Tag: Sonny Clark

A Couple For the $1,000 Bin, and More

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Here’s some heavy-duty jazz vinyl that sold recently on eBay.

Hank Mobley and Lee Morgan, Peckin’ Time, Blue Note 1574. This was an original West 63rd pressing with the deep grooves. It was in VG++ condition for the record and VG+ for the cover. It sold for $1,315. So, if you have this record, where do you file it, under Morgan or under Mobley? Mine, a Japanese pressing, is under Mobley.

From the same seller came: Cliff Jordan and John Gilmore, Blowin’ In From Chicago, Blue Note 1549. Love the cover. This was a promo copy in VG++ condition for the record and VG+ for the cover, although the picture looks like it might be a little less so. It sold for $1,155.

Also from the same seller: Sonny Clark, Dial S for Sonny, Blue Note 1570. Same for this one: An original pressing, vinyl in VG++ condition, cover in VG+ condition. The price was $896.

How about something that’s not Blue Note:

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Updates From The Jazz Record Center Auction, Part 2

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We did promise a Part 2 of our post on the recent auction from The Jazz Record Center, so here goes (apologize for the delay):

Why isn’t this record worth more: Thelonious Monk and Sonny Rollins, Prestige 7075? This was an original New York pressing. The record was in M- condition — nearly new — and the cover looked like it was at least VG++, maybe better. It sold for $192.50. I happen to think this is a terrific album. I love Sonny’s interpretation of The Way You Look Tonight. When I was first getting into jazz I used to compare this version to the Stan Getz version on Stan Getz Plays and it took me a while to reconcile not only that it was the same song, but that it was even the same instrument. My ears are obviously much more sophisticated now, but at the time the difference in approach seemed so stark. And I liked both versions. Anyway, I repeat my query: Why is this great original Prestige, featuring two of the geniuses of modern jazz, not even a $200 record?

This has always been one of the rarest and more expensive of the Riversides, for good reason: Sonny Rollins, The Sound of Sonny, Riverside 241. This was an original white label pressing and it was in M- condition for both the record and the cover. It sold for $765. It’s the presence of Sonny Clark with Rollins that makes this one so sought-after, no?

Now for a few Blue Notes:

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Jazz Vinyl Update For the $1,000 Bin (and More)

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Here we go with an update on some of the jazz vinyl we’ve been watching on eBay:

This one inspired quite a bidding war, with nearly 1,000 page views and 32 bids among 17 bidders: Sonny Clark, Cool Struttin’, Blue Note 1588. This was an original pressing. The record was listed as M- and the cover was only VG+. The price was a whopping $3,350.

This one also entered the $1,000 bin (nice picture, huh?): Lee Morgan, Blue Note 1541. This was an original Lexington Avenue pressing that was listed in M- condition for the vinyl and VG+ for the cover. The price was $1,385.

I think prices are starting to come back again to previous levels. Look at this one: Zoot Sims, Zoot, Riverside 228. This was an original white-label pressing. The record was described as excellent, which I translate to VG++ and the cover was probably VG+ with tape on the top seam. The price was $457, which is the highest price we’ve seen for this LP in the Jazz Collector Price Guide.

 

eBaying: Burrell, Warhol, Newk and More

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Watching some nice records on eBay and, for now, the prices are not so astonomical. Of course, as they say, astronomical is in the eye of the beholder. Here are a few:

Kenny Burrell, Blue Lights Volume 1, Blue Note 1596. This looks to be an original pressing with the West 63rd Street address and deep grooves. It has, of course, the Andy Warhol cover, which makes it quite collectible and often quite expensive. This one looks to be in M- condition for the vinyl and probably VG++ or M- for the cover. There’s one day left to bid and the price is about $535.

Sonny Clark, Cool Struttin’, Blue Note 1588. This looks to be an original deep groove pressing.  The seller lists it as M-, but he does mention some marks on the vinyl. The cover is listed as VG+. There are four days to go and the price is still less than $150. We’ve seen this record sell for more than $3,000 in the past, so we would expect it to go quite a bit higher, likely into the $1,000 bin.

Sonny Rollins, Moving Out, Prestige 7058. Not my favorite Rollins LP, but an original Prestige right in the sweet spot of the label. This one has been posted by Euclid Records and is listed in M- condition for both the record and the cover, with the adjective “gorgeous” bandied about in the description. This is already close to $500 and there are still five days to go, so perhaps this one will reach the astronomical stage.

Another Blue Note:

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Catching Up: Byrd, Tenorman, Golson, Cool Struttin’

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Sorry I’ve been out of touch for so long. Now that I’m back, let’s start by updating some of the items we were watching on eBay:

This one had that very high start price: Lawrence Marable, Tenorman, Jazz West 8. It was listed in VG++ condition for both the record and the cover. Not only did it sell, it made it all the way to the $2,000 bin. The price was $2,175.

This one didn’t quite make the $2,000 bin, but it did all right for the buyer and seller: Donald Byrd, Byrd Blows on Beacon Hill, Transition 17. This was an original pressing sold by Euclid Records and it included the original booklet. The record was VG++ and the cover was VG+. The labels, as they do with all Transitions, had fallen off. The price was $1,691.88. Euclid also did well on this one: Benny Golson, Gone with Golson, New Jazz 8235. This was an original purple label pressing with the deep grooves. It was listed in M- condition for both the record and the cover. It sold for $355, quite a nice price for an LP with Golson as the leader.  Our previous high in the Jazz Collector Price Guide was $335.

