Tag: Mal Waldron

Podcast — Unsung Artists: Paul Quinichette

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This week we do the first in a new Unsung Artists Series, focusing on the Vice President, tenor saxophonist Paul Quinichette. Featured artists include John Coltrane, Charles Rouse, Sarah Vaughan, Clifford Brown, Herbie Mann, Dinah Washington, Billie Holiday, Lester Young, Brooks Kerr, Gene Ramey, Sam Woodyard,Jimmy Jones, Joe Benjamin, Roy Haynes, Webster Young, Mal Waldron, Joe Puma, Earl May, Ed Thigpen, Count Basie, Buck Clayton, Dickie Wells, Gus Johnson, Al McKibbon, Walter Page, Freddie Green, Sonny Payne, Thad Jones, Nat Pierce, Joe Newman, Paul Chambers, Wynton Kelly, Charlie Shavers, Clark Terry, Jimmy Cleveland, Jimmy Cobb, Barry Galbraith, Cecil Payne, Hank Jones, Jo Jones, Sweets Edison, Snooky Young, and more.

Four for the Holidays

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Heading into the holiday weekend, here are some of the auctions we’ve been watching on eBay, starting with the Roy Haynes Quartet, Out of the Afternoon, Impulse A-23. This was an original mono pressing with white promo label and the Van Gelder in the dead wax.  The record and cover were both listed in VG+ condition and the final price was $416. The same seller had Curtis Fuller Volume Three, Blue Note 1583. This looked to be an original deep groove mono pressing with the West 6rd Street address. The record and cover were listed in VG+ condition. The final price was $736. Read more

Seconds Anyone?

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Going deeper into the Jazz Collector eBay watch list, we have Mal Waldron, Mal-1, Prestige 7090. This was an original New York yellow label. The seller graded the record and the cover as VG+. Based on the pictures, I would grade the cover VG. The final price was $776. The same seller had this one: Freddie Hubbard, Open Sesame, Blue Note 4040.This was an interesting one, IMHO. No deep groove, no ear, no West 63rd Street address. So, was it issued by Liberty using old labels, or by the original Blue Note using old labels? In either case, it wasn’t an original. But it was in nice condition, M- for the record, close to M- for the cover. The final price was $760. This seller also had that later pressing Introducing Lee Morgan on Savoy that we spotlighted a few days ago How Many Original Copies of Rare Jazz Vinyl Have Survived (And Other Existential Questions). When we highlighted this record, the bidding was in the $400 range. The final price was $797.99. Perhaps I (and others?) will have to adjust my expectations of what a nice second pressing might command in today’s market. Good for the sellers, and good for the buyers if they are happy. Read more

Starting Points for Rare Jazz Vinyl

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I haven’t been watching eBay as diligently during the summer as I normally do, and I haven’t actually sold anything on eBay in more than a dozen years, so this observation may be dated, but . . . . is it just me, or are sellers consistently putting a higher start price on their auctions of rare jazz vinyl? I was just updating my watch list and flagged several titles that had high starting prices and no bidders. At first I assumed it was all from a single seller. But when I opened up the listings, they were all from different sellers. Here are some of those records, starting with Mal Waldron, Left Alone, Bethlehem 6045. This was an original red label pressing. If you can read through the seller’s tome and ‘tude, eventually you can find the condition of the record, which was listed as NM-. The cover was described as “pretty nice-very nice” and the picture shows a pretty clean front cover, with wear on the top and some old tape on the back. To me, pretty nice-very nice translates to VG+. The bidding start at $800 and so far there are no takers. Read more

Miscellaneous Music and Musings

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Back from a road trip that took me from The Berkshires to Chapel Hill to DC to New York and back. Didn’t stop in a single record store along the way and returned home to find that there are now two new record stores a few hundred feet apart in the little town of Great Barrington near my home. One of the record stores opens next week, the other opened this past weekend. I stopped by the one that has opened and it has the feeling of a guy clearing out his house, basement, garage and attic of a lot of stuff. But there were definitely records to view and buy, particularly if you are into vocals. I came upon a lot of Ella Fitzgerald and Sarah Vaughan, but I can’t vouch for the conditions. As of now, there is no organization to the store, everything seems to be thrown in at random. I did find three 10-inch records to buy: Lars Gullin on Vogue, James Moody on Emarcy and Frank Rosolino on Capital. They seemed in decent enough condition at the store, but when I took them out of the car I realized I would have to sneak them into the house because they smelled of mildew. I may go back to check out the store again, but I’ll be careful. Maybe next time I’ll take off the mask so I can make use of my sense of smell before buying anything. As for the other store, I’ll check it out when it opens and get back to you with a report.

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Four for Jazz Vinyl

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Back to the grind of watching rare jazz vinyl on eBay. It’s a tough job, but someone’s got to do it. Here are items sitting in my current watch list, starting with Curtis Fuller, The Opener, Blue Note 1567. This is an original West 63rd Street pressing listed in EX condition for both the record and the cover. The bidding starts at $500 and there is already one bidder with more than two days left on the auction. In the past, this record has made it into the $3,000 bin one time and into the $2,000 bin twice, according to Popsike. In this condition, we wouldn’t expect it to reach those lofty heights. As for my own copy, I just reorganized my records the other day and re-affirmed that I do not have an original pressing of The Opener, but rather a United Artists pressing that I purchased more than 40 years ago and probably haven’t listened to since I first brought it into my home. Perhaps I will listen today or tomorrow, if I have the opportunity. I have been doing that recently, pulling random records out of the collection and putting them on the turntable. I am preparing posts both on the reorganizations efforts as well as these random listening sessions, so stay tuned. Read more

Thanksgiving Jazz Vinyl

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Time to clear out the old watch list this Thanksgiving holiday weekend here in the States, starting with Mal Waldron, Mal-1, Prestige 7090. This was an original New York yellow label pressing in M- condition for the record and VG+ for the cover. The final price was $536.69. I get the sense that the Prestiges are starting to get a little more interest from the collectors will to pay top dollar. These are certainly great music and packaging. I put a few of the Prestiges on the turntable the other day – Tenor Madness, Soultrane and When Farmer Met Gryce. Can’t beat it. I don’t own an original pressing of Mal-1, but I’m sure it’s of a similar quality.

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Another Jazz Vinyl Potpourri

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Time once again to clean out many of the older items sitting in my watch list. Let’s start with this nice 10-inch French Vogue LP: Henri Renaud Quintet with Gigi Gryce and Bobby Jaspar, Vogue 174. This was an original pressing in Ex condition for the record and near mint for the cover was sold by the seller fiftiesjazz, better known among Jazz Collector aficionados as Rudolf, who is an expert on the French Vogue label, as evidenced by this article from our archives of about 10 years ago, “A Comprehensive Guide to French Vogue.” This copy sold for about $202. From the same auction was Thad Jones, Mad Thad, Period 1208. This was an original pressing listed in M- condition for the record and the cover. The final price was $1,569.44. One more: I have to admit, I have never seen this record: Bill Hardman Quintet, Saying Something, Savoy 12170. This was an original pressing with the blood red label. This copy looked to be in M- condition for both the record and the cover. The final price was $362. Read more

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