Tag: Max Roach

Tracking Some Jazz Vinyl in Top Condition

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The Jazz Record Center has a new auction up on eBay. I don’t usually follow particular sellers, but I like to follow their auctions because the records they sell are usually in beautiful condition and because they are such a highly respected seller. What they sell is often a current gauge of the market. Here are a few from their current auction, starting with: Johnny Griffin, A Blowing Session, Blue Note 1549. This is an original pressing that looks to be in M- condition for both the record and the cover. The start price is $500 and there is already a bidder.

Miles Davis, Sketches of Spain, Columbia 1480. This is an original deep groove six-eye pressing. I don’t normally think of this as a collectible record, but this one has a start price of $75. We’ll see if it generates interest. It is in beautiful, near new condition.

This is another we don’t often watch here at Jazz Collector:

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Still More Adventures in Jazz Collecting, Part 6

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When I left Massapequa on Monday Karen said she wanted to sell the records to me but it was not her decision alone, she would have to consult with her brother. She believed that he would also want to sell the records to me and they’d probably give me the go-ahead on Tuesday. When I didn’t hear from Karen by Tuesday evening I started getting a little nervous: Were they getting cold feet, were they shopping the collection around, was there suddenly going to be a slew of cutthroat record dealers sniping for the records? Just the normal paranoia, right? I wasn’t all that concerned because I believed that no dealer would come close to the offer I made because, well, for me it wasn’t a business decision but an emotional decision. If it was about business, I would have spent more than a half hour with the records in the first place, and I would have at least gone through them all to identify the ones of the most value and to figure out how to get rid of the ones I didn’t want. But I was just improvising and by this point it wasn’t about whether I had made the right decision to buy the records, it was just about closing the deal.

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Tracking Blue Note Jazz on 78-RPM

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I bought that collection and I found that it had a bunch of 12-inch Blue Note 78s so I did a search this morning on eBay for Blue Note 78s, since it is not something I have tried to collect in the past. It turns out the records I acquired — the Sidney Bechets and Albert Ammons and Art Hodes — don’t seem to have much cachet as collectibles. If you look at closed items, they generally sell in the range of $10 and less. However, in doing the search I found a few interesting bop 78s that sold for higher prices, including:

Bud Powell’s Modernists with Sonny Rollins, Blue Note 1568. This 78 includes Dance of the Infidels and 52nd Street Theme and it was described as being in better than VG+ condition, but not quite M-. This sold for $89.88.

Max Roach Quintet, Blue Note 1569. This contains Prince Albert Part 1 and 2, with Kenny Dorham and James Moody. Let’s see how well my memory is working: Prince Albert is a head based on All the Things You Are, if I recall properly, and this version, in addition to being issued on 78, was issued

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Catching Up: Flanagan, Dorham & A Signed Max

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Let’s catch up on a few more eBay sales:

This one did sell for more than $1,000. Tommy Flanagan Overseas, Prestige 7134. When we were watching it the other day it was at about $400 and we speculated it might sell for less than $1,000. It sold for $1,440 in VG+ condition for the vinyl and the cover. Perhaps that can be considered a bargain in today’s market?

The Arrival of Kenny Dorham, Jaro 5007. This was an original pressing in VG++ condition for both the vinyl and the cover. It sold for $457. We’ve never tracked this one at more than $1,000 in the Jazz Collector Price Guide, but we’re pretty sure it has probably cracked the $1,000 barrier at some point. It’s a nice record and quite rare as well.

This one was autographed. Still not sure if an autograph enhances the value of a jazz record. Collectors can be quite picky about having their records untouched and pristine:

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Jazz Vinyl Countdown: Max Roach, Dorham, Mobley

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I was poring through my records the other day and stopped for a moment on this one: Max Roach Four Plays Charlie Parker, Mercury SR 80019. I’ve had this record for a while and haven’t listened to it in years, but it struck me as such: It features two of the great stalwarts of the Blue Note catalogue — Hank Mobley and Kenny Dorham — both in their primes; it has a great cover and a great concept. Yet, it is not really high on any list of collectible records and, in fact, we have never once even tagged it in the Jazz Collector Price Guide, which means we haven’t really seen it sell for a collectible price in the past seven years. And it struck me: What if this record, with this personnel, in this era — 1958 or so — had been issued on Blue Note? What would it be worth? Why is there such a profound difference between the value of a record like this, on the Mercury label, and a record with similar personnel in the same era from the Blue Note era? I think these are rhetorical questions, but I’m happy

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More Price Updates: Ernie Henry, Clifford Brown, Etc.

