Sonny Clark | jazzcollector.com

Dial Jazz Collector For Blue Notes

December 5, 2014 Al 34 comments

Yes, that copy of Sonny Clark Cool Struttin’ sold for $2,400, which was the buy-it-now price. Do you think it was a reader of Jazz Collector? I do. This would be a week to fill in those Sonny Clark gaps in your Blue Note collection, if you were inclined to spend a small fortune to do so. Also on eBay: Sonny Clark, Dial S for Sonny, Blue Note 1570. This looks to be an original West 63rd pressing listed in VG++ condition for both the record and the cover. We would, of course, expect this to sell for well more than $1,000, and perhaps entering into the $2,000 bin. Right now the bidding is at $811 with more than four days to go. Also on eBay: Sonny Clark, Sonny’s Crib, Blue Note 1576. This also looks to be an original pressing. It is listed in M- condition for the record and VG++ for the cover. This will also be a record that will sell in the four figures, I would assume. Right now the bidding is at about $350, but there are five days left on the auction.

While we’re on the subject of Blue Notes, here are:

Blue Note

What’s Going on With Jazz Vinyl Prices?

December 3, 2014 Al 19 comments

I finally got back onto eBay yesterday and I did a search and came up with a bunch of nice Blue Notes, including a nice copy of Sonny Clark, Cool Struttin’, and it was interesting because none of the Blue Notes had any bidders. They all have several days left, so I’m expecting that the action will pick up. The thing that did surprise me was the one record that was getting a lot of action was this one: Anita O’Day Sings Jazz, Norgran 1049. This has the black label so it’s not even an original pressing. There are already 10 bids and the price is more than $150. The record is in M- condition and the cover looks to be VG++. I can’t quite figure out why the strong interest in this record. Norgrans are not particularly hot, and neither are Anita O’Day records. Any theories?

This one closes in six days, but if someone wants to swoop in and grab it, there is a buy it now price of $2,400: Sonny Clark, Cool Struttin’, Blue Note 1588. This looks to be an original pressing listed in Ex condition for both the record and the cover. The start price is $1,400 and so far there are no bidders.

Here’s another nice one with no bids:

Another Adventure, Part 4

November 19, 2014 Al 9 comments

What’s the saying: A little knowledge is a dangerous thing? Unfortunately, I was the inadvertent cause of my own undoing, at least temporarily. By publishing a price guide on Jazz Collector with very specific details on pressings and condition, I was able to provide enough knowledge for my new friend in Toronto to be a little bit dangerous, at least dangerous to the prospect of my ever getting my hands on his records. I will spare you all the grim details, but we went through several weeks of negotiations and couldn’t agree on a price. I still hadn’t seen the records, but I had pulled enough information that I had a good sense that most of the Blue Notes—but not all of them—were original pressings, including Cool Struttin’ and Byrd in Flight, among others. And I was promised that the records and covers were in excellent condition.

Another Adventure, Part 2

November 17, 2014 Al One comment

Toronto. That’s where the records were located. In Canada.
So a few thoughts went through my head. First, how long does it take to drive to Toronto from New York City? From my recollection, it was about 10 hours. I checked on Google. Only eight hours. Not bad, but not great. Then, what’s it like crossing the border hauling hundreds of records. Granted, this was only 200 records, but what would happen? Would I be stopped? Would I have to pay some kind of tax? Would the border guard be a closet jazz collector anxious to confiscate my one and only treasured copy of Cool Struttin’?
The idea of Toronto didn’t thrill me, but I wasn’t at the stage yet where I had to worry about that. I still hardly knew anything about the records. That issue was cleared up just a week later in the next e-mail. The owner had taken my advice and purchased Fred Cohen’s Blue Note book. He had taken the time to go over each of the records and provide me with a full list. He had gone through the Jazz Collector Price Guide to come to an approximate value for each record.

We’re Back: Another Adventure in Jazz Collecting

November 15, 2014 Al 7 comments

So yesterday I was in my apartment in New York and I had 45 minutes to kill and I decided to put on a classic Blue Note record I hadn’t listened to in a while, if ever. I went through the collection and stopped at Johnny Griffin, A Blowing Session, Blue Note 1559, and I put the record on the turntable and it is quite an interesting record, with early Coltrane and lots of up-tempo material, particularly The Way You Look Tonight. And one other interesting thing is the presence of Art Blakey in the rhythm section, who has an ability to make every session sound like one of his own, with that perpetually driving beat and heavy accents. And I’m listening to the record, and I’m looking at the cover, and I’m reading the liner notes and I’m thinking to myself: Where and when did I get this record? And therein lies a story.

