Two for The Watch List

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A couple of albums we were watching this weekend broke into the $1,000 bin: Freddie Hubbard, Open Sesame, Blue Note 4040. This was an original pressing listed in M- condition for both the record and the cover. The final price was $1,150. Also, Hank Mobley and Lee Morgan, Peckin’ Time, Blue Note 1574. This was a West 63rd Street pressing without the New York 23, which I think is an original, contrary to my previous post. This one was from the same seller and was also listed in M- condition for both the record and the cover. The final price was $1,202.

Here are a few we’re watching now: The Dual Role of Bob Brookmeyer, Prestige 7066. I’m trying to see if there’s something wrong with this one. It looks like an original New York yellow label pressing and it seems to be in pretty nice shape, at least VG+ for both the record and the cover. The auction closes tomorrow and the bidding is only at $30, which seems kind of low for an original Prestige in the early part of the 7000 series. Is there so little interest in Brookmeyer? I mean, Moondog Prestige  records sell for a lot more than Brookmeyer records, it seems.

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Just Another eBay Day

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Here are a few jazz records we’re watching on eBay, starting with The Eminent Jay Jay Johnson, Volume 2, Blue Note 5057. This is an original 10-inch pressing in VG+ condition for both the record and the cover. The start price is $175, the auction closes in more than three days and so far there are no bidders.

John Coltrane, Giant Steps, Atlantic 1311. This is an original deep groove black label pressing. The record and cover are both in VG+ condition. There’s about five hours left in the auction and the bidding is in the $350 range.

Speaking of rare records by female artists, as we were a couple of weeks ago: Toshiko Akiyoshi, Her Trio, Her Quartet, Storyville 918. This is an original deep groove pressing in Ex condition for the record and VG for the cover. It closes in about 13 hours and, so far, has no bids at a start price of $200.

Hank Mobley and Lee Morgan, Peckin’ Time, Blue Note 1574. This is a West 63rd deep groove pressing without the New York 23 on the labels. It is in M- condition for both the record and the cover. Pricing is at about $560 with more than two days left to bid.

 

 

 

Live From LA: Blue Notes

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We continue our Western swing and we are now in Los Angeles where we may have time to peruse a record store or two today. Any recommendations? In the meantime, we are back on eBay and watching some jazz vinyl with great interest, seeing as how we won a few bucks in Vegas, starting with a few Blue Notes:  Cliff Jordan, Blue Note 1565. This looks to be an original West 63rd Street pressing with the New York 23 labels. The record is listed in VG++ condition and the cover is VG+. The bidding closings later today and is currently in the $400 range. Hmmm. This is a gap in my collection.

Lee Morgan, The Cooker, Blue Note 1578. This is also an original pressing and it is listed as Ex+ for the record and Ex for the cover. This one closes tomorrow and the bidding is in the $500 range. This is also a gap in my collection, but I have a feeling this one is going to go for $700-plus, too rich for my blood.

Dizzy Reece, Star Bright, Blue Note 4023. This is another original pressing. The record is in M- condition and the cover is in M- condition. The start price is about $400 and so far there are no bidders with three days to go.

 

 

Danish Jazz, Anyone? Blue Notes, Anyone?

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Here’s one that almost made it to the $3,000 bin: Sahib Shihab and the Danish Jazz Radio Group, Oktav OKLP 111. This was an original Danish pressing listed in Ex condition for both the record and the cover, with just a single photo on the listing. The bidders must have had a lot of confidence in the seller because the record sold for $2,965. Last time we saw that record in the Jazz Collector Price Guide it sold for $1,953. This seller had quite a week. This next one went deep into the $3,000 bin: Presenting Jazz Quintet 60, Fontana TL 687.527. This was another Danish original, from 1963, and it featured, among others Bent Axen and Neils Hennings Oersted Pedersen. It was described as being in pristine condition and sold for a whopping $3,617.89. Imagine buying these records in the mid ’60s for, what, the equivalent of five bucks or so each, and now selling the two of them for $6,500? What’s more, if you look at the seller’s completed auctions, you see another record that sold for $2,240: Jazz Quintet 60, Metronome 15124.

Here are a few nice Blue Notes:

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When an Original is Not an Original

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I was watching a few jazz vinyl auctions as they closed the other day with some degree of interest because of what I considered to be the clear misuse of the word “original.” Here’s an example: Lee Morgan, Lee-Way, Blue Note 4034. This was labeled as an “original mono pressing from 1964.” What does original mean in this case? It is clearly not a first pressing, since the address on the label is New York USA. The seller is a veteran eBayer and I’ve bought from him a few times and I’ve always had good experiences. So he knows the difference between a real original and a pseudo original. Was a buyer duped in this transaction? Well, there were pictures of the label and the New York USA labels were clearly stated, so if someone thought this was an original first pressing, he was being quite careless and/or was ignorant. It’s hard to tell from the price. The record sold for $136.50, but the back was stained and in VG- condition. My bet is if the listing did not use the word “original” then a second (or third, or fourth) pressing of Lee-Way with a stained back cover would not have sold for more than $100. So the seller probably made a few more bucks and the buyer got a later pressing with a stained cover.

