Happy Birthday, Miles Davis

In my haste to keep an eye on eBay this week, I somehow missed Miles Davis’ birthday, which was Tuesday. He would have been 78. Here are some random riffs on Miles. You’re all welcome to share your thoughts.

Here’s the thing about Miles. He was a great musician, a true pioneer and innovator. He produced some of the finest music of the 20th Century and discovered and nurtured many of jazz’s best musicians. But even more than that, Miles may have been the coolest man who ever lived. I don’t say that lightly, for there is perhaps no quality I admire more than cool.

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Goodbye, Elvin Jones

I was poring through eBay this morning, preparing today’s update, when my wife came into my office. “Did you see The Times?” she asked. “There’s an article that Coltrane’s drummer died.”

 It’s not surprising that The Times would refer to Elvin Jones as “Coltrane’s drummer.” That’s the way many of us came to find his music, on those great Atlantic and Impulse LPs of the early and mid 1960s. Jones’s contributions to Trane’s seminal quartet did more to influence the music than anything he might have accomplished before or since. Jones, McCoy Tyner, Jimmy Garrison – they all must have known at the time that Trane was taking them on explorations that were redefining the music.

 I turned to my record collection and searched for my favorite Elvin moments from that era. Two albums caught my eye: Africa/Brass, Impulse 6, about which, ironically, I wrote last week; and Coltrane Live at Birdland, Impulse 50. The live LP, particularly the track “Afro-Blue,” exemplifies the way in which Jones drove the quartet to places no other drummer of the era could have taken them. Here’s an excerpt from the original liner notes to this 1963 LP, courtesy of LeRoi Jones: Read more

Is That Bill Evans With Tony Scott?

Today we answer a couple of questions from readers and keep our ongoing eye on eBay.

 Q. It always drives me crazy when records don’t list all the musicians. I was recently listening to a copy of The Touch of Tony Scott on the RCA label. The pianist sounded like Bill Evans, but I wasn’t sure. Can you please tell me who is on this album?

A. Good ears. The pianist is Bill Evans, very early in his career. You can hear him very effectively on “Round Midnight.” The album was recorded by three different bands on three dates in 1956. Read more

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