Ebaying: Two of the Rarest of The Rare Jazz Vinyl

I’m sitting at my dining room in the country, overlooking the snow-covered frozen lake, being warmed by a fire from my wood-burning stove, John Coltrane playing “Too Young To Go Steady” in the background.. If you’re going to be working, which I am, this is not a bad way to work. Now I am procrastinating between projects, always a good time to look at some interesting jazz vinyl auctions on eBay. Here goes, starting with: Jackie McLean, The New Tradition, Ad Lib 6601. It’s always nice to see this record on eBay because it’s one of the really rare ones and it’s good to know that if you really, really wanted a copy, you could find it. I looked at this listing and realized the seller is our friend at Jazz Collector, Rudolf. This is in M- condition for the record and E for the cover. It’s early in the auction, the price is more than $400, and the reserve has not yet been met. I’m assuming this is a duplicate and not Rudolf’s only copy.

The seller of this one can use a better picture-taking methodology: Sonny Rollins, Saxophone Colossus, Prestige 7079. This is an original New York yellow label pressing. The record is listed in M- condition and the cover is VG+, although you’d never know it from the pictures because of the reflection off the camera’s flash. When I was listing records regularly, I’d run into the same problem, but I always tried other angles to get a more clear picture. Just a suggestion. This one has three days to go and the bidding is more than $550.

 

Blue Notes & Prestige: A Day at Jazz Collector

Let’s catch up on some of the jazz vinyl auctions we’ve been watching, starting with: Walter Davis, Davis Cup, Blue Note 4018. This was an original pressing in M- condition for both the record and the cover. The bidding was slow on this one, as you may recall, in the low $100 range with just one day left on the bidding. Well, it may have started slow, but it ended on a high note for the seller. The record sold for $919.99. There are no bargains on Blue Notes on eBay, are there, unless you get lucky with condition.

My friend Dan was urging me to get this record when the bidding was close to $400 with just a few hours to go: Sonny Rollins With Thelonious Monk, Prestige 190. Put in a bid of $700, he said. It’ll be your birthday present. I thought about it, but decided against it. Good thing I didn’t get my hopes up because I wouldn’t have won the record. It sold for $799.55. Speaking of my birthday present, the Lovely Mrs. JC says she’s only gotten one response so far to her request. There’s still time, but it’s running low — birthday is in two and a half weeks. Contact Mrs JC at mrsjc(at)jazzcollector.com.

I thought this one might reach the $1,000 bin, but it came up just short:

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Monk and Newk, Superb in Every Way

Be still my heart. Look at this beauty: Sonny Rollins and Thelonious Monk, Prestige 190. This is an original 10-inch with the maroon and silver labels. Hmmmm. M- condition for both the record and the cover, as the seller describes “superb in every way.” Now this is temptation. It closes in less than three hours and is priced at close to $400. I just won $500 in Fantasy Football this season. Perhaps, this would be the payoff?

Here’s one I’ve never seen in person, only on eBay: Tommy Potter’s Hard Funk, East-West 4001. This is an original pressing in M- condition for the record and VG++ for the cover. Kind of a strange record for the era, recorded in Sweden with an American rhythm section and Swedish horn players. I imagine this is all explained on the liner notes?

 

 

 

 

A Few Favorites From the Jazz Collector Era

Here are a few jazz vinyl records we are watching on eBay from our perch up here in the beautiful and snowy Berkshires in Western Massachusetts. Let’s start with Gene Ammons, Jammin’ in Hi Fi, Prestige 7110. This is not one you see very often. It’s a nice session, featuring Jackie McLean, Idrees Sulieman, Kenny Burrell and a great rhythm section. This one is in M- condition for the record and probably M- for the cover as well. It closes later today and is in the $115 price range.

I was perusing the list and found a few very nice records from fiftiesjazz, which is our friend and frequent guest Rudolf, so you know the records are well taken care of and carefully graded. Here are a couple: Hank Mobley and His All Stars, Blue Note 1544. This is another nice session, featuring Horace Silver and Milt Jackson. This one is rated VG+ for both the record and the cover. This one also closes today and is in the $250 range. Also, Sonny Rollins Volume 1, Blue Note 1542. This is a West 63rd Street pressing in M- condition for both the record and the cover. It closes tomorrow and is now in the $220 range.

One more nice Blue Note while we’re at it:

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A Jazz Vinyl Christmas

Merry Christmas everyone. If any of these items are on you’re wish list, you can buy yourself a present now on eBay:

Sonny Rollins, Newk’s Time, Blue Note 4001. This is an original West 63rd Street pressing that looks to be in VG+ condition for both the record and the cover. It closes later today and the bidding is in the low $300 range.

Hank Mobley and Lee Morgan, Peckin’ Time, Blue Note 1574. This is an original pressing in VG++ condition for the record and VG+ for the cover. It closes tomorrow and the bidding is still very low, just a little more than $100. It may be difficult to get at a bargain price, however, since the seller has a reserve price on it and the bidding has not yet reached the reserve. The seller is aware of market value for the records. How do I know: He has a link to the Jazz Collector Price Guide.

How about a Transition for the new year: Donald Byrd, Byrd Jazz, Transition TLP 5. This is an original pressing in M- condition for both the record and the cover. It also has the booklet. The bidding closes tomorrow and is stuck at just a little bit more than $100. This one also fails to meet the seller’s reserve at the price. Perhaps Rudolf is right and this is not the best time to be placing records on eBay?

