Tag: Stan Getz

Vinyl Musings and a Plea to Help Kenny Burrell

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I spent the last three weeks galivanting around Europe. Alas, no record stores or scores on this trip, not even any live jazz. But, I’m back and checking up on some of the things I missed whilst away, including an auction from the Jazz Record Center that featured Art Pepper, Modern Art, Intro 606. This was an original pressing that looked to be in VG++ condition for the record and VG+ for the cover. The final price was $2,225. The same auction also featured Bill Evans Trio, Portrait in Jazz, Riverside 315. This was an original pressing with the small blue and silver reels logo. The record and cover both looked to be in new, pristine condition. The final price was $1,385. Finally, this is not music I am familiar with, but I’m sure it will be of interest to Clifford and other readers: Maulawi, Strata SRI-104-74. This looks to be an original pressing in M- condition. The final price was $910.

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Keeping an Eye on Jazz Vinyl Pricing Trends

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stan-getz-jazz-vinylThe seller Bullsite2000 has several interesting auctions closing today. I’m surprised at some of the bidding — at both levels, some higher than expected, some lower than expected. For example, Stan Getz, More West Coast Jazz, Norgran 1088. This is an original yellow label pressing listed in M- condition for both the record and the cover. The bidding has reached nearly $200, which is more than you would typically see for this record, which has never seemed to be one of the Getz records that has been particularly coveted by collectors. The seller took some nice pictures, and the condition does look pretty flawless, so there’s that. Then again there is Read more

E-Baying: Billie, Stan, Sun Ra and More

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Billie copy 2Here’s a record that has always intrigued me but I have never owned: Billie Holiday and Stan Getz, Billie and Stan, Dale 25. This was an original 10-inch pressing. It looked to be in VG+ condition for the record and probably VG++ for the cover. It sold for $317.99. I know very little about Dale records. I have a couple of 10-inch LPs, but I can’t think of a 12-inch LP. Based on the description of this record, it seems like it may have been a bootleg label. This was recorded from a radio broadcast from Storyville all the way back in 1951. I’ve never heard the record, and I’ve only seen it a couple of times, always at a price beyond my sensibilities. And, yes, $317.99 is still beyond my sensibilities.

Two readers separately sent me the link to this, which is listed as: Sun Ra Outtakes 1957 Acetate LP Unreleased Transition. This looks to be the real deal, music that was never issued from Sun Ra’s Transition sessions, as well as sessions featuring Dave Coleman, Joe Gordon and Roy Haynes. If you’re interested, you should read the entire listing for more details. The item is listed in VG condition and there are audio clips accompanying the listing as well. It is available at a buy-it-now price of $6,500 or you can make a best offer. As you all know this is not my area of interest/expertise, so if anyone would like to weigh in on this, please be our guest.

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Later Pressings and Rising Prices: Merry Christmas

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Stan Getz Jazz VinylCeeDee sent a note last week with a few links, including the Red Garland Manteca we mentioned the other day. Another one from the list: Stan Getz, The Steamer, Verve 8294. This also came from the Herb Wong collection. I love this record, but this was a second pressing with the MGM logo. It was in VG++ condition for the record and VG+ for the cover. It sold for $97. An aberration or a shift in the market? Seed’s comment was that it “looks like even the more commonly seen LPs can bring in a haul these days.” That’s true to an extent, although it’s hard to say that even the MGM presses are commonly seen. We’ll keep an eye on this trend. I saved a lot of the MGM pressings from the Irving Kalus collection. I grew my collection on these pressings, almost all purchased from my late friend Red Carraro, who had boxes and boxes in his basement for many years. No doubt, Irving purchased them from the same place.

