Tag: Paul Chambers

Updates: $1,000 Bin, Dizzy, Sonny, Trane

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Still updating the Jazz Collector Price Guide. It can be a bit tedious, but it’s important, isn’t it? Let’s hope so. Anyway, here are a few items on the extremes: A couple more for the $1,000 bin and a few that normally don’t make the Price Guide but, for one reason or another, have broken through.

First the big ones: Walter Davis, Davis Cup, Blue Note 4018. This was an original pressing and it was listed in M- condition for both the record and the cover. It sold for $1,300. Also, Paul Chambers Quintet, Blue Note 1564. This was an original pressing. The record and cover looked to be in VG+ or VG++ condition. The price was $1,032.

Here are a couple that don’t often get collectible prices: Dizzy Gillespie, Afro, Norgran 1003. This was an original yellow label pressing with a cover design by David Stone Martin. It was only in VG condition and sold for $72. That may not be a Blue Note price, but it is still somewhat surprising. Few of the Dizzy record

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Some Top LPs That Didn’t Sell

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We usually keep track of records that sell on eBay. Here are a few records that did not sell. Why? Because they did not meet the seller’s reserve price. We will probably see these records back on eBay either with a lower reserve or no reserve at all. I know many of you refuse to bid on records that have a reserve, but I’m open: If I bid my price and it doesn’t meet the seller’s reserve, so be it. Actually, I do get a bit angry, truth be told, and I am circumspect of that seller in the future. So maybe I’m not as open as I would like to be.

This first one is a record we’ve been watching quite a bit lately: Sonny Rollins, Saxophone Colossus, Prestige 7079. This was a New York pressing. It wasn’t pristine. The vinyl was described as having a few marks and the cover was noted as having a small tape repair. The top bid was $1,554, which was below the reserve price.

Here’s another Prestige: Curtis Fuller, New Trombone, Prestige 7107. This was an original New York pressing. The record was

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Some More Blue Notes, Less than $1,000

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Here’s  some jazz vinyl on Blue Note that did not sell for more than $1,000.

Paul Chambers Quintet, Blue Note 1564. This was an original pressing and it was listed in VG+ condition for both the record and the cover. The price was just $114.50. That’s pretty low for this record. The last time we followed it in the Jazz Collector Price Guide it sold for more than $1,100, and previously it has sold for more than $600. This was not in M- condition, but you would still expect it to go for at least $300 or so. I think the seller may have overgraded the record, based on the description — VG+ but with “marks that will make some noise.” To me that’s a sign that the record may be VG or worse, so that would probably be the reason for the lower price.

Lee Morgan, The Cooker, Blue Note 1578. This one was listed in VG condition for the vinyl

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Jazz Vinyl Countdown: Benny Golson On Riverside

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This is one of our favorite records: Benny Golson, The Modern Touch, Riverside 256. It is a very nice sextet recording from 1957 with an all-star lineup: Kenny Dorham on trumpet; Golson on tenor; JJ Johnson on trombone; Wynton Kelly on piano; Paul Chambers on bass, Max Roach on drums. Love Dorham’s playing on this LP, JJ as well, and the arrangements are solid. It’s also one of those records on which both sides are equally good and listenable. We highly recommend it and we know we are going to keep it in our collection. The issue, however, is this: We have both an original pressing of this record on Riverside as well as a reissue on Jazzland: Reunion, Jazzland 85. The reissue is in a little bit better condition and, to be honest, they both sound about the same to us on our equipment. So which to keep, the one in better condition or the original?

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A Weekend on eBay: Miles, Bud, PC & More

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I’m heading up to the country for the weekend, but before I go I’ve found a few nice items to watch on eBay. There were the couple I mentioned yesterday on Jazz Collector — The Jutta Hipp on Blue Note as well as the Serge Chaloff — and here are a few more:

Miles Davis, Relaxin’, Prestige 7129. This is an original pressing with the New York labels. The record is in M- condition and the cover is VG++. Great record featuring John Coltrane and the classic Miles quintet from the ’50s. This one has a start price of about $135 and there are no bidders yet. It’ll be interesting to see if it sells. Our previous high price for this in the Jazz Collector Price Guide has been about $300.

Paul Chambers, Whims of Chambers, Blue Note 1534. This is an original pressing, but it’s in VG condition for both the record and the cover. A nice copy of this one recently sold for more than $1,000 on eBay. This one

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The Incredible Rise of the $1,000 Jazz Record

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The $1,000 bin truly doth runneth over  days. It’s quite an interesting phenomenon.

