Lovely Jazz Vinyl . . . But at What Price?

Shades of Redd Jazz VinylI’m watching a lot of rare jazz records on ebay now that have reserve prices. As a seller, I used to occasionally use reserves, but as a buyer I find them annoying. I’d much rather place a bid and know that, if it is the top bid, then I will get the record. Even though I rarely buy on eBay these days, there is a record I’m watching closely, as we are getting close to my birthday once again. I probably shouldn’t mention it here because that will only heighten the interest, but it’s doubtful I’ll actually bid for it so here goes: Freddie Redd, Shades of Redd, Blue Note 4045. This is an original pressing that looks to be in VG+ condition for the record and probably VG++ for the cover. The bidding closes in four days and is in the $150 range, but it has not yet reached the seller’s reserve price.

The seller vinyl.unlimited has a great batch of records on eBay now, but they mostly seem to have reserve prices as well, and many have not yet reached those prices. Some of the listings are:

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All I Want for Christmas

Redd copyActually, I don’t even celebrate Christmas, but that’s quite beside the point, isn’t it? I spent a couple of hours today just looking at my records and going through the shelves, one by one. It’s a pretty damn good collection, I must say. Although it is not complete. Not even close. So, when I do look at the collection, what’s missing. Or, more to the point, if I were to make a Christmas Wish List, what would I put on it? Here we go, all original pressings, of course.

1. Freddie Redd, Shades of Redd, Blue Note 4045. Yes, I’ve been searching for this record for years, and yes, I could just pay the price and buy a copy on eBay. But that takes out all of the fun. Now, if The Lovely Mrs. JC would be interested in a gift for my upcoming birthday, I wouldn’t complain about that at all, no matter what the price.

2. Lou Donaldson, Quartet, Quintet, Sextet, Blue Note 1537. No the list will not be all Blue Notes, but it could be if I wanted to go there. This happens to be another favorite. I’ve owned a Japanese pressing for years. Two, in fact. But an original on my shelf would be quite appealing.

3. Hank Mobley, Blue Note 1568. No I don’t have it. If I did, whenever someone would ask me what’s the most valuable record in your collection, I could point to that. Right now, when someone asks, I don’t know exactly what to say. The music is pretty good too, no?

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Monday Morning Blue Notes

Hank Mobley Jazz VinylCatching up on some jazz vinyl from eBay, staring with Hank Mobley, Blue Note 1568. This was a West 63rd Street pressing without the New York 23. It had the deep grooves, ear and other hallmarks of a first pressing, or second depending upon your interpretation. The record was in VG+ condition and the cover looked to be about VG. The final price was $2,575. This seems to be one of those records that has taken on mythic proportions in the collectibles market. Who would have thought even a few years ago that VG+/VG would translate into a value of more than $2,500? A few years from now I would expect the value to be even higher. Speaking of Blue Notes in less than stellar condition:

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Temptation, Thy Name is Blue Note

Lou Donaldson Jazz VinylDoes a listing like this one tempt you: Collection of 40 RARE Original Jazz Albums LP’s All on the Blue Note Label? The seller states clearly that the records are all in VG condition or below. He also shows pictures with a lot of damaged covers. Yet . . . I see that picture of Lou Donaldson, Quartet, Quintet and Sextet, Blue Note 1537, and I think: Maybe it’s not that bad, maybe if I clean up the record, it would play nicely on my turntable and sit nicely on my shelf. There are also some other nice potentialities in the listing, such as Hank Mobley Roll Call, Whims of Chambers, Bass on Top, and a bunch of Blakeys, among others. There’s also a lot of junk. Anyway, my answer to the question is “Yes I am tempted.” At what price? That remains to be seen. So far the bidding is at $743.

 

Rekindling the Jazz Vinyl Passion; Taking a Walk with Sonny Rollins

Donaldson copyBack in action, feeling a little bit less burdened. To be clear: I have not lost my passion for collecting jazz vinyl, nor have a lost my passion for buying jazz vinyl. And certainly not for listening to jazz vinyl. I was never that much into selling jazz vinyl, so that was the real impetus of the last post. Just to be clear for anyone who may have had a different interpretation. In fact, I spent some time on eBay yesterday, perusing the listings and getting the same old rush of adrenaline. And, of course, the first record that caught my eye is one that I don’t own in an original pressing and have sought for many years: Lou Donaldson, Quartet, Quintet, Sextet, Blue Note 1537. This is an original Lexington Avenue pressing that looks to be in M- condition for

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See You in Brooklyn?