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In a Mellow Mood

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HodgesThe other night I was sitting in the living room with The Lovely Mrs. JC and we she was reading and I wanted to put on some music. I asked what she would like and she asked for something mellow. I said I could do that. So I went up to the shelves and stared for a while, you know, how you just stare at an open refrigerator waiting for inspiration. For “mellow” my go-to choices would typically be Bill Evans or Coltrane Ballads or perhaps a Chet Baker, since The Lovely Mrs. JC is a fan of all of the above. But I wanted something different and I somehow settled on a Johnny Hodges record, In a Mellow Tone, Norgran 1092. Normally, Hodges is not someone that I would put on the turntable, but she asked for mellow and mellow was actually in the title of this record and it had always been one of my favorite Hodges LPs. Listening to it was quite a revelation. The music is of a pre-bop vintage, but it is actually quite timeless and absolutely beautiful. If you have it, put it on, and perhaps pour yourself a glass of wine and enjoy. From there, I wanted to move to something a little bit more modern and I chose

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Let The Insanity Continue

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Bird copyForty-eight comments (and counting) on the last post. And the traffic on Jazz Collector has been as high as normal. Thank you all for keeping the discussion going while I was pre-occupied last week with doing my real job, the one that pays for the mortgage and the Blue Notes around here. This week I will be under similar pressure, so please feel free to comment on this post and take the discussion wherever you would like. I see that a lot of the previous discussion was a reprisal of a familiar theme, the ability of one particular seller, bobdjukic, to get prices that seem otherworldly to the rest of us in the Jazz Collector world. I personally have no beef with him, never met him, never dealt with him. He does seem to have some magic formula for getting top prices, but I imagine his customers are satisfied because the only way to get those prices is to have repeat business. In any case, after reading the comments, I took a look at his latest auction results to satisfy my own curiosity. Here are some of the ones that caught my eye:

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A Boxed Set, An Autographed LP, a Mega-Rarity

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Stan Getz copyDon’t see a lot of Stan Getz records in the higher price ranges, and we’re seeing fewer Norgrans in there as well, so I have my eye on this one: Stan Getz at the Shrine, Norgran 2000. This is a boxed set with two LPs and a beautiful booklet and all of it looks to be in M- condition and original, with the yellow labels on the vinyl. The bidding is in the $240 range and there are more than three days left on the auction.

Here’s another one you’re not going to see too often: An autographed copy of Bill Evans, Portrait in Jazz, Riverside 315. The Bill Evans signature is on the back cover and it is dated from 1974. The record is an original pressing with the deep grooves and blue label and it seems to be in about VG++ condition for the vinyl and VG+ for the record. The auction closes tomorrow and the bidding is in the $150 range with 13 bids and what looks to be eight different bidders. Wouldn’t mind this one myself. Hmm — birthday is coming up.

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Some Sell, Some Don’t, One Gets Quite A Price

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Kenny Dorham Jazz VinylMany ages ago, when I last posted on Jazz Collector, there were many items I was watching on eBay that have subsequently sold. Or not. Here are some of them:

Kenny Dorham and the Jazz Prophets Volume 1, ABC Paramount 122. This was an original pressing listed in VG++ condition for the record and M- for the cover. It sold for $510. One of the things I’ve always liked about this record is the “Volume 1.” Obviously, somebody thought there was going to be a Volume 2, but it never materialized. Wonder if anyone here knows what happened to Volume 2? I searched for this record for years. About 20 years ago I passed up a very nice copy at the Jazz Record Center, which Fred Cohen very generously agreed to sell to me for $100. I have no idea why I didn’t buy it, but I didn’t. I finally acquired a copy last year in that lovely Baltimore collection. Still haven’t listed to it, though. Getting a turntable upgrade in New York this week. Maybe now’s the time.

This one had a starting price of about $1,500 and, not surprisingly (to me, at least), did not attract any bidders:

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More Insanity, Even Rarer

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Wow, did you see the final price of that copy of My Favorite Things? It was $645.

And the Billie Holiday, Lady in Satin, was $338.33.

Here are a couple more from the same seller, hard to explain:

Stan Getz, Sweet Rain, Verve 8693. This was a stereo pressing in excellent condition for the record and VG++ for the cover. It sold for $102.50.

Stan Getz, Jazz Samba, Verve 8432. This was a stereo pressing, sealed. It sold for $138.50.

Kenny Burrell, Tender Gender, Cadet 772. This was also sealed. It sold for $124.49. What would this normally sell for? Ten dollars? That’s a lot of money for some cellophane.

If you want to have some fun, check out some of the other completed auctions. Read more

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