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	<title>Mobile Fidelity | jazzcollector.com</title>
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		<title>Another UK Esquire and an Audiophile Question</title>
		<link>https://jazzcollector.com/blue-note/another-uk-esquire-and-an-audiophile-question/</link>
					<comments>https://jazzcollector.com/blue-note/another-uk-esquire-and-an-audiophile-question/#comments</comments>
		
		<dc:creator><![CDATA[Al]]></dc:creator>
		<pubDate>Tue, 19 Dec 2017 14:31:37 +0000</pubDate>
				<category><![CDATA[Blue Note]]></category>
		<category><![CDATA[Prestige]]></category>
		<category><![CDATA[Riverside]]></category>
		<category><![CDATA[Bill Evans]]></category>
		<category><![CDATA[Donald Byrd]]></category>
		<category><![CDATA[Gene Quill]]></category>
		<category><![CDATA[Kenny Dorham]]></category>
		<category><![CDATA[Mobile Fidelity]]></category>
		<category><![CDATA[Phil Woods]]></category>
		<category><![CDATA[Sonny Clark]]></category>
		<guid isPermaLink="false">http://jazzcollector.com/?p=7774</guid>

					<description><![CDATA[<p>Back with another Esquire Prestige to start with, if you will all kindly indulge my new obsession: Donald Byrd, Kenny Dorham, Gene Quill, Phil Woods, [...]</p>
The post <a href="https://jazzcollector.com/blue-note/another-uk-esquire-and-an-audiophile-question/">Another UK Esquire and an Audiophile Question</a> first appeared on <a href="https://jazzcollector.com">jazzcollector.com</a>.]]></description>
										<content:encoded><![CDATA[<p><a href="http://jazzcollector.com/blog/wp-content/uploads/2017/12/Pairing-Off.jpg"><img fetchpriority="high" decoding="async" class="alignright size-medium wp-image-7775" src="http://jazzcollector.com/blog/wp-content/uploads/2017/12/Pairing-Off-300x300.jpg" alt="" width="300" height="300" srcset="https://jazzcollector.b-cdn.net/wp-content/uploads/2017/12/Pairing-Off-300x300.jpg 300w, https://jazzcollector.b-cdn.net/wp-content/uploads/2017/12/Pairing-Off-150x150.jpg 150w, https://jazzcollector.b-cdn.net/wp-content/uploads/2017/12/Pairing-Off-768x768.jpg 768w, https://jazzcollector.b-cdn.net/wp-content/uploads/2017/12/Pairing-Off-180x180.jpg 180w, https://jazzcollector.b-cdn.net/wp-content/uploads/2017/12/Pairing-Off-600x600.jpg 600w, https://jazzcollector.b-cdn.net/wp-content/uploads/2017/12/Pairing-Off-90x90.jpg 90w, https://jazzcollector.b-cdn.net/wp-content/uploads/2017/12/Pairing-Off-75x75.jpg 75w, https://jazzcollector.b-cdn.net/wp-content/uploads/2017/12/Pairing-Off.jpg 1000w" sizes="(max-width: 300px) 100vw, 300px" /></a>Back with another Esquire Prestige to start with, if you will all kindly indulge my new obsession: <a href="https://www.ebay.com/itm/Donald-Byrd-Kenny-Dorham-Pairing-Off-Jazz-LP-Esquire-32-026-Mono-DG-UK/152827157460?ssPageName=STRK%3AMEBIDX%3AIT&amp;_trksid=p2055119.m1438.l2649"><strong>Donald Byrd, Kenny Dorham, Gene Quill, Phil Woods, Pairing Off, Esquire 32-026</strong></a>. This is an original UK pressing listed in VG+ condition for both the record and the cover. It&#8217;s a another cool cover, IMHO, illustrating the instruments of the two sets of pairs, the trumpeters and altoists. It&#8217;s quite a bit different than the U.S. version, which was released as a session led by Phil Woods. Bidding is in the $120 range with more than a day left on the auction.</p>
<p><span id="more-7774"></span>Here&#8217;s a nice one: <a href="https://www.ebay.com/itm/SONNY-CLARK-cool-struttin-LP-BLUE-NOTE-BLP-1588-1ED-original-47-West-63rd/253310939182?ssPageName=STRK%3AMEBIDX%3AIT&amp;_trksid=p2055119.m1438.l2649"><strong>Sonny Clark, Cool Struttin&#8217;, Blue Note 1588</strong></a>. This is an original West 63rd Street pressing that looks to be in VG+ condition for the record and probably VG++ for the cover. This one is now in the $1,260 range, but I would expect the final price to be much higher, as this is a record we&#8217;ve often seen sell for much more, even in less than perfect condition.</p>
<p>This one caught my eye because it&#8217;s not something I normally collect: <a href="https://www.ebay.com/itm/MFSL-MOFI-2-LPs-UD1S-Bill-Evans-Sunday-at-the-Village-Vanguard-MINT-SEALED/272981981586?ssPageName=STRK%3AMEBIDX%3AIT&amp;_trksid=p2055119.m1438.l2649"><strong>Bill Evans, Sunday at the Village Vanguard, Mobile Fidelity UD1S 2-002</strong></a>. This is a sealed copy using something called an Ultrasonic one-step cutting process, which I can surely Google to find out more information, but it also sounds something like marketing hype, so I will pose the question to our readers who may have more information and interest in these new types of issues: Does it sound different/better than the original? I have my doubts, but I am open and would even consider buying a copy of the record, since it is a favorite, although the price is getting up there. This one is already at more than $200 with another day left.</p>
<p>&nbsp;</p>The post <a href="https://jazzcollector.com/blue-note/another-uk-esquire-and-an-audiophile-question/">Another UK Esquire and an Audiophile Question</a> first appeared on <a href="https://jazzcollector.com">jazzcollector.com</a>.]]></content:encoded>
					
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