A Day for Sonny Clark (Not to Mention Sonny Clarke)

I’m back. The good news is the major book project I’ve been working on is finally complete and the book will be published in the next few weeks. That should free up more time for me to spend on Jazz Collector. The bad news is I’ve made promises like this before and failed to keep them. We’ll see how it goes. It’s only been in the last few months or so that I’ve really slacked off, so perhaps I just need a little inspiration, like buying a collection, maybe?  Also, I’m wide open to other people writing for the site, as Clifford has done in the past, so if you’re interested you can just drop me an email, alatjazzcollector.com. In the meantime, I want to thank our loyal reader Japhy for reminding me to get back into the fray by sending me a link to the $7,300 Sonny Clark Leapin’ and Lopin’, which has already been the subject of a post here, but which made me realize how long it has been between posts for me. Anyway, on to rare collectible jazz vinyl on eBay.

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Leapin’, Lopin’ and Lunacy

After last week’s diversion, I see I am being prodded to get back to the regular business of tracking the market for rare jazz vinyl, and so I will start with a note and link from our friend Clifford, subject: Sonny Clark WTF. Clifford writes, “Hey, Al. Here’s one for the ages (maybe). I’d gladly let my copy go for just $5000!” And the link is Sonny Clark, Leapin’ and Lopin’, Blue Note 4091. This was an original mono pressing with the New York USA address. The record and the cover were in just VG+ condition. The final price was $7,300. As Clifford so eloquently put it: WTF! There were 21 bidders and 44 bids and the price went from a reasonable $563 to a ridiculous $7,300 in the last moments. I would guess that two bidders both had a strategy of putting in humongous bids just to assure that they would get the record and, voila, they ran up against one another. How else could we explain a VG+ copy of this record selling for that price? Read more

Back to Business, Back to Blue Note

I’ve been off eBay for a while, tending to other business, so to get reacclimated and grab a quick look at what’s going on, I did a search of some of the highest priced jazz records now up for auction. Naturally, all of the top listings came up Blue Note. Here are a few, starting with Freddie Hubbard, Open Sesame, Blue Note 4040. This is an original pressing with the West 63rd Street address. The record is listed in VG+ condition and the cover is VG++. It looks like a nice solid copy. The bidding is now in the $475 with more than two days left on the auction. Given today’s market, I would expect this one to break into the $1,000 bin.

This one is already headed for the $1,000 bin, and might wind up all the way into the $3,000 bin, if, indeed, such a bin actually exists: Kenny Dorham, Round Midnight at the Cafe Bohemia, Blue Note 1524. This is an original Lexington Avenue pressing that looks absolutely pristine from the photos, as if it had been preserved in laminate from 1956. The seller lists it as M- for both the record and the cover. The bidding has already exceeded $1,500 and there are more than five days left on the auction.

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Another UK Esquire and an Audiophile Question

Back with another Esquire Prestige to start with, if you will all kindly indulge my new obsession: Donald Byrd, Kenny Dorham, Gene Quill, Phil Woods, Pairing Off, Esquire 32-026. This is an original UK pressing listed in VG+ condition for both the record and the cover. It’s a another cool cover, IMHO, illustrating the instruments of the two sets of pairs, the trumpeters and altoists. It’s quite a bit different than the U.S. version, which was released as a session led by Phil Woods. Bidding is in the $120 range with more than a day left on the auction.

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Sonny Clark, Dexter and an Over/Under Betting Proposition for Mobley’s Blue Note 1568

Sorry for the long unexpected hiatus between posts. Been very busy with work and time just slipped away. Glad to see no one was worried about me. 🙂 Anyway, let’s look at where we left off with our eBay watch list, starting with: Sonny Clark, Leapin’ and Lopin’, Blue Note 4091. This was an original New York USA mono pressing. It was listed in M- condition for the record and VG++ for the cover. It sold for $908.76. We don’t recall ever seeing this record sell for more, but Popiske has a record of a copy selling for $1,144 in 2014. Wow. I guess it won’t be long before copies of this record will eventually be regulars in the $1,000 bin. First the ones in M- condition, then, over time, those in not-so-mint condition, if past patterns continue to hold forth in the future.

