In Search of the Highest Prices

I was just tooling around eBay this morning and decided to do a quick search in the Jazz LP category sorted by “Highest Prices First.” I’d never thought to do a search this way and didn’t even realize it was an option. Here are some of the interesting items I found:

Here Comes Louis Smith, Blue Note 1584

Lee Morgan, Indeed, Blue Note 1538

Freddie Redd, Shades of Redd, Blue Note 4045. This is one of my favorite all-time LPs. I only have a Japanese pressing and have never owned the original. Will I bid on this? Perhaps. The price is $150 and the auction closes in nearly four days.

And here’s one you wouldn’t expect to see on a search of highest priced LPs: Louis Armstrong, Hello Dolly. This is from a seller with zero feedback. His asking price is $100. Think he’ll get it? If he does, I have a bridge in Brooklyn I’ll be auctioning on eBay next week.

Collecting Autographs

It’s always surprised me that jazz collectors seem to place only marginal value in autographed albums or other memorabilia.  There are exceptions of course: A Charlie Parker signature on a contract or a Billie Holiday inscription on a book are extraordinarily rare collectibles that fetch a small fortune whenever they appear on eBay or on auction lists from dealers.

But my experience is that autographs don’t necessarily do much to enhance the value of a collectible. To test this, I recently did a search of completed auctions on eBay in the category of jazz using the key word “autographed.” The results confirmed my theory:

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