This week’s theme: Sonny Rollins, European Tour 1959. Featured artists include Sonny Rollins, Henry Grimes, Pete LaRoca, Joe Harris, Kenny Clarke. Music from the recently released boxed set Freedom Weaver, The 1959 European Tour Recordings, on Resonance Records.
I’ve been back in New York for the past week or so, but haven’t had a chance to visit any record stores. If you had a few days in New York, where would you shop these days? If you were shopping on eBay, here are some of the items you may have considered, starting with Pete LaRoca, Basra, Blue Note 4205. This was an original New York USA pressing that looked to be in VG+ condition for the record and VG+ for the cover, although the seller listed it as VG++ (it wasn’t). When we wrote about it last week, the bidding was in the $750 range. The final price was around $1,190. I kind of assumed this would have been the highest price ever for this record, but according to Popsike a copy last summer sold for $2,375. There were also a few others that ended up in the $1,000 bin, so my assumption was not quite accurate. Read more
Here we have Lee Morgan Volume 3, Blue Note 1557. This was another one of those records from the recent and ongoing auctions from the seller Carolina Soul. This was an original West 63rd Street pressing that was in VG+ condition for the record and VG- for the cover. The front and back of the cover were signed by Benny Golson, who plays tenor on the record and wrote the compositions and arrangements. I’m not sure if the presence of the signature adds or detracts from the interest in the record from collectors. This copy sold for $1,259.56. The Benny Golson signature reminded me of the Steven Spielberg “The Terminal” with Tom Hanks, in which a Benny Golson autograph plays a prominent role, believe it or not. If the record had been signed by Lee Morgan, it would have gotten a lot more interest, right? Perhaps even in the $3,000 bin like this one. Tubby Hayes Quintet, After Lights Out, Tempo TAP 6. This was an original British pressing that looked to be in M- condition for the record and VG++ or VG+ for the cover. The final price was about $3,210. Read more
This one comes to us via Clifford, with the comment “Basra into the big boy bin” followed by the pithy commentary “OOF!” Pete LaRoca, Basra, Blue Note 4205. This was an original New York USA mono pressing listed in M- condition for the record. As for the cover, the seller grades it as Ex. From the pictures it is no better than VG+ and probably on the low end of the VG+ scale at best. The final price was $1,575. Prior to this year, the top price for Basra was $820. But this is the second copy this year to sell for more than $1,000, following a $1,350 sale in February, according to Popsike. OOF! Indeed. Read more
I haven’t really been on eBay since the pandemic started and I’m wondering: Could this be a seminal event for jazz collecting? With the world economy in collapse, will people still care about whether their copy of Sonny’s Crib has a New York 23 label or not? And, assuming some will care, will enough collectors care enough to keep laying out the big bucks for original copies, thus extending the rising market for certain collectibles that we have witnessed since we started writing this blog back in 2003? The other thing I’m wondering: Will collectors continue to trust shipments from overseas, wherever they live? If you are in England, say, will you have faith that a package from New York won’t be carrying the Covid-19 virus across the Atlantic? It may sound crazy, but crazy things are happening. I go food shopping, come home and The Lovely Mrs. JC wipes down every package with disinfectant and then asks me to strip before I take a step into the house. You’ve seen my picture in the last post: It is not my body she is after. Read more
There’s been some interesting — and big — sales of jazz vinyl during the past few days, so let’s get right to it:
Hank Mobley, Blue Note 1568. This was a “original” pressing although it likely did not have the New York 23, since the seller is very knowledgeable and didn’t mention anything. Some sticklers only view this as original if it has the New York 23 label on one side. The record was in M- condition and the cover was probably VG++. It sold for $4,050.
This one wasn’t getting a lot of action early in the bidding and I thought, perhaps, I might even sneak in with a low bid and snatch it. Fat chance: J. R. Monterose, Blue Note 1536. This was an original Lexington Avenue pressing in Ex condition for the record, which I take to be around VG+ for better, and probably VG+ for the cover, based on the seller’s description. The record sat there for a long time with no bids, but then . . . . Eventually the bidding reached $1,435.
On this one, CeeDee sent me a noted titled “wowee” and someone else also mentioned it on a previous post, so I guess the high price has caught some attention:
Not every Blue Note is selling for more than $1,000 these days. Here are some Blue Notes at reasonable prices, with the recognition that “reasonable” is, like beauty, in the eye of the beholder.
Dexter Gordon, A Swingin’ Affair, Blue Note 4133. This was an original mono pressing with the New York USA labels. This was listed in M- condition for the vinyl and VG++ for the cover. The price was $192.51.
Horace Silver, Cape Verdean Blues, Blue Note 84220. This was an original pressing with the New York USA label. It was listed in pristine M- condition for both the vinyl and the cover. It sold for $45.
Bud Powell, Bud!, Blue Note 1571. This was an original pressing. The vinyl was listed as VG+ and the cover was listed as VG. The price was $127.50.
