Miles Davis | jazzcollector.com

Jazz Collector’s Essential Cannonball Adderley

September 23, 2009 Al 6 comments

Blipp asks on an earlier post if we can make any recommendations on Cannonball Adderley’s earlier material, in particular the Mercury records. We can certainly do that, and we’re sure others in the audience will be happy to weigh in as well. First, we will give our own Jazz Collector version of our top five Cannonball LPs altogether. Blipp has been listening mostly to the Capitol stuff, he says, and we don’t think any of those records is going to make our list. Here goes:
1. Cannonball Adderley, Know What I Mean with Bill Evans, Riverside 433. Evans and Adderley obviously had a great rapport from their days with Miles and the addition of Percy Heath and Connie Kay made for a more lyrical setting that suited both Evans and Adderley quite well. And, as one might expect, within that lyrical setting they both swing like crazy.
2. Cannonball Adderley Quintet in San Francisco, Recorded at the Jazz Workshop, Riverside 311. The ground-breaking early quintet with Bobby Timmons and the great tracks of “This Here” (with Cannonball’s engaging introduction) and “Hi-Fly,” plus a very swinging “Spontaneous Combustion.” This LP captured the energy of the group

Price Updates: Serge, Thad, Miles, Silver, et al

September 23, 2009 Al One comment

We’ve been quite busy the past few days updating the Jazz Collector Price Guide so, if you haven’t looked lately, it’s worth taking a peek. There are more than 4,100 records in there now, and quite a lot in the $1,000-and-up category. If you want to search by highest prices first, you can do that just by clicking the word “Price” at the top of the Guide, or you can just sort by fields. If you want to sort all of the records based on price, you can click on the link for View the Complete Price Guide. Anyway, here are a few more records we’ve added to the Guide.

Johnny Griffin Sextet, Riverside 264. This was an original blue label pressing. The record was listed as M- and the cover appeared by be bout VG+. The price was $237.50.

Miles Davis, Cookin’, Prestige 7094. This was an original New York pressing that was listed in M- condition for both the record and the cover. The price was $394.

Catching Up on Some More Blue Notes

September 22, 2009 Al One comment

We’ve been watching the Blue Notes carefully because the prices have jumped quite a bit recently. We’re always looking for trends. We thought we detected some softness the other day, but now we’re not so sure. Either way, the market on eBay always fluctuates a bit depending upon who’s bidding and who’s selling. Some sellers, because of presentation, packaging, credibility, always do better than others. Anyway, here are some recent Blue Note sales as tracked by Jazz Collector. See what you think.

Cliff Jordan, Blue Note 1565. This was an original West 63rd Street pressing. The record was at least VG+ and the cover was also VG+. The price was $760.

Miles Davis Volume 1, Blue Note 1501. This was an original Lexington Avenue pressing, from a reliable seller. The record was in M- condition for both the vinyl and the cover. The price was $517. Also, Miles Davis Volume 2, Blue Note 1502. This was also an original Lexington Avenue pressing from the same seller. It was also in M- condition all the way around, which is tough to find in these older Blue Notes, isn’t it? This one

Watching Some Blue Notes

September 20, 2009 Al Leave a comment

Time to catch up on some recent Blue Note listings. There seemed to be a mania there for a few weeks that may be subsiding. Something to keep an eye on.

The Magnificent Thad Jones Volume 3, Blue Note 1546. This was an original pressing. The record was VG+ and the cover was VG. The price was $510. This is not one that would be an indicator of the subsiding mania. It’s actually more visible in some of the records I’m watching today and tomorrow.

Charlie Rouse, Bossa Nova Bacchanal, Blue Note 4119. This was probably an original pressing, although the seller did not mention anything about deep grooves. It was listed in M- condition for both the record and the cover. It sold for $202.50.

Miles Davis Volume One, Blue Note 1501. This was an original Lexington Avenue pressing. The

A Weekend on eBay: Miles, Bud, PC & More

September 19, 2009 Al Leave a comment

I’m heading up to the country for the weekend, but before I go I’ve found a few nice items to watch on eBay. There were the couple I mentioned yesterday on Jazz Collector — The Jutta Hipp on Blue Note as well as the Serge Chaloff — and here are a few more:

Miles Davis, Relaxin’, Prestige 7129. This is an original pressing with the New York labels. The record is in M- condition and the cover is VG++. Great record featuring John Coltrane and the classic Miles quintet from the ’50s. This one has a start price of about $135 and there are no bidders yet. It’ll be interesting to see if it sells. Our previous high price for this in the Jazz Collector Price Guide has been about $300.

