Tag: Lee Morgan

Pick A Pair of Blue Notes

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Here are a few items we’re watching on eBay this week, starting with: Curtis Fuller, The Opener, Blue Note 1567. This one was sitting at a start price of about $100 for a long time and I thought maybe, just maybe, I might be able to sneak in and get it for a decent price, a decent price being under $300. No such luck. The record is in VG+ condition and the cover is VG and the price is already at $335. It closes later today. The seller did a nice job with the pictures, even (or perhaps especially) the pictures of the bruised corners. To me, the bruised corners make it even more attractive, in some way. It looks more its age and it shows that it has been enjoyed.

This one also has a nice picture to go with the listing: Hank Mobley with Donald Byrd and Lee Morgan, Blue Note 1540. This is an original Lexington Avenue pressing and it looks to be in very nice condition, VG++ for both the record and the cover. The bidding is in the $250 range but it has yet to reach the seller’s reserve price. There are still a couple of days to go and I wouldn’t be surprised to see this one get into the $1,000 bin.

 

 

Watching Some Nice Jazz Collectibles

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Catching up on life and on eBay, so here are some jazz records I am watching and have been watching.

Tina Brooks, True Blue, Blue Note 4041. This was an original pressing, still in some kind of shrink wrap with a $1.79 price sticker. Wouldn’t that be great, $1.79 for an original pressing of True Blue. This one was in VG+ condition for the record and M- for the cover. It did not sell for $1.79. It sold for $1,414. Not a bad price, all in all. So, when you get this home do you take off the shrink wrap or do you leave it on? If it’s me, I’m pretty sure I take it off and put the record in a nice plastic sleeve.

This one also ended up in the $1,000 bin: Lee Morgan, Candy, Blue Note 1590. This was an original West 63rd pressing. The record was in VG+ condition and the cover was VG++. The price was $1,280.55

This one closes later today. Price is still out my range: Clifford Jordan Sextet, Blue Note 1565. This is an original pressing. The record is in M- condition and the cover is VG+. The picture in the listing could be better, but that doesn’t seem to be effecting the bidding, which is now up to $800.

And let’s throw in a couple of non-Blue Notes:

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A Jazz Vinyl Trio for the $1,000 Bin

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Here’s some high-end jazz vinyl we’ve missed in the past couple of weeks:

Marty Paich Quartet Featuring Art Pepper, Tampa 28. This was sold by the same seller who claimed exclusive access to the best of Leon Leavitt’s collection and was selling some other high-end items a few months ago. This one was an original pressing with the red vinyl and it was listed in M- condition for both the record and the cover. It sold for $2,000, on the nose. Hmmm.

Hank Mobley and Lee Morgan, Peckin’ Time, Blue Note 1574. This was listed as an original pressing in M- condition for the record and the cover. It sold for an even $1,300 and there was only one bid. Hmmm.

Dave Bailey Sextet, Bash!, Jazz Line. This one is quite rare, with Kenny Dorham on trumpet, Curtis Fuller on trombone, Tommy Flanagan on piano. It was listed in M- condition for the record and VG+ for the cover. It sold for $1,111. No Hmmm for this.

Moving On: A Trio of Blue Note LPs

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It was an interesting week on Jazz Collector following the chronicles of my purchase of the Irving Kalus collection and the subsequent comments, which are ongoing as I type this. Later in the week, when I have time, I will do an epilogue and I will also put all of the posts together in a single story, which will be downloadable as a PDF. The whole thing will probably read a bit like novel all at once. It’s a marvel of our era that through the Internet we could give life to a college essay written more than 60 years ago and create a living online legacy for a man who had passed in relative obscurity, except, of course, to his beloved family and friends. I certainly feel honored and blessed to have been able to play a part in that, so the gift to me is not just Irving’s records but the psychic reward of having done some good work. For all of the time and effort and money I’ve put into Jazz Collector for the past 10 years, this is a real nice payback.

Having said that, let’s move back on the mundane business of watching collectible jazz vinyl on eBay. Here are some items of interest this week:

Sonny Clark, Cool Struttin’, Blue Note 1588. Irving did not have an original pressing of this, just a blue label Liberty. However, I was fortunately able to pick up an original in a previous collection I purchased. For that whole story you’ll have to wait for the Jazz Collector book, which is still a vision in my brain at this point. This original pressing of Cool Struttin’ is in beautiful M- condition for the record and the cover and is currently priced at more than $2,000. Even at that price it may not sell: It has not yet reached the seller’s reserve.

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Catching Up On the $1,000 (Plus) Bin

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Here’s a few I missed, including one for the $4,000 bin and one for the $2,000 bin.

Hank Mobley, Blue Note 1568. This was an original original pressing with the New York 23 on side 2. The record was listed in M- condition and the cover looked to be VG++. It sold for $4,617. Do you ever think about what these artists would feel about their records selling for this kind of money? This single record is a lot more than Mobley ever made for a record date and probably isn’t that far from what he got paid for his cumulate output as a leader on Blue Note. Amazing, when you think about it.

John Coltrane, Blue Train, Blue Note 1577. This was also an original pressing from the same seller. It was in M- condition for both the record and the cover. It sold for $2,045. That’s the first time we’ve ever seen Blue Train sell for more than $2,000 in the Jazz Collector Price Guide.