Perhaps this next one is also destined for the $1,000 bin. It keeps getting closer:

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Cool Struttin’ At the JRC

The Jazz Record Center had an auction last week and I was keeping tabs on a few of their records, including: Sonny Clark, Cool Struttin’, Blue Note 1588. This was an original pressing with a weird variation: Both sides had he same label (Side 2). To me that would diminish the value, not sure why because the music is the same, but it just would. This one looked to be in M- condition for the record and probably VG++ for the cover. The final price was $2,500, so perhaps the label aberration effected the price, since we’ve often seen this record sell for more than $3,000 and occasionally more than $5,000. It used to be that the Jazz Record Center would get a premium on its records because of it’s reputation, but I find that is no longer the case. I had thought, perhaps, it was because they didn’t take Pay Pal, but now I notice that they do take Pay Pal. The action also included a bunch of 10-inch Blue Notes, which I love, including:

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A Heavyweight Quartet

We are watching some real heavy-duty collectibles on eBay now, starting with Hank Mobley, Blue Note 1568. This is one of those quasi-original originals depending upon your point of view. Translation: It doesn’t have the New York 23 on one side of the label. Whether that makes it less original is probably not the point. What we have learned over the years is that it makes it slightly less valuable to collectors. No tears are being shed for this seller, however. The record looks to be in around VG++ condition and the cover is M-. The bidding is more than $2,600 with less than a day left. This copy has been around the block a few times, and is the same one that ostensibly would have sold for more than $11,000 back in 2015 but obviously did not actually sell at that time. Sometimes it’s hard to keep up with the goings on at eBay, even for someone like myself who follows things fairly closely.

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Blue Notes, Brubeck and Bewildered

Many of you have probably noticed that the seller manusardi1 has some nice items on eBay now, including Jutta Hipp at the Hickory House, Volume One, Blue Note 1515. This is an original pressing. The record is labeled “pristine” and the cover looks to be VG++ or so. The bidding is in the $900 range and there are still three days to go. For those looking to spend big bucks filling in big gap in their Blue Note collections, there is also the companion Jutta Hipp at the Hickory House, Volume Two, Blue Note 1516. This one is also listed in “pristine” condition for the record, with a similar condition on the cover, perhaps VG++, perhaps a little less. This one is in the $800 range with three days left.

The seller bobdjukic is also back with some jazz records, including:  Read more

Of Blue Notes, Later Pressings and Big Bucks

cool-struttin-jazz-vinylOne of our readers, with a sense of wonder, sent me this link: Sonny Clark, Cool Struttin’, Blue Note 1588. The record was listed in M- condition. The cover was maybe VG+ at best, depending upon how partial you are to having the word “Super” written in dark red marker across the back of your records. The final price was $422, which at first glance one might attribute to the condition of the cover. Except for one thing: This was a Liberty pressing, not just the label, the cover, too. So now we have third, fourth or whatever generation Liberty Blue Notes selling for more than $400. Oh, the humanity! If I had known, I would have saved them all, and I had a lot of them, including Cool Struttin’. I was happy, at the time, to get $20 or $30 apiece. What is going on? Read more

Now These Are Some Heavy Hitters

Art Pepper Jazz VinylI missed this one last week: Sonny Clark, Cool Struttin’, Blue Note 1588. This was an original West 63rd Street pressing that looked to be in M- condition for both the record and the cover. The final price was $4,054. You don’t find many records breaking into the $4,000 bin, but certainly more than there used to be. Then again, there was that copy of John Coltrane, Blue Train, Blue Note 1577, that sold for $4,717.89 a couple of weeks ago. Amazing. Then there was The Return of Art Pepper, East West JWLP 10. We were watching this one the other day and there were no bids at a start price of about $500 with just a couple of days left on the auction. I predicted it would sell, which was not that hard to do. But I would not have predicted that the price would have been $2,026.01. Amazing. It was also noteworthy that there were only three bidders and three bids, and they all came during the auction’s closing seconds, the winner and second place finisher presumably using some kind of sniping software.

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