This next one was described as an “original” pressing, but upon further detailed reading of the listing, it clearly was not — unless, that is, you consider an “original” Blue Note anything that was issued prior to the purchase by Liberty:

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eBaying With Thad, Sonny Clark, Vice-Pres

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Here’s some jazz vinyl we’ve been watching on eBay:

The Magnificent Thad Jones, Blue Note 1527. This was an original Lexington Avenue pressing with the flat edge. The record was in VG condition and clearly had some issues with surface noise based on the seller’s description. The cover was VG+. The opportunity to own an original Blue Note is always enticing. This one sold for $261, not at all unreasonable, but I didn’t pull the trigger. Perhaps next time.

That copy of Sonny Clark, Sonny’s Crib, Blue Note 1576, finally wound up selling. If you recall, this one was in great, mint condition, but it was not an original. It had the West 63rd label but no deep grooves. The seller was able to get $399.99. More power to him.

This one seems to perhaps be a bit over-graded based on the seller’s description, but it is still a nice original collectible in nice condition. Paul Quinichette, On the Sunny Side, Prestige 7103. This one sold for $213.50.

eBay Watching: Blue Notes, Prestige

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Which jazz vinyl shall we watch on eBay today? Here’s a few of note.

This one is quite tempting to me, since I do not own an original: Mal Waldron, Mal/2, Prestige 7111. This looks to be an original New York pressing and it has the presence of John Coltrane. The record looks to be what I would grade as VG++ and the cover is M-. There are a few days to go and the price is in the $150 range. When I see records such as these I have to remind myself that I am getting rid of records, not acquiring them. It is a tough sell to myself, however, since the joy is in the hunt.

This one is also strangely tempting to me, even though it is not an original: Sonny Clark, Sonny’s Crib, Blue Note 1576. The copy in my collection is a black and blue Liberty stereo. Yuch. This one is not an original because it doesn’t have the deep grooves, but at least it has the West 63rd Street address. It wouldn’t give me the creeps every time I would look at it in my collection. But, alas, the start price is about $400 and that’s a little too steep for me for a non-original, even a great record like this in beautiful condition.

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Updating the $1,000 Bin, Plus a Few More

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Let’s catch up on some of the high-end jazz vinyl we’ve been watching on eBay:

Here are a few from the Jazz Record Center auction: Kenny Dorham, Quiet Kenny, New Jazz 8225. This one was in beautiful condition, M- all the way around. It sold for $2,380.99. Sonny Clark, Dial S For Sonny, Blue Note 1570. This was another beauty that was M- for the record and probably VG++ for the cover, depending upon how you view things such as small splits and slight wear. It sold for $2,039. Kenny Dorham, Afro-Cuban, Blue Note 1535. This was in M- condition for the record and somewhat less for the cover. The price was $1,613.88. And the big one: Hank Mobley, Blue Note 1568. This was an original pressing in M- condition for the record and between VG++ and M- for the cover, depending upon how you grade such things. The price was $3,618.

Here’s a $1,000 record that was not sold by the Jazz Record Center:

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Jazz Vinyl Update: Some Warhols, Blue Notes & Miles

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Here’s some jazz vinyl we’ve been watching on eBay:

This one was described in “like new” condition and, based on the picture and description, it looked like an original pressing: Sonny Clark, Sonny’s Crib, Blue Note 1576. The seller said he turned down a “buy now” request and let the bidding continue, which it did, topping off at $1,713.

This one wasn’t in nearly the same condition as Sonny’s Crib: Lee Morgan, Candy, Blue Note 1590. This looked to be an original pressing and it was listed in VG+ condition for the record and VG MINUS for the cover. It sold for $1,115.

This is the highest price we’ve ever seen for this record: Miles Davis, Cookin’ Prestige 7094. This was an original pressing that was listed in M- condition for both the record and the cover. It sold for $665.

How about a few records with Andy Warhol covers:

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More Jazz Vinyl Updates and A Couple of Surprises

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Here’s an update on some of the jazz vinyl we’ve been watching on eBay:

Let’s start with the $1,000 bin, this one from last week: Sonny Clark, Cool Struttin’, Blue Note 1588. This was listed in M- condition for both the record and the cover. It sold for $1,675. Hmm, in the Jazz Collector Price Guide we’ve had four or five of these sell for more than $3,000. What’s going on? Is there something in the listing that would indicate this is not an original pressing? Looks good to me. I know the listing would have been enhanced by more and better pictures, but still. . .

As we saw last week, prices for certain records with Andy Warhol covers seem to be rising. Here’s an example: Kenny Burrell, Blue Note 1543. This was an original Lexington Avenue pressing — the last original Lexington Avenue, right? — and the record was VG but the cover was VG+. It sold for $833. That’s the highest we’ve seen in the Jazz Collector Price Guide for any Burrell record.

Here’s one that provides an answer to a question we posed the other day:

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