Paul Chambers, Whims of Chambers, Blue Note 1534. This was an original pressing in VG++ condition for both the record and the cover. A few years ago, I bought a copy of this on eBay in similar condition for about $300. At the time, I thought I was overpaying. A few weeks ago I sold a separate copy on eBay for about $325. It was in nice condition, with a VG+ cover. This was not a record I ever expected to see in the $1,000 bin. This copy sold for $1,313.

Here’s another one I never expected to see sell for more than $1,000: Cannonball Adderley, Somethin’s Else, Blue Note 1595. This is a nice record, but has never been among the higher-priced Blue Notes. The highest price we had previously recorded for this in the Jazz Collector Price Guide was around $400. This copy was in mice M- condition for both the record and the cover. It sold for $1,475.

This one almost entered the $2,000 bin:

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For the Price Guide: A Blue Note Batch & A Prestige

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Here are a few more big-ticket items we’ve been watching. All of these will be entered into the Jazz Collector Price Guide as soon as we get a chance.

Jackie McLean, Lights Out, Prestige 7035. This was an original pressing with the yellow label and New Jersey address. The record and cover both seemed to be in VG+ condition. The price was $599.95.

Walter Davis, Davis Cup, Blue Note 4018. This was an original West 63rd Street pressing in M- condition. It sold for $790.

Freddie Hubbard, Open Sesame, Blue Note 4040. This too was an original pressing and it was in M- condition, both the record and the cover. The price was $636.  This was actually surprisingly low — we’ve seen this record sell for more than $1,000 several times, and reach as high as $1,590 for a record that  was not in M- condition.

Paul Chambers, Bass on Top, Blue Note 1569. This was an original West 63rd Street pressing. The

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One For the $3,000 Bin

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Here’s one that sold for more than $3,000 the other day: Sonny Clark, Cool Struttin’, Blue Note 1588. This was an original pressing in M- condition, both record and cover. It had the advantage of being sold by Euclid Records, which is one of the larger sellers on eBay and has an excellent reputation. This copy sold for $3,416, which puts it among the Top Five we’ve recorded on the Jazz Collector Price Guide.  If you click the previous Price Guide link, it should take you to a page where all of the records are sorted by highest prices first, which is always a fun way to view the Price Guide. 

Speaking of prices, we’ve got some nice items closing tomorrow at pretty reasonable prices, and we just put up some interesting new items that are closing next week. Among the more interesting items we have up now are a Lexington Avenue pressing of Paul Chambers, Whims of Chambers, Blue Note 1534. This is closing tomorrow and is currently about about $180. For next week

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Another For the $1,000 Bin

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We haven’t been watching eBay as closely since we bought the collection in Trenton recently. We’ve been spending a lot of time washing and cleaning records. Fortunately, the results of our efforts are starting to bear fruit and a couple of the items from the collection finally made their way to eBay yesterday, including Paul Chambers, Whims of Chambers, Blue Note 1534,  and Art Blakey and the Jazz Messengers a the Cafe Bohemia, Volume 1, Blue Note 1507.  We did, however, take note of another item that recently surpassed the $1,000 price barrier, and that is: Bent Axen, Poll Winner 59. This was an original Danish pressing, Fona Klubben 416. The seller said that this label was kind of notorious for bad pressings and bubbles in the pressings, but this was listed as a perfect copy of the record as well as the cover. The price was $1,540.

Adventures in Jazz Collecting, Part 4

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So I finally got home on Monday after my trip to Trenton and massive traffic on the Belt Parkway through Brooklyn and Queens. I started unloading the records, My nosy neighbor was watching. I smiled. “Records,” I said. I’m not sure she knew what I was talking about. The records filled the front foyer of my house. There were seven crates altogether. I had decided to just take everything that Rob had. This included Christmas records, and Aretha Franklin, and some pretty well damaged jazz records. The first two crates I looked through had nothing. Was it all an illusion? In my rush of adrenaline and musk and mold and dust, did I imagine that there were collectible jazz records in this batch? I went searching for the Tina Brooks record. This I knew was a collectible. I grabbed it. The moldy flakes from the cover fell off in my hands. I grabbed the vinyl, went upstairs and put it on my VPI record cleaner. The dust and dirt and grime and mold came off, but the record was in only VG condition. And the cover? It was pretty bad, and it reeked of mold and musk. I threw it in the garbage. Not a good start.

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