Tag: Sonny Rollins

Back to eBay: Monk, Byrd, Pepper

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Before posting the previous video, I did have a watch list of nice jazz vinyl on eBay. So let’s see how some of those auctions turned out:

monkThere were those nice items from Euclid records, including The Unique Thelonious Monk, Riverside 209. This was an original white label pressing listed in VG++ condition for the record and VG+ for the cover. It sold for $463.50. Also, Thelonious Monk and Sonny Rollins, Prestige 7075. This was an original New York yellow label pressing in M- condition for the record and VG++ for the cover. It sold for $768.88. One more: Donald Byrd, Byrd in Hand, Blue Note 4019. This was an original West 63rd Street pressing in M- condition for both the record and the cover. It sold for $515.

This one sold after several attempts:

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A Jazz Vinyl Christmas

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Way Out WestHo, Ho, Ho. Here are the jazz vinyl auctions we are watching on eBay on this sunny Christmas morning in New York City.

Sonny Rollins, Way Out West, Contemporary 3530. This looks to be an original pressing with the yellow label and deep grooves. The seller calls it an original, but I think he may not be fully aware. It would have been better if he had included a picture of the back cover so that potential bidders could see, if indeed, the cover had the red writing to confirm its provenance. This one is listed in VG+ condition for both the record and the cover. The start price is $250 and, as of now, there are no bidders. The same seller also has: Lee Morgan, The Cooker, Blue Note 1578. This also looks to be an original pressing, listed in VG condition for the record and Ex for the cover. The starting price is $400 and so far there are no bids.

Atomic Records continues to have some nice items on eBay. We are still watching that copy of Tommy Flanagan Overseas, which closes tomorrow. We are also watching:

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Jim Hall, RIP

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jim hallI just picked up The New York Times this morning and saw the Jim Hall has passed away at the age of 83. He was an excellent player and quite influential. I used to see him quite often at the Village Gate in the 1970s, and as recently as a few years ago at the Village Vanguard. I loved the way he played off his fellow musicians, particularly Sonny Rollins and Paul Desmond. There’s an apocryphal story that Sonny Rollins fired Jim Hall after a Downbeat cover featured Hall and had Sonny in the background. The story was that it had to do with race and Sonny was pressured because he was the leader and Hall was the sideman. I don’t know if this story was actually true, but I have a feeling my friend Dan knows the real story, as he was friends with Jim. So I am hoping perhaps Dan can comment here. I was just looking through the collection I purchased last week and one of the records was Jazz Guitar: Jim Hall on Pacific Jazz. At some point today I will place it on the turntable. Perhaps also If Ever I Would Leave You from the Sonny Rollins Album What’s New. Or Time After Time, Jim Hall with Paul Desmond. There is a wide range of choices.

Another Adventure in Jazz Collecting, Baltimore Part 7

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Blue TrainSo I was back on the phone with Dan and poring through a box of Charlie Parker 78s. There were a bunch of Dials, some Mercurys and Savoys. I had never had much luck securing Charlie Parker Dials, so this would be a very welcome addition to my collection. Then I went into another one of those Capital mailers and it was filled with Blue Notes. A bunch by Miles Davis and Lou Donaldson, including “If I Love Again,” which Dan put on in the background to accompany me. These, too would be a welcome addition to the collection and they made me realize how pleased I was that this collection ended up in my hands because I would really treasure and appreciate these records. There aren’t that many people who collect and appreciate 78s anymore and I, fortunately, happen to be one. They also seem to fit quite nicely into my collection, filling in a lot of the gaps.

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Another Adventure in Jazz Collecting, Baltimore Part 6

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Zemanta Related Posts ThumbnailSo now some of the best records from the Uncle Bruce Baltimore collection were in my apartment and it was about 1 in the morning and, of course, I couldn’t sleep knowing the records were sitting there waiting to be perused. I moved the records from boxes to crates and began just looking through them one more time, this time with no hurry, no rush. It was a great moment, a man, a dog and his score. I didn’t listen to any of the records at this point. There was just something about keeping them as a whole and letting the feeling linger that I didn’t want to disturb.

When morning came I had to get ready for the WFMU Record Fair. I already had 14 boxes of other records in my cramped apartment. I started looking through the Baltimore collection to see if there was anything obvious I could pull out and possibly sell at the record show. I found a few items: There were three Sonny Rollins Blue Notes I now had in triplicates; the copy of Mating Call was an upgrade from my copy; I already had two mint copies of Study in Brown, so I could sell a spare. Same with John Coltrane with the Red Garland Trio, Prestige 7123, and one of the Bud Powell Blue Notes

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Down By the White Riversides

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ZootWe’re watching quite a large number of jazz vinyl auctions on eBay now, so let’s get right down to it:

Zoot Sims, Zoot, Riverside 228. This is an original white label pressing listed in M- condition for both the record and the cover. The start price on this one is about $330 and so far there are no bids. I imagine this one will sell and perhaps it will be sold for the buy-it-now price, which is about $500. Those white label Riversides are quite lovely to own, very substantive with heavy vinyl. Here’s another from the same seller: Sonny Rollins, The Sound of Sonny, Riverside 241. This one is also in M- condition for the record and cover, and it comes in as the same price points as the Zoot record. Again, so far there are no bidders. Curious.

