Tag: Miles Davis

A Taste of French Cookin’

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This is another one that came from a reader, CeeDee, who seems to be feeding my newfound habit for European pressings: Miles Davis, Cookin’, Barclay 84077. This is an original French pressing and, I have to admit, it does look pretty cool, particularly for the price. It has a nice cover, deep groove labels, and, in its own way, is an original pressing, or something like it. At least it was an original French pressing. It probably sounds really good too. Anyway, this one was in M- condition for the record and the cover and sold for $24.99. A bargain compared to the U.S. originals of Cookin’, which seem to be in the $300-plus range these days. Unfortunately, I opened the link after the auction closed. Otherwise, this record would have been mine. Of course, even it I didn’t want the record, it would be fun writing about it, just so I could put that headline on the post.

While we’re tasting international flavors, check this one out:

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The “Infamous” Junkie Cover?

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Once again we will travel to France for today’s post thanks to our friend CeeDee, who seems to be inspiring a few of our reports lately. This one concerns this record: Miles Davis Group, Barclay 84.018. This was an original 10-inch French pressing that looked to be in VG++ condition for the record and VG+ for the cover. It consists of music from the Prestige “Dig” date, featuring Sonny Rollins and Jackie McLean. In his note to me, CeeDee described this as “the infamous junkie cover.” I had to confess my ignorance. I had never seen this cover before, nor had I ever heard of the picture and the reference to a junkie cover. I asked CeeDee what he knew. Apparently, he doesn’t know much in terms of details but said he’s always heard that’s how this particular cover was usually referenced by collectors and the image has rarely been produced in any format. He suggests that some of our European readers will have what he describes as the “grim details.” So let’s put it out there and see what comes back. The record sold for $577.89, by the way. I have a feeling after this post and subsequent comments, the value may go up even higher. I will say I, for one, am newly intrigued by this record.
Separately, CeeDee sent me these followup excerpts to set the mood of the times:

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Heading Down a Dangerous New Path?

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Someone sent me a link to this, in light of my recent post about the Miles Davis Prestige records: Miles Davis, Relaxin’, Prestige 7129. This was an original New York yellow label pressing that looked to be in M- condition for both the record and the cover. It sold for $738.88. The one we were watching last week sold for $393. Shows that there can be real value in posting more pictures rather than fewer pictures, and of getting the proper light and angle on the pictures. At least that’s the lesson I take from the price differential.

So I’ve been writing a bit lately about how some of the European pressings have been catching my eye, such as that 10-inch French Zoot Sims record yesterday and some of the Prestiges that were released on Esquire. And our friend CeeDee sent me a link a few weeks ago to a seller who had a bunch of these pressings, and the prices were pretty low, and I actually put in a bid on a couple of records and wound up with this:

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Miles, Monk and a New Face

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Here are some of the items I was watching from the recent auction by the Jazz Record Center, starting with: Wynton Kelly, New Faces – NewSounds, Blue Note 5025. This was an original 10-inch pressing that looked to be in VG++ condition for both the record and the cover. The price was $191.38. I should have bid on it. Great music, great cover. How can these 10 inch Blue Notes not be worth more money, given what’s going on with 12-inch Blue Notes?

Miles Davis, Steamin’, Prestige 7200. This was an original New Jersey yellow label pressing that was in probably M- condition for the record and at least VG++ for the cover. It sold for only $75. Weird. Why wouldn’t this get more. It’s actually my favorite among the Miles Prestiges that were all recorded in that one session — Steamin’, Cookin’, Workin’, Relaxin’. By contrast, look at this one from the same auction: Miles Davis, Relaxin’, Prestige 7129. This was an original New York pressing in virtually identical condition to Steamin’. It sold for $393.

I thought this one might fetch a higher price as well:

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A Double Dose of “Wow!”

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I haven’t been on eBay in a few days, but fortunately our friend CeeDee is forwarding me some interesting auction results all under the subject “Wow!” Here’s the first wow: Miles Davis, Miles Smiles, Columbia 9401. This is an original stereo pressing with the 2-eye label. We’ve never really watched it here at Jazz Collector because it’s never been considered a collectible. In fact, I’ve always seen it as pretty common. I think I have three copies. You can generally find them for $20 or so, right? This one was in M- condition for the record in and VG++ for the cover. Want to guess what it sold for? How about $290? Want to guess who sold it? How about bobdjukic?

This was another wow from CeeDee, but it was not from the same seller: Wayne Shorter, Adam’s Apple, Blue Note 4232. This is a mono LIBERTY pressing. The record was in VG+ or perhaps a little better condition and the cover was VG+. The price: $251.05.  Hmm.