 

 

 

Back in Business Watching Collectible Jazz Vinyl

Bet you’re wondering if I’m OK. I am. Just been a busy period before the holidays. It’s been so long since I’ve posted on Jazz Collector or even been on eBay that all of the items I was watching are now closed. Which gives me a nice opportunity to give a big review, starting with:

Horace Parlan, Us Three, Blue Note 4037. This was an original West 63rd pressing in what was described as VG++ condition for both the record and the cover. It also had the original shrink wrap, if that means anything to anyone. I guess it means the cover was well protected for all of these years. The top bid on this was a very nice one, $1,136. But guess what? It didn’t meet the seller’s reserve price, so it didn’t sell. We’ve seen this one sell for as much as $1,725 in the Jazz Collector Price Guide, so I guess the seller had certain expectations. I had a copy of this record in very nice condition, mentioned it on Jazz Collector and was offered $1,500 to sell it. I did. Haven’t missed it since, to be perfectly honest.

Similar situation with this one from the same seller: Sonny Clark Trio, Blue Note 1579. This was an original West 63rd pressing. The record was in VG++ condition and the cover looked to be VG. The top bid was $717 but, again, it failed to sell because it didn’t meet the seller’s reserve price.

This one did sell and I thought it might fetch a higher price: Sonny Clark, Sonny’s Crib, Blue Note 1576. This one was in VG++ condition for the record and probably similar condition for the cover. It was offered by one of the top eBay sellers and sold for $1,405. A nice price, but we’ve seen this one sell for more than $3,000 in the Jazz Collector Price Guide.

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Jazz For A Friday Afternoon: Miles, Cannon, Newk

Here’s a few more jazz vinyl items we’ve been watching or are watching on eBay, starting with: Miles Davis, Kind of Blue, Columbia 1355. This one is listed as sealed, although it seems it is not the outside cover that is sealed but the inner plastic sleeve. If that is the case, it is pretty cool, better than the cover being sealed because you can actually see the label and the record. The cover is listed in VG++ condition and the record, of course, is listed in mint, unplayed condition. There are a couple of days left and the bidding has topped $300. Seller also took a nice, clear picture, which always helps to secure a top price.

Speaking of Miles, this one got a nice price: Cannonball Adderley, Somethin’ Else, Blue Note 1595. I say speaking of Miles, because after all of these years I still tend to think of this as more of a Miles record, than a Cannonball record. It’s got much more of the Miles vibe than the Cannon vibe. This one was in M- condition for both the record and the cover and it sold for $1,475.

One more Blue Note while we’re at it:

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Gary Bartz, John Coltrane, Jazz At Lincoln Center

So the other day I’m sitting home working and I get a forwarded email from The Lovely Mrs. JC about a John Coltrane Festival taking place in New York between October 18 and November 3 and on that very night there will be something called a “listening party” with the saxophonist Gary Bartz and it is free and it is three subway stops away at Jazz At Lincoln Center at Columbus Circle. So I do a quick search on the Internet and it turns out that Bartz has a new album out called “Coltrane Rules: Tales of a Music Warrior,” and at this listening party he will discuss the album and play some tracks. Now I am a big fan of Gary Bartz, ever since I saw him three nights running at Bradley’s down on University Place at least 20 years ago and was blow away by his sensitive, passionate and inventive playing, the closest thing on alto to Sonny Rollins. So, I went down to Jazz at Lincoln Center and I went to the listening party and it was terrific. There were maybe 30 people in the place, a small studio with folding chairs, and at the front there were Bartz sitting on a chair with Read more

Sonny Rollins: “Jazz is a Meritocracy”

Somebody sent me this interview of Sonny Rollins by Dave Pehling that came out today in SF Weekly. I will skip the intro, figuring anyone here knows enough about Sonny’s history, and go straight to the interview, in which Sonny is quite open and thoughtful

Q: You initially played piano and alto saxophone before settling on tenor, but from what I gather, that was because an alto horn just ended up in your household?

Sonny: No, my mother bought me an alto. I was an aficionado of the rhythm and blues band of Louis Jordan, and he played alto. He played tenor too, but mainly he played alto. So at that time I just wanted a saxophone, and it didn’t really matter until a few years later when Coleman Hawkins’s “Body and Soul” was the big sensation. Then I wanted to play like Coleman Hawkins. I wanted to get that tenor sound.

Q: Had you played piano much before you got your first horn?

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Various Vinyl Odds and Ends

Haven’t been on eBay in a few days. Here are the results of some of the jazz vinyl auctions we missed:

John Coltrane, Giant Steps, Atlantic 1311. This was an original black label pressing. It was listed in VG++ condition for both the record and the cover. It sold for $510. It’s nice posting Giant Steps every once in a while so I can put a picture with the post and just take a look at it again — inspiring me to put the record on the turntable.

Perhaps I owe CeeDee an apology for this one: Donald Byrd and Pepper Adams, Out of this World, Warwick 2041. This was an original pressing in what looked to be VG+ condition for the vinyl and probably VG+ or VG++ for the cover. It sold for $159.99, higher than I would have expected. CeeDee and I made a trade involving this record and Dexter Calling a few months ago and at some point I may have made some kind of disparaging remark about the Byrd/Adams record. No doubt, it had more to do with the quality of the recording than the quality of the music. My copy just sounded very dull and flat, particularly compared to a Blue Note pressing from the same era.

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