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We updated Blue Note and Prestige earlier this week. Here’s an update on some other labels we’ve just entered into the Jazz Collector Price Guide:

Ernie Henry, Seven Standards and a Blues, Riverside 248. This was an original pressing with the blue label, deep grooves, etc. It was sold by a reputable seller and was in M- condition, for both the record and the cover. And it got quite a hefty price: $564.32.

Brew Moore Quintet, Fantasy 3-222. This was an original pressing that looked to be in M- condition for both the record and the cover. It sold for $304.

Mal Waldron, Left Alone, Bethlehem 6045. This was an original red label pressing. The vinyl

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Rare Sonny Rollins & Kenny Dorham Available Here

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Okay, here’s an interesting one for you. Back in the early 1970s there was this this guy in New York who had a massive collection of audio tapes that he would record from radio broadcasts. For a while he would issue these tapes on bootleg LPs under a variety of names. I have at least a couple of dozen of these issues, under labels such as Alto Records and Ozone and Session Disk, by a large number of artists such as Miles Davis, John Coltrane, Bill Evans, Ella Fitzgerald, Coleman Hawkins and many others.

He also, apparently, had tapes that were never issued in any format — and we’ve discovered one of them here. Not only that, but it’s quite a legendary performance by a legendary group of artists: Max Roach with Sonny Rollins and Kenny Dorham, recorded Dec. 12, 1956 at the Cafe Bohemia just seven months after the tragic accident that claimed the lives of Clifford Brown and Richie Powell.

This is the story: One of our friends and faithful Jazz Collector readers visited with the guy who had the tapes back in the 1970s and made a copy, on a reel-to-reel tape, of two

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10-Inch Mania: Miles, Getz, Savoy, Serge, Prez

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Let’s catch up on some 10-inch LPs we’ve been watching. It’s always interesting to keep an eye on the 10-inchers just to see if the market is holding up. So far, it is, based on these records.

Miles Davis, Young Man With a Horn, Blue Note 5013. The vinyl on this one was listed in VG++ condition and the cover was M-. The price was $510.01. This one was sold by the seller herschel78, who has been putting some nice items up over the past few weeks, including some other 10-inch LPs we’ve been  watching.

Miles Davis Volume 3, Blue Note 5040. The vinyl on this one was listed as VG+ and the cover was VG++. The price was $385.

Stan Getz Plays, Clef 137. This was an original pressing with a nice cover by David Stone Martin. The price was $68. This is a great record, one of Getz’s best.

Leo Parker, New Trends of Jazz Volume 5, Savoy 9018. This one was

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Jazz Vinyl Countdown: Benny Golson On Riverside

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This is one of our favorite records: Benny Golson, The Modern Touch, Riverside 256. It is a very nice sextet recording from 1957 with an all-star lineup: Kenny Dorham on trumpet; Golson on tenor; JJ Johnson on trombone; Wynton Kelly on piano; Paul Chambers on bass, Max Roach on drums. Love Dorham’s playing on this LP, JJ as well, and the arrangements are solid. It’s also one of those records on which both sides are equally good and listenable. We highly recommend it and we know we are going to keep it in our collection. The issue, however, is this: We have both an original pressing of this record on Riverside as well as a reissue on Jazzland: Reunion, Jazzland 85. The reissue is in a little bit better condition and, to be honest, they both sound about the same to us on our equipment. So which to keep, the one in better condition or the original?

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Dodo, Kenney, Wallington For the Price Guide

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Here are a few more for the Jazz Collector Price Guide:

George Wallington, Jazz For the Carriage Trade, Prestige 7032. This was an original pressing with the New York label. The record was M- and the cover was VG++. The price was $343.89.

Clifford Brown and Max Roach, Study in Brown, Emarcy 36037. This was an original pressing with the drummer logo. The record and cover were both VG++. The price was $123.62.

Artie Shaw and His Grammercy Five, Volume 4, Clef 645. This was an original pressing with the David Stone Martin cover. The price was $56.

Serge Chaloff, Fable of Mabel, Storyville 317. This was an original 10-inch pressing in VG++ condition, both record and cover. he price was $91.

Chet Baker and Art Pepper, Playboys, Pacific Jazz 1234. This was an 

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