Here’s another one that’s hard to figure:

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One For the $3,000 Bin, And A Few More

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Let’s check in on some of the jazz vinyl auctions we’ve been watching on eBay, starting with: Hank Mobley, Blue Note 1568. This was a sort of original pressing in that it had the West 63rd address, deep grooves, ear and RVG but no New York 23  on one of of the sides, so perhaps sticklers will set it is less than an original. I’d be happy to have it, that’s for sure. The vinyl was M- and the cover was VG+. The final price was $3,355.55.

This one did not sell: John Coltrane, Soultrane, Prestige 7142. The listing had a few inconsistencies, talking about a New York label, when this one never came with a New York label. And the condition listing was not consistent either, although it seemed that the record was probably VG++ and the cover was M-. The start price was $365 and no one was interested at that price.

Here are a couple more nice Blue Notes I was watching:

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Tracking Tres Blue Notes

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Just popped over to eBay and noticed this one closing in about an hour: Lee Morgan, Candy, Blue Note 1590. This looks to be an original pressing. The record is listed in VG condition, although the seller notes that it “plays great,” and the cover is VG+. The price is only $565. I say “only” because I would expect this record to sell for more than $1,000 in this condition. And perhaps it will.

Here’ another from the same seller, similar description: Lee Morgan, Indeed, Blue Note 1538. This is an original Lexington Avenue pressing, also listed in VG condition for the record, this time without the “plays great” proviso. The cover is in VG+ condition and this one also closes in about an hour. The bidding is in the $500 range.

And one more from this seller: Sonny Rollins Volume 1, Blue Note 1542. This is an original Lexington Avenue pressing. The cover on this always has the West 63rd address, right? I’ve never seen this with a Lexington Avenue cover and I’m pretty sure they don’t exist. I have to get another copy of Fred Cohen’s Blue Note Guide. I left the last one on a plane. This record

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Blue Notes & Prestige: A Day at Jazz Collector

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Let’s catch up on some of the jazz vinyl auctions we’ve been watching, starting with: Walter Davis, Davis Cup, Blue Note 4018. This was an original pressing in M- condition for both the record and the cover. The bidding was slow on this one, as you may recall, in the low $100 range with just one day left on the bidding. Well, it may have started slow, but it ended on a high note for the seller. The record sold for $919.99. There are no bargains on Blue Notes on eBay, are there, unless you get lucky with condition.

My friend Dan was urging me to get this record when the bidding was close to $400 with just a few hours to go: Sonny Rollins With Thelonious Monk, Prestige 190. Put in a bid of $700, he said. It’ll be your birthday present. I thought about it, but decided against it. Good thing I didn’t get my hopes up because I wouldn’t have won the record. It sold for $799.55. Speaking of my birthday present, the Lovely Mrs. JC says she’s only gotten one response so far to her request. There’s still time, but it’s running low — birthday is in two and a half weeks. Contact Mrs JC at mrsjc(at)jazzcollector.com.

I thought this one might reach the $1,000 bin, but it came up just short:

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The Blue Notes Keep Coming . . . And Going

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Missed this one from last week: Lee Morgan, Indeed, Blue Note 1538. This was an original Lexington Avenue pressing that looked to be in VG++ condition for both the record and the cover. It sold for $2,142.01. Wow. Quite a significant price tag for that, although we’ve seen it get even more than that several times in the Jazz Collector Price Guide, topping out at $2,927.

I think I missed this one as well: Sabu, Palo Congo, Blue Note 1561. This looked like an original pressing. The record was in M- condition and the cover was VG+.The top bid was more than $400, but it failed to meet the seller’s reserve price. Not surprising that the reserve was higher than that. We saw a copy of this sell for more than $800 just a few months ago. Another one I’ve never owned, but not one I’d place on my want list. Too many other records I’d prefer.

 

 

 

Some More Beautiful Jazz Vinyl

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Here’s one I forgot to put on my want list the other day: Lee Morgan Sextet, Blue Note 1541. This one is an original Lexington Avenue pressing listed in VG+ condition for the record and VG++ for the cover. Great crystal clear cover picture that makes the listing quite enticing, don’t you think? This was one of the first Blue Note records I ever purchased, back in the early 1970s, but, of course, in those days the record available in the bins at Sam Goody’s was a reprocessed stereo Liberty pressing. And that’s what I’ve had all of these years. This particular copy will not likely be the replacement: The bidding has already neared $500 and there are are still more than four days left on the auction.

Here’s another beauty from the same era, similar black and white cover with some yellow type: Hank Mobley with Donald Byrd and Lee Morgan, Blue Note 1540. This is also an original Lexington Avenue pressing. This one is in VG++ condition for both the record and the cover. The pricing is now at $1,100 but it hasn’t reached the seller’s reserve price.

Let’s get away from Blue Note for the next couple:

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