Tag: Thad Jones

A Plug For Us, A Few For the Price Guide

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I must say, I got some pleasure out of reading this listing:

The Magnificent Thad Jones, Blue Note 1527. This was an original Lexington Avenue pressing and the seller was not an expert and he took it to a professional cleaner to have cleaned. Even better, when he posted the listing he provided a link and referenced Jazz Collector to help people learn more about the record. Nice touch, if I do say so myself. Anyway, the record looked to be in M- or VG++ condition, and the cover was probably around VG. The price was $385.

Here are a few more going into the Jazz Collector Price Guide this morning:

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Hefty Prestiges, Hefty Price Tags

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Let’s catch up on some of the jazz vinyl we’ve been watching at Jazz Collector. We’ll start with the Prestiges and move on to the Blue Notes later.

John Coltrane with the Red Garland Trio, Prestige 7123. This was an original pressing with the original cover (the second pressing on this is Traneing In). The record was M- and the cover was VG+ and the price was $660. We’ve watched this one many times in the Jazz Collector Price Guide and it never surpassed $400. Quite a change. I’ve been cataloguing my records for insurance purposes and I had this one at $300. Guess I’ll have to change that.

This one also seemed to hit a new high: Olio, Prestige 7084, with Thad Jones, Frank Wess, Teddy Charles, Elvin Jones, Mal Waldron and Doug Watkins. This one was in M- condition all the way around and sold for $504.

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Tracking Some Prestige Jazz Vinyl

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We have an eye on some Prestige jazz vinyl on eBay. Despite the high price of the Jackie’s Pal we noted yesterday, it seems the disparity between prices on original Blue Notes versus original Prestiges seems to be getting wider. Here are some of the ones we’re watching:

Donald Byrd, Art Farmer, Idrees Sulieman, Three Trumpets, Prestige 7092. This is an original New York pressing. The record is in M- condition and the cover sounds to be VG++ as we would rate it. The starting price is around $170 and there are no bids.

This one is of a similar vintage but from a different seller: Art Farmer and Donald Byrd, Two Trumpets, Prestige 7062. This is also an original yellow-label New York pressing. The record is M- and the cover is VG+. The start price is $150 and, again, there are no bidders. There’s a $200 buy-it-now price on this, which would seem pretty reasonable to me.

Olio, Prestige 7084. This is an album featuring

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On eBay: Mingus, Newk & Unplayed Records

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Here’s some jazz vinyl we’re watching on eBay:

Charles Mingus and Thad Jones, Jazz Collaborations Volume 1, Debut 17. This is an original 10-inch LP and it is in M- condition for both the vinyl and the cover. Quite hard to find this LP in this condition. The seller is Euclid Records, which has been posting quite a collection of rare 10-inch LPs the past couple of weeks. Anyway, this one closes in about 15 hours from this post and is still in the $100 range.

This one has a buy-it-now price of $2,800 and is currently at $1,000 in the bidding but has not yet reached the seller’s reserve price:

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Tracking Prices For Later Blue Note Pressings

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People have been asking about prices and values of later-pressing Blue Notes, so I’ve been watching a few just to keep tabs on the market. There was a seller last week that was selling a bunch of United Artists pressings, including: The Magnificent Thad Jones, Volume 3, Blue Note 1546. This one was in VG+ condition for both the record and the vinyl. The start price was $40 and there were no bids. So that price was definitely too high. However, if you look at his other completed listings, there were a bunch more United Artists pressings in better condition and they sold in the range of $15 to $25 each, for the most part. There was a Hank Mobley Quintet, Blue Note 1550, that sold for $25.49 and a Lee Morgan Indeed, Blue Note 1538, that sold for $15. There were others as well, including a couple of blue-and-white label Liberty pressings that sold for between $30 and $40. I also watched this blue

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A Tale of Two Blue Notes

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The Blue Notes remain through the roof. Here’s a new one for the $1,000 bin: Clifford Brown Memorial Album, Blue Note 1526. This was an original Lexington Avenue pressing and it was listed as “very close to mint” condition. It sold for $1,280.50. Our friend Rudolf recently put this on a list of expendable Blue Notes. So what do you think about this price?

This one came from the same seller: Thad Jones, Detroit-New York Junction, Blue Note 1513. This was also an original Lexington Avenue pressing and it was also listed as near mint. It sold for $692.02, not quite half of the Clifford, but pretty close. Who knows why? That is a rhetorical question by the way, although if some thinks there is an answer, be my guest.

‘Tis Better To Have Bid And Lost . . .

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These records all have one thing in common: I bid on them and lost:

I thought I could sneak this one in because the picture accompanying the listing wasn’t clear and perhaps that would turn people off: Alto Madness,  Prestige 7114. This features John Jenkins and Jackie McLean and I do not own an original copy. It was not getting a lot of action and I threw in a bit of about $130. Not even close. In the end there were 13 bids and the winning bid was $405.

Louis Smith, Smithville, Blue Note 1594. I mentioned this one yesterday and posted the picture. For some reason, this record was not getting much action. With several hours to go before it closed it was in the $100 range. I thought perhaps the listing wasn’t clear as far as the condition and there was something in the listing about price guides and $100. Anyway, there was light action, so I used by BidNip sniping service — if you bid on eBay you really should be using one of this — and put in a bid of about $360. Well it sold for $811, so I wasn’t even in the game.

I tried to sneak this one in at about $20: Frank Rosolino, I Play Trombone, Bethlehem 26. The vinyl was only VG, but it had a nice cover and the seller didn’t mention the presence of Sonny Clark

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More Big Blue Notes, More Big Prices

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Shall we Blue Note this evening? Here are some recent sales:

This one set a new high for this LP: Joe Henderson, Page One, Blue Note 4140. This was an