Paul Chambers, Whims of Chambers, Blue Note 1534. This is an original pressing, but it’s in VG condition for both the record and the cover. A nice copy of this one recently sold for more than $1,000 on eBay. This one

Today on eBay: Tadd, Zoot, Fuller, Miles, et al

September 8, 2009 Al 2 comments

We’re back from The Berkshires after our successful gig in the Monterey General Store and it’s time to get back to the ever-lasting grind that is eBay. We took a look at listings over the next couple of days, and it’s actually pretty quiet out there, although our friends at Euclid Records have a few nice items closing today. Here’s some of what we’re watching:

Tadd Dameron, Fontainebleau, Prestige 7037. This is an original New York pressing that is in M- condition for both the record and the cover. This one is not usually among the higher-priced early Prestiges, but the bidding is already at $162, which is nice to see for a nice record.

Zoot Sims and Joe Newman, Locking Horns, Rama 1003. This is a rare record on a rare label. The vinyl is listed as M- and the cover is VG++. The price is nearly $300, with more than an hour left.

Miles Davis, Miles, The New Miles Davis Quintet, Prestige 7014. This is the album that introduced John Coltrane to

Miles, Introducing Trane, On eBay, In Metronome

August 17, 2009 Al 7 comments

I was perusing eBay early this morning and came across this beautiful item: Miles, The New Miles Davis Quintet, Prestige 7014. I’ve always loved this LP, not just for the music and the great cover, but for the historic value as well: The introduction of the great Miles Quintet of the ’50s and, in particular, the introduction of John Coltrane. So, I put this item on my watch list and took a further look and it turns out to be a listing from Rudolf, our faithful friend and commentator. So we are happy to help Rudolf publicize this listing on the Jazz Collector site, but we also noticed a nice teaser in the listing, which notes that they album will be offered with a copy of Metronome’s July 1956 review of the album. Furthermore, the listing notes that the Metronome review is

More Peak Prices, Plus Miles, Sonny, Trane For Sale

June 30, 2009 Al Leave a comment

In mentioning records reaching new price peaks, I inadvertently left out a couple of records among the ones I’ve sold recently. These aren’t records we’ve tracked often, but we haven’t seen higher prices for either of them:

Granchan Moncur III, Some Other Stuff, Blue Note 4177. This was a New York USA pressing. The record was M- and the cover was VG++. It sold for $223. 70.

Anthony Williams, Spring, Blue Note 4216. This was also a New York USA pressing in beautiful condition, M- for the record and VG++ for the cover. This one sold for $202.50.

We have a bunch of records up on eBay now, although none will fetch those kinds of prices. Here are a few of the records that are available:

John Coltrane (et al), Wheelin’ and Dealin’, Prestige 7131. This is an original pressing, with the New York

The Rise of the Second Pressing?

June 16, 2009 Al 6 comments

There was a time, and perhaps that time will come again, when jazz collectors seemed only interested in original pressings of original LPs. That seems to be changing somewhat, at least with the Blue Notes and Prestiges. I noticed that with a couple of items I was selling, and with another item that caught my eye as I was watching other records on eBay. Last week, I put up the record Miles Davis Volume 2, Blue Note 1502. This was a nice old copy of the record with heavy vinyl, but it was a West 63rd Street pressing, as opposed to an original Lexington Avenue pressing. The record was in nice condition: I graded it conservatively at VG++ for the vinyl and VG+ for the cover. It sold for $140.50. The other record I was watching was also a Miles Davis LP:

Adventures in Jazz Collecting, Part 4

May 15, 2009 Al 4 comments

So I finally got home on Monday after my trip to Trenton and massive traffic on the Belt Parkway through Brooklyn and Queens. I started unloading the records, My nosy neighbor was watching. I smiled. “Records,” I said. I’m not sure she knew what I was talking about. The records filled the front foyer of my house. There were seven crates altogether. I had decided to just take everything that Rob had. This included Christmas records, and Aretha Franklin, and some pretty well damaged jazz records. The first two crates I looked through had nothing. Was it all an illusion? In my rush of adrenaline and musk and mold and dust, did I imagine that there were collectible jazz records in this batch? I went searching for the Tina Brooks record. This I knew was a collectible. I grabbed it. The moldy flakes from the cover fell off in my hands. I grabbed the vinyl, went upstairs and put it on my VPI record cleaner. The dust and dirt and grime and mold came off, but the record was in only VG condition. And the cover? It was pretty bad, and it reeked of mold and musk. I threw it in the garbage. Not a good start.

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