 

DG Or Not DG, That Is the Question

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Our friend CeeDee send me the following link in a fit of minor pique: Bill Evans, Portrait in Jazz, Riverside 315. There were two related sources of irritation. One was the overuse of pictures to show every minor detail of the listing. The other was the seeming incongruity between the many and varied pictures and the description of the record. The seller described it as an original deep groove pressing, yet in all of the pictures it is quite difficult to ascertain an actual deep groove. Take a look and see what you think. This one was listed in VG++ condition for the record and VG+ for the cover. It sold for $157.50.

Here’s a catch-up on some of the other records we were watching last week, starting with Johnny Griffin, A Blowing Session, Blue Note 1559. This was an original pressing offered by the Jazz Record Center. It was in M- condition for both the record and the cover. It sold for $2,619. Big price. I finally landed an original copy of this record last year as part of a collection (not the Irving Kalus collection) and I’m pleased to say the entire collection cost just a bit more than $2,619. From the same auction, this one sold for a surprisingly high price:

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Watching Closely As an Auction Winds Down

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I happened to go onto eBay just a few minutes ago and this auction was closing: Miles Davis, Dig, Prestige 7012. The record and cover were both in extremely nice condition, just a notch below M-. I decided to just watch and see how the action transpired in the closing minutes. It was actually quite fascinating. When I started watching, with a few minutes left in the auction, the price was in the $150 range. This was quite low, I thought, although I never considered bidding myself. I actually own two copies of this record, both in beautiful condition. As I was watching and as the seconds dwindled down, it shot up to about $250 and then, in rapid succession as the action was closing in the last 12 seconds to $350 then the final price of $463, which is about where I would have expected it to land.  If you look at the bid history, there seemed to be four bidders in the final stages and my guess is that each of them was using sniping software. The second highest bid was $458, so the next highest bid had to be $5 more, for the $463. We’ll never know exactly what the top bid may have been, but at $463 for this classic Prestige original, I would think that both the buyer and seller would be quite pleased. Yes?

Tracking Some Jazz Vinyl in Top Condition

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The Jazz Record Center has a new auction up on eBay. I don’t usually follow particular sellers, but I like to follow their auctions because the records they sell are usually in beautiful condition and because they are such a highly respected seller. What they sell is often a current gauge of the market. Here are a few from their current auction, starting with: Johnny Griffin, A Blowing Session, Blue Note 1549. This is an original pressing that looks to be in M- condition for both the record and the cover. The start price is $500 and there is already a bidder.

Miles Davis, Sketches of Spain, Columbia 1480. This is an original deep groove six-eye pressing. I don’t normally think of this as a collectible record, but this one has a start price of $75. We’ll see if it generates interest. It is in beautiful, near new condition.

This is another we don’t often watch here at Jazz Collector:

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Homely Mobley, Fine Miles & Kelly’s Blues

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This one looks like it’s been through the ringer: Hank Mobley, Blue Note 1568. We know this is one of the rarest of the rare and has sold for as much as $5,600 in the Jazz Collector Price Guide. This one will not approach that price. The cover looks like it’s been stored in a sewer — and the cover is listed in better condition than the record. The cover is listed as VG and the record is listed as G+. Still, it will fill a gap in someone’s collection, and for a fairly hefty price. This one is already close to $250 and there are still three days left on the bidding. If you want to see a copy of the cover, you’ll have to click the link. We don’t want to tarnish the site in any way.

This is a cover we’re happy to show: Miles Davis Volume 1, Blue Note 1501. This looks to be an original Lexington Avenue pressing with the Lexington Avenue address on the cover. It is listed in M- condition for the record and VG+ for the cover. The start price is $249 and so far there are no bidders with more than three days to go. The same seller is also offering this:

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And Starting 2013 With Jazz Vinyl

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Happy New Year, all. Hope you get all the vinyl of your dreams this year. We start the year watching eBay, as we are wont to do. It actually seems kind of slow to us, probably not unexpected at this time of year. We’re not seeing a lot of action on the auction from the Jazz Record Center and there’s not the usual frenzy over some items you would expect. But there’s still plenty to watch, starting with: Duke Pearson, Profile, Blue Note 4022. This record looks to be in M- condition for the record and the cover,  and it has already been bid up to $273 with 14 bids. Quite impressive with five days left in the auction. More impressive still when you look at the questions below and realize it has neither deep grooves nor the ear in the deadwax.

Curtis Fuller, The Opener, Blue Note 1567. This is an original pressing that looks to be in VG++ condition for the vinyl and VG or VG+ for the cover. This one has the ear, has the deep grooves, yet, unlike the Pearson LP, it doesn’t have any bids. Start price is around $300. There are five days left. It will sell.

This one is closing soon at it has a lot of bids: Read more

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