Spent the day in Brooklyn yesterday with a table at the WFMU Record Fair, which is being held at the Brooklyn Expo Center in lovely downtown Greenpoint, where my father spent his youth and learned to love jazz. It was a weird day, a bit unlike the other record fairs I’ve attended. Usually, there’s a ton of action before the doors open, with a lot of transactions between dealers, but even more among the dealers and heavy-duty collectors who don’t have tables but purchase expensive early admission passes or pretend to be with dealers that have tables. There was none of that yesterday, and not even a lot of action when the doors opened for early admission at 4 p.m. There was a full crowd at 7, but not a preponderance of jazz collectors.

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Kind of Blues & The Abstract Truth

Miles Davis Jazz Vinyyl copyLet’s catch up on some rare jazz vinyl we’ve been watching on eBay, starting with Miles Davis, Kind of Blue, Columbia 1355. This was an interesting one because it looked to be an original first pressing and the record had never been played. When this album was first issued, Columbia used a plastic inner sleeve that had a seal. I know that from a couple of albums I purchased in the Baltimore collection. On this particular copy of Kind of Blue, the seal had never been broken. The cover also looked to be quite pristine and was graded in M- condition. The record wound up selling for $510, a fairly hefty price for the highest selling jazz record of all time. The question is, what will the buyer do with the record? Will he/she open it and play it, thus potentially lowering the value? Or will he/she put it on the shelf for posterity and listen to a different copy of the record, which is so readily available?

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Tracking a Trio of Blue Notes

Lou copyHere’s another one from my want list, and this one may even get a snipe: Lou Donaldson, Quartet, Quintet, Sextet, Blue Note 1537. This is an original pressing with the Lexington Avenue address, deep grooves, ears, etc. The record is listed in M- condition and the cover is just fair, with seam splits. The cover condition doesn’t bother me so much, but the price may. So far this is at about $250 with more than two days left on the auction. We’ll see. I would love to fill this gap in my collection, and I do love this record.

Here’s another one from the same seller: Dexter Gordon, Our Man in Paris, Blue Note 4146. This is probably an original pressing with the Van Gelder in the dead wax, although there is no mention of the Plastylite ear. The bidding is a bit more than $110 and there are also two days left in this auction. If I were to bid on this, which I won’t, I would at least inquire about the ear. Never hurts to ask.

One more Blue Note, while we’re on the subject:

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Three For the Jazz Collector Want List

Lou Donaldson Jazz Vinyl copyIf I had a want list, this record would be at or near the top of it: Lou Donaldson, Quartet, Quintet, Sextet, Blue Note 1537. This copy was an original pressing with the Lexington Avenue address that looked to be in M- condition for the record and probably VG++ for the cover. A very nice copy, indeed. When I first put the record in my eBay watch list, the price was less than $400 and I very briefly considered a snipe. But I knew that my highest bid wouldn’t even put me close. And I was right. The record sold for $1,437. So I will save $1,437-plus and also have my Japanese pressing for listening pleasure, so I have no complaints.

I’m surprised this one isn’t getting any more action with just one day left on the auction:

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Oh, Those Blue Notes

Horace copyOh, those Blue Notes. Look at this one: Horace Silver, Blowin’ the Blues Away, Blue Note 4017. This was an original pressing with the West 63rd Street address, deep grooves, ear, etc. It was listed in M- condition for the record and M- for the cover. It sold for $355 with only four bidders. This is a great album, one of Silver’s very best, but I’ve never viewed it as a top-shelf collectible only because it seemed to be more available than many of the other Blue Notes. Perhaps I had an assumption that because Silver was one of Blue Note’s most popular artists they would have printed more copies of his records. Plus, this one had what would prove to be a jazz classic in Sister Sadie. I realize I have not been diligent in updating the Jazz Collector Price Guide, but still the highest price we had recorded for this record was just about $200. Does this new high-water mark surprise me? Not at all. Hey, it’s near mint, it’s a great album, it’s an original Blue Note. Nothing would surprise me. As they say in the commercials: “Priceless.”

I had my eye on this Blue Note beauty, but wouldn’t pull the trigger:

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