This one may be nice, but it would probably help to see a clearer picture of the cover if you were thinking of bidding: Johnny Griffin, A Blowing Session, Blue Note 1559. This looks to be an original New York 23 pressing. The record is listed in excellent condition and the cover is VG. The bidding is already passed $700 with two days to go, a bit surprising given the condition of the cover.

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Breaking a Few Records

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Blue TrainDidn’t quite get in all of the jazz vinyl auctions I wanted to post from yesterday, so here are a few more.

John Coltrane, Blue Train, Blue Note 1577. This was an original pressing. The seller didn’t give it a grade, but from the description is sounded like the vinyl was probably M-. The cover was probably VG++, based on the pictures. It sold for a whopping $3,000. That’s far and away the highest price we’ve ever seen for Blue Train in the Jazz Collector Price Guide.

Thelonious Monk, Monk, With Sonny Rollins and Frank Foster, Prestige 7053. This was a New Jersey pressing, not an original. The cover also had the New Jersey address. This one has the Andy Warhol cover, which gives it some additional prestige, if you’ll pardon the play on words. The record was in VG++ condition and the cover looked to be VG++ as well. This one was listed by bobjdukic, and he has somehow figured a way to get prices that no one else can match. For this second pressing, he was able to get a top bid of $955.21.

Here’s another Warhol cover from the same seller:

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Three Tenors

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boydSo many records, so little time. Here are some of the jazz vinyl auctions we are watching on eBay:

Rocky Boyd Quintet, Ease It, Jazztime 001. This is an original pressing listed in M- condition for both the record and the cover. It features Kenny Dorham on trumpet and we’ve seen a copy sell for nearly $700 in the Jazz Collector Price Guide. This one is at about $330 with a day and a half left on the bidding.

The seller vinylrealist is back with some nice items, including: Hank Mobley, Mobley’s Message, Prestige 7061. This is an original pressing in VG++ condition for the record ad M- for the cover. Seller took some very nice pictures, which always helps the listings. This one has a start price of about $900 and a buy-it-now price of about $1,200. So far there are no takers at either price. Did anyone notice that this seller commented on Jazz Collector recently to explain his pricing strategy? I was surprised no one commented.

Here’s another beauty:

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JRC Vinyl and a “Cheap” Colossus?

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Johnny CJust wanted to follow up on some of the items from the Jazz Record Center auction of last week.

Ted Brown Sextet, Free Wheeling, Vanguard 8515. This was an original pressing in M- condition for the record and VG++ for the cover. The simple post surprisingly generated quite a bit of comment. Perhaps that attention pushed up the interest in the record? It wound up selling for $510.

Johnny Coles, Little Johnny C, Blue Note 4144. This was an original pressing in M- condition for the record and cover. When I did the post there were no bids at $100. The bidders eventually jumped in, pushing the price to $338. As one of the commenters suggested, perhaps that is a nice bargain for a great record.

This one was listed as a John Coltrane record, but in my collection it sits under “H” with Wilbur Harden as the leader: Mainstream 1958, Savoy 12127. This was an original red-label pressing in M- condition for the record and probably VG++ for the cover. It sold for $272. Probably a good idea to list it under Coltrane.

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Sonny Rollins, Esquire (And More)

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newkLet’s catch up on some more jazz vinyl we’ve been watching on eBay, starting with: Saxophone Colossus, Sonny Rollins, Esquire 32-045. This was an original UK pressing listed in M- condition for the record and between VG++ and M- for the cover. It sold for $358. It seems that the prices for these original European pressings have been getting higher and higher in recent years. I imagine, for many collectors, these would represent second copies, along with the original U.S. versions? Or perhaps for newer collectors, this record at $358 is a lot more affordable than a U.S. original at $2,000? From a listening perspective, I don’t think there is a major difference between the U.S. and U.K. pressings and, as we’ve seen, some of our readers prefer the sound of the European pressings.

Lou Donaldson, Light-Foot, Blue Note 4053. This was an original deep groove, West 63rd Street pressing. The record was listed in VG++ to M- condition and the cover was a strong VG+. The price was $481.

From the same seller came:

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