May as well stay in the $1,000 bin:

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Catching Up On Some Rare Jazz Vinyl

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Here’s an update on some jazz vinyl auctions we’ve been watching on eBay:

Hank Mobley and Lee Morgan, Peckin’ Time, Blue Note 1574. This was an original West 63rd Street pressing in VG+ condition for both the record and the cover. Interesting, isn’t it, that we’re no longer surprised when VG+ records sell for more than $1,000. This one fetched a price of $1,009. Interesting to look at the cover of this record, given most of the covers that Blue Note was producing at the time, usually featuring some kind of picture of the artist. Simple graphic of a red suitcase and not sure what that has to do with Peckin’ Time or Mobley. There are also no pictures on the back cover. A little bit strange, no? I wonder if there is a story behind the cover?

Here’s another one that broke into the $1,000 bin: Freddie Hubbard, Open Sesame, Blue Note 4040. This looked to be an original pressing, although the seller put in the wrong catalog number. It was listed in VG++ condition for the vinyl and Ex for the cover, which I still take to mean around VG+, although it could be better. This one sold for the same price as the other, $1,009.

I seem to be a bit focused on $1,000 Blue Notes today. Here’s another:

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Doubles, Anyone?

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I am somewhat buried in records these days, but not so buried that I can’t keep an eye on what else is out there. Here are some of the jazz vinyl auctions to watch on eBay:

Sonny Rollins, Tenor Madness, Prestige 7047. This is an original New York yellow label pressing that looks to be in VG++ condition for both the record and the cover. As I think I’ve said, this is still my favorite Rollins record. Not just the presence of Coltrane, but the B side of this record is terrific, starting with Paul’s Pal. I find myself in a weird position with this record — I have an original New York pressing that can use a condition upgrade, but I also have two New Jersey pressings in M- condition. An embarrassment of riches, I agree, but I’d still love an M- New York  pressing. This one closes later today and is priced in the $225 range.

Hank Mobley and Lee Morgan, Peckin’ Time, Blue Note 1574. This is an original pressing that looks to be in VG+ condition for both the record and the cover. The current price is less than $200, but we’d expect it to sell for quite a bit more. I would love an original pressing of this LP — perhaps I should be offering up some of my doubles for trade. At this point, I have some great doubles, lots of Blue Notes and Prestiges. Oooh, perhaps I could finally get an original copy of Shades of Redd.

A Strong Week For Blue Notes

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This is one of those weeks where, if you had unlimited funds, you could fill in a lot of holes in your Blue Note collection with original pressings in very nice condition, perhaps starting with the rarest of the rare: Hank Mobley, Blue Note 1568. This looks to be an original pressing with the New York 23 on the B side. It is in M- condition for the vinyl and probably VG+ or better for the cover. The price has already exceeded $3,000 — yet it has not yet reached the seller’s reserve.

The same seller is loaded with other Blue Notes, among a variety of jazz vinyl, this week, including:

Lou Donaldson, Swing and Soul, Blue Note 1566. This is an original pressing that looks to be in M- condition for the record and probably VG++ for the cover. The price has surpassed $250 and the auction closes today, still short of the reserve price. Dizzy Reece, Soundin’ Off, Blue Note 4033. This is also an original pressing, in M- condition for both the record and the cover. The price is more than $700 and the auction closes tomorrow.

As noted, this is not the only seller with some nice Blue Notes this week. Here are a few more:

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Lee Morgan, Hal McKusick and Sonny Clarke (sic)

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Here are some jazz vinyl auctions we’ve been watching on eBay:

Sonny Clark, Leapin’ and Lopin’, Blue Note 4091. What caught my eye about this one is that the seller kept referring to him as “Sonny Clarke” in the headline and in the text.  I mean, can you look at the album cover? If potential buyers have alerts for Sonny Clark or if they are doing searches, would they not find this LP? Interesting question. This one was in VG condition for the record and M- for the cover. It was an original mono pressing. It sold for $289. My bet is that the misspelling did not impact the final price.

Hal McKusick, Bethlehem 16. This was an original pressing with the deep red label and deep grooves. The record was VG+ or perhaps a little better and the cover was VG++. The start price was $275 and when I looked at this there was one bidder. I was a bit surprised anyone was interested at that price so I kept an eye on it to see if the bidding would go higher. It didn’t.

Lee Morgan, Lee-Way, Blue Note 4034. This was an original West 63rd Street pressing that was in M- condition for the record and VG++ for the cover. As I’ve watched this record through the years, it’s typically topped out in the $500 range, although we’ve seen one in the Jazz Collector Price Guide sell for $847. I expect someday we’ll see this regularly in the $1,000 bin given the quality of the recording, vintage, personnel, etc. Not yet. This one sold for $757.

 

More Jazz Vinyl For the $1,000 Bin

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Time to update the $1,000 bin and there is quite a lot to update, not counting some of the ones we’ve watched recently, such as the Hank Mobley 1568 and others from the recent Jazz Record Center auction. Here goes:

Paul Gonsalves, Boom-Jackie-Boom-Chick, Vocalion 587. This was an original British pressing that looks to be in M- condition for the record and VG++ for the cover. It sold for $1,593.88.

Lee Morgan, Candy, Blue Note 1590. This was an original pressing with the West 63rd Street address and it was in VG++ condition for the record and the cover. It sold for $1,578.99.

This was a surprise to sell for such a high price tag: Clifford Brown Memorial Album, Blue Note 1526. This was an original Lexington Avenue pressing with the framed cover. It was in M- condition for the record and probably VG++ for the cover. It sold for $1,567.

Jackie McLean, The New Tradition, Ad Lib 6601. This was an original pressing. The cover was VG+, but the record was in VG or worse condition, based on the seller’s description. It sold for $1,376.11.

Finally, here’s one we meant to include from the Jazz Record Center auction because it was actually in the $3,000 bin:

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