Listening to Random Jazz Vinyl for Fun and Inspiration

Recently I’ve been pulling random records off the shelf and listening either to a side or the whole album. The impetus has been to just play records I haven’t listened to for a while or because something or someone piqued an interest. For example, as I write this the album I have on the turntable is Cannonball Adderley and the Poll Winners, Riverside 355. My impetus was purchasing a second copy to upgrade the condition, not of the record but of the cover. It turned out that the copy I owned was in pristine condition, but it could use a better cover so I went back to Spike’s Record Rack in Catskill to pick up the copy I had left behind. This 1960 album features Cannonball with Wes Montgomery, Ray Brown, Vic Feldman and Louis Hayes. As if I really needed confirmation, this is quite a great record, with great playing and a nice selection of originals, standards and the Charlie Parker composition Au Privave. Read more

Four for Jazz Vinyl

Back to the grind of watching rare jazz vinyl on eBay. It’s a tough job, but someone’s got to do it. Here are items sitting in my current watch list, starting with Curtis Fuller, The Opener, Blue Note 1567. This is an original West 63rd Street pressing listed in EX condition for both the record and the cover. The bidding starts at $500 and there is already one bidder with more than two days left on the auction. In the past, this record has made it into the $3,000 bin one time and into the $2,000 bin twice, according to Popsike. In this condition, we wouldn’t expect it to reach those lofty heights. As for my own copy, I just reorganized my records the other day and re-affirmed that I do not have an original pressing of The Opener, but rather a United Artists pressing that I purchased more than 40 years ago and probably haven’t listened to since I first brought it into my home. Perhaps I will listen today or tomorrow, if I have the opportunity. I have been doing that recently, pulling random records out of the collection and putting them on the turntable. I am preparing posts both on the reorganizations efforts as well as these random listening sessions, so stay tuned. Read more

The Musings of Me

Just yesterday morning I finished writing a book that I have been co-ghost writing along with my business partner, Mike. It is nothing too exciting and has nothing to do with jazz, unless you could somehow make a connection between cybersecurity and jazz, which I could not do, nor would I ever want to do. I was thinking, perhaps, that working somewhat diligently on the book was both a reason and an excuse for my recent absence from Jazz Collector and my paucity of posts over the past couple of months. Perhaps that is partly true but, of course, it is not the whole story. Sometimes when you are writing intently and intensely for work, the idea of writing for fun becomes less appealing.

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Back To Blue Note, Prestige and Fond Memories

Just logged onto eBay for the first time in a couple of weeks and my searches led me very quickly to a wide range of Blue Notes and Prestiges currently up for auction, almost all of which seem destined to sell for pretty high prices, indicative that the demand is continuing to be as strong as ever for rare and vintage jazz LPs, particularly for records on these iconic labels. Here are a few that I’ve put into my watch list, starting with Jackie McLean, New Soil, Blue Note 4013. This is an original deep-groove West 63rd Street pressing. The record and cover both look to be in M- condition and that cover looks particularly nice, with an important caveat (see the Lee Morgan record below). The bidding is currently at $350 and the auction closes about two hours from the time I am typing this. There are 10 bidders and 24 watchers and I wouldn’t be surprised at all to see this record enter or approach the $1,000 bin. But what about that cover?

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Collectible Jazz Vinyl and Not Vinyl

Yeah, that Bill Evans New Jazz Conceptions LP with the original cover sold for $1,725, as someone pointed out in comments. With a VG cover and VG record. I guess not even a global pandemic can halt the market for original jazz collectibles. A few more from the same seller: Gil Melle, Patterns in Jazz, Blue Note 1517. This was an original Lexington Avenue pressing in VG MINUS condition with a VG cover. Despite the condition it sold for $910. Curtis Fuller, Bone & Bari, Blue Note 1572. This was an original West 63rd Street pressing in VG MINUS condition for the record and VG for the cover. It sold for $706. Read more

Still Here

I must admit it has been difficult to get motivated to write about jazz records at a time when the world seems to have flipped upside down and we are all worried about the health and safety of ourselves, families, friends and other loved ones. But, I also realize our love of music and passion for our records can be a comfort and escape at a time like this. Funny, I got a note from my daughter late last night. She had called me earlier in the day, feeling a lot of angst, just generalized and starting to get a little cabin fever because she’s not working and cooped up in her apartment. A few hours later this was the note she sent: “Spent the day in my office, listening to records and organizing them. Felt good.” Is that a chip off the old block, or what? Read more

Miles, Morgan, Monk and More

Today we will view some random jazz vinyl from my eBay watch list, starting with Miles Davis, Volume 2, Blue Note 5022. This is an original 10-inch Lexington Avenue pressing. The record and cover are both listed in VG+ condition. Bidding starts at around $100 and so far there is no auction action. The auction closes in about three days. This record caught my eye, even though I already own it, because it is such an awesome cover and because I recently view a collection loaded with 10-inch records. At this point I have passed on purchasing the collection because the seller has it over-priced, but I am hoping he comes back to me when he realizes I made a fair offer. Will keep you posted. Read more

Christmas Candy and Other Vinyl Treats

Back to eBay: Lee Morgan, Candy, Blue Note 1590. This is an original West 63rd Street pressing. The record and cover are probably in VG+ condition and the listing has the now-familiar bobdjukic imprimatur, so you have to read carefully to find the relevant details through the various typefaces, colors and hyperbole, which all seem to work very well for Bob, so, I say, more power to him for getting strong interest and high prices for his listings. The bidding on this one is at $755 with more than a day left on the auction, but it has yet to meet the reserve price. Read more

Ornette, Intrigue, Esquire and More

Today we will get back to the normal business of watching and commenting on jazz vinyl for sale and we will also pose some reader questions and comments. Let’s start with Ornette Coleman, The Shape of Jazz To Come, Atlantic 1317. This is a deep groove pressing, unplayed, still with its original loose sleeve. The start price is around $200 and the auction closes today with no bidders. This record caught my eye because in my other room just down the hall I have a copy of this record still with its original seal unopened. Oh, yes, and the record happened to be owned by Ornette himself. Oh, yes, and it is part of a collection that I recently purchased and am looking to sell in toto. Intrigued? I will be providing more details soon, because, as always, there was an adventure and a story that goes with it. In the meantime, if anyone is interested you know where to find me, alatjazzcollectordotcom. Read more

Random Musings on Random Collectible Jazz Vinyl

We will look at some highly coveted jazz collectibles today, starting with John Coltrane, A Love Supreme, Impulse A-77. This is an original mono pressing listed in VG+ condition for both the record and the cover. The bidding is more than $1,000 and the auction closes later today. Of course, this record is iconic and wonderful (not always the same), and it has continued to go up in value over the years, to the point where the $1,000 bin is no surprise, even in VG+ condition, and especially with a widely respected seller such as Euclid Records. From the same seller is Workin’ With the Miles Davis Quintet. This is an original yellow-label New Jersey pressing listed in VG++ condition for both the record and the cover. The album still has the original shrink wrap and, based on my anecdotal observations over the years, this seems to add value to the record. I guess there’s a feeling that the cover has been protected, so it is more likely to be clean, which I understand. Of course, when I get a record like this, the first thing I do is take off the shrink wrap and put in a sleeve, usually the 12-5/8 sleeve, but sometimes the 12-3/4, depending on the fit. I do obsess a little about these sleeves, as I do about so many little things to do with my record collection. Read more

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