Now Here’s a Rare Jazz Record

October 24, 2014 Al 15 comments

Here’s something I would love to hear and own: Bill Evans Acetate, US Army Dance Band Jazz 1951. This seems to be a legitimate recording of Bill Evans in 1951. The problem for me is that the start price is $1,000 and that seems too high unless I planned to do something with it, like transfer it to digital and make it available for broader consumption. I would be willing to do that, but not at that price. It makes me think that we should form some sort of non-profit Jazz Collector collective to acquire some of these rare items to share and preserve them. If you recall, there was also a very rare J.R. Monterose recording of him as a teenager that we had an opportunity to acquire, as well as a recent Dizzy Gillespie concert and I’m sure many others.

This seller has some interesting items, including Sonny Clark, Cool Struttin’, Blue Note 1588. This looks to be an original pressing listed in VG+ condition for the record and probably VG+ for the cover. The bidding is in the $450 range and there are still two days to go on the auction. We’ve seen this record sell for more than $3,000 on many occasions in the Jazz Collector Price Guide. One of the things I find interesting about this auction is

Yet Another Jazz Vinyl Porpourri

May 8, 2014 Al 26 comments

Here are updates on some of the jazz records we’ve been watching on eBay, starting with Piano Interpretations by Bud Powell, Norgran 1077. I was watching this because I’m getting the sense that Norgrans are being devalued a bit, but then I realized this was not an original pressing. Oh well. Watching it anyway. This one has the black label, whereas an original would have the yellow label. This one looked to be in VG++ condition for the record and VG+ for the cover. It sold for $79. It does have quite a lovely David Stone Martin cover.

Kenny Dorham and the Jazz Prophets Volume 1, ABC Paramount 122. Is it really necessary to label this is Volume 1, since there was never a Volume 2, 3, 4 or any other number? This one looked to be in VG+ condition for the record and VG+ for the cover. It sold for $364.

Sonny Clark Trio, Blue Note 1579. This is the one

Shopping eBay For Rare Jazz Vinyl

May 5, 2014 Al 9 comments

Here are some of the jazz records we are watching on eBay as we enter a new week at Jazz Collector, starting with Bill Evans, New Jazz Conceptions, Riverside 223. This is an original pressing with the first cover and the white labels. The seller has his own grading system. Based on what he says, I would guess that the vinyl is in VG++ condition and the cover is VG or VG+ with cutout holes through the center of the cover and the label. Not an attractive feature, as we all know. This one closes later today and the bidding is in the $340 range. We may have discussed this already here, but does anyone out there know why Riverside changed the cover so early on this one, as well as on the Thelonious Monk Plays Ellington album? Both went from covers with very cool pictures to less appealing (IMHO) illustrations.

Art Blakey Quintet, A Night At Birdland Volume 1, Blue Note 5037. This is an original 10-inch pressing listed in excellent condition for the record and the cover. The buyer says “search your life you won’t find a nicer copy.” Fortunately, I just have to search my shelves for one. I also Read more

A Story Of Blue Notes (And One New Jazz)

May 1, 2014 Al 10 comments

Here’s some of the jazz vinyl we’re watching on eBay, starting with some Blue Notes:

Sonny Clark, Cool Struttin’, Blue Note 1588. I’m not sure what pressing this is. There are so many Blue Note permutations to consider. This one has deep grooves and ears and RVG and the West 63rd address. One side has no Inc. and no R, the other side has the Inc. and the R. What does that make it? Probably not a first-pressing original, going by the bidding so far. This on is in Ex condition for the record and VG+ for the cover. There are three days left on the auction and bidding is in the $250 range.

This seller has some nice records, including Hank Mobley Sextet, Blue Note 1560. This has the deep grooves and the West 63rd address, which would seem to make it an original pressing. The record is in VG- condition and the cover is VG. Bidding is in the $400 range and the auction closes in three days. VG- condition, to repeat. Not making any judgments. Just pointing it out for future edification.

Here’s a pretty pair:

Would You Pay $5,000 For This Record?

April 28, 2014 Al 28 comments

As promised, here is the original DownBeat review of Hank Mobley, Blue Note 1568, perhaps the most valuable and treasured of all the Jazz Collector collectibles. This is from Oct. 30, 1958 and the reviewer is John A. Tynan:

“Hank Mobley — Blue Note 1568: Might Moe and Joe; Falling in Love With Love; Bags Groove; Double Exposure; News.

“Personnel: Mobley, tenor; Curtis Porter, alto, tenor; Bill Hardman, trumpet; Sonny Clark, piano; Paul Chambers, bass; Art Taylor, drums

“Rating — Three and a half stars

“One of the nicer things about Al Lion and associates at Blue Note is that they don’t hesitate to present new talent they consider worthwhile. On this set is presented 29-year-0old Philadelphia saxman Curtis Porter, who is equal to the company. Although it is Mobley’s date, the leader allows generous space for the wailing of his fellow reedman, which makes for a high degree of hard blowing.

« 1 … 4 5 6 7 8 … 17 »