Tag: Phil Woods

Prez to Rollins to Trane and More

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Thanks for all the great comments and discussion on Saxophone Colossus. I think the consensus is blue cover, GEM, AB hand engraved, all of which I have on both of my copies. JLike our friend Lennib and other commenters, I love these discussions and get a lot out of them. Now, on to more records. Join me while I clear out some of the older items on my eBay watch list, starting with one I’d threated to bid on, but somehow lost track of along the way: Cliff Jordan and John Gilmore, Blowing in From Chicago, Blue Note 1549. This was an original New York 23 pressing. This was one I thought had been under-graded based on the seller’s description. Read more

A Love Supreme, Woodlore and a Dash of Vinyl Envy

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Watching this item on eBay:John Coltrane, A Love Supreme, Impulse A-77. This is an original mono pressing with the white promotional label. You don’t see too many of these. Thus one is listed in VG++ condition for the record and VG+ for the cover. The bidding is in the $900 range with more than three days left on the auction. We have seen a promo copy of A Love Supreme sell for as much as $1,358, according to Popsike, and it would not be surprising to see this record fall somewhere in that range as well.  This listing is one of many nice items from the seller Carolina Soul, now and over the past few weeks. Read more

Prestiges, Blue Notes and a Boyd

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Where was I? Oh, yes, I had a watchlist on eBay that I haven’t looked at in two weeks. Let’s see what’s there. Phil Woods et al, Four Altos, Prestige 7116. This was an original New York yellow label pressing that was listed in VG++ condition for the record and VG++ for the cover, although I’d say VG+ for the cover. My feeling about cover gradings is if there is a seam split, then VG++ is a bit too optimistic. But that’s me. Anyway, this was a promotional copy and a pressing from a library, which always gives me pause because who knows how the record was handled all these years. This one sold for $451.99. Now the four alto players on this record are Woods, Gene Quill, Sahib Shihab and Hal Stein. And my question is this, for those of us, like me, who mostly organize records alphabetically by artist: Is there any collector out there who files this record under anyone else besides Phil Woods?

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Into the Woods (At the Right Price)

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I was watching a few items from the Jazz Record Center auction that closed yesterday, including Phil Woods, Woodlore, Prestige 7018. This was an original yellow label New York pressing that looked to be in M- condition for the record and VG+ for the cover. The final price was $493.88. In looking at this auction, I realize I’m still somewhat of an old-school collector whose attitudes haven’t changed all that much, even as the value of the records has increased over the years. I love this record and have never owned an original pressing. As you know, I’ve been collecting jazz records for nearly 50 years. Still, as much as I would want an original pressing of this record in may collection, I would prefer to go without it at this kind of price — even though the market value will likely increase — and continue to wait until I get lucky and find it for a price I feel is reasonable. It’s not the money and it’s not even the principle. It’s more like the ingrained habit and the ethos of “this is how I choose to collect.” If I want to listen to Phil Woods, I have a lot of other great Phil Woods records to listen to. If I really want to listen to Woodlore, I have my Japanese pressing. That’s good enough for this collector.

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Another UK Esquire and an Audiophile Question

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Back with another Esquire Prestige to start with, if you will all kindly indulge my new obsession: Donald Byrd, Kenny Dorham, Gene Quill, Phil Woods, Pairing Off, Esquire 32-026. This is an original UK pressing listed in VG+ condition for both the record and the cover. It’s a another cool cover, IMHO, illustrating the instruments of the two sets of pairs, the trumpeters and altoists. It’s quite a bit different than the U.S. version, which was released as a session led by Phil Woods. Bidding is in the $120 range with more than a day left on the auction.

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High Priced Vinyl, Mobley Update, WFMU Record Fair, An Offer You Can’t Refuse (At Least, I Can’t)

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Whilst I was offline I missed a record that ended up in the $3,000 bin: Don Rendell Ian Carr Quintet, Shades of Blue, Columbia, 33SX 17333. This was an original 1965 UK pressing that was probably in VG++ or M- condition. The final price was $3,024.98. I only know of this record from watching it on eBay all these years. Is the music that good, or is there something else that is so appealing about this record that it would command such a high price?

One of our readers sent me a link to this record, noting that the price seems to be rising: Phil Woods, Warm Woods, Epic 3436. This copy was in VG++ condition for the record and VG+ for the cover. It sold for $605.55. Doesn’t seem that out of line for this record. If you look on Popsike, there are copies that have sold for higher prices, although probably in better condition. That’s one of the things that I’m noticing — for many of these classic records, condition is less of an issue than it used to be. Can’t help wondering if that is because people are collecting them to own them as opposed to listening to them.

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What Happens? Records Sell for High Prices

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Art Farmer Jazz VinylOnce again we find another record that is unfamiliar to us, this one sent in courtesy of our friend CeeDee: Art Farmer and Phil Woods, What Happens?, Campi SJG 12001. This was an original Italian promo pressing from 1969.  It was listed in M- condition for the record and  VG++ for the cover. It sold for $355. I did a quick search to learn more about the record but pretty much came up empty. That’s why it’s nice to have the Jazz Collector community weigh in with our collective knowledge. So, friends, what’s the story behind this record and the label?

I think a lot of us had our eye on this one: Hank Mobley, Blue Note 1568. This was an original original pressing, with the New York 23 on one side. The record and cover were both listed in VG+ condition. The final price was $3,998. There were 11 bidders. Given the rarity of this record, the price of nearly $4,000 seems to be market-appropriate, even with the VG+ condition. Based on the description, I’m sure the buyer is expecting this to be somewhat under-graded, particularly since there can be such a wide span within the VG+ category, don’t you think?

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Outward Bound, I Wish I Was

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Eric Dolphy Jazz VinylHere’s one of my favorite covers: Eric Dolphy, Outward Bound, New Jazz 8236. This is an original pressing with the deep grooves and the purple label. The record and cover both look to be in about VG++ condition. The seller has placed a high opening price of more than $700 and so far there are no bidders. We’ll see. I don’t recall this record ever selling for more than $500. I tried doing a Google search for information about the cover, but there was scant detail. Anyone? At the same time, there is also this for sale on eBay: Eric Dolphy, Outward Bound, Esquire 32-123. This is a first press from the U.K. The condition is not nearly so good as the American original, I would guess VG for both the record and the cover, based on the seller’s description. There are three days left on the auction and there is a single bid at about $66.

Here’s another nice Prestige:

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A Stamp, A Failed Bid, Some Cool Autographs

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Herbie Nichols copyHere are a few more items we are/have been watching on eBay, starting with Herbie Nichols Trio, Blue Note 1519. This looks to be an original deep-groove Lexington Avenue pressing. The record is listed in M- condition and the cover is VG, with taped seams. The bidding is in the $240 range and there are four days left on the auction. I have a strange copy of this record. It has the Lexington Avenue address, the ear and the RVG in the deadwax, but no deep grooves. Not sure of the vintage — probably pre-Liberty, but not an original, I would guess. Another interesting thing about my copy: It has the stamp: “Property of Rudi Blesh.” Rudi Blesh was a jazz critic and  historian. He even has his own Wikepedia page. Rudi Blesh or not, I’d still love to replace my pressing with an original, but not at that price and not with taped seams.

I actually did bid on a record this past week, which I don’t do very often this days. It was the Phil Woods record I wrote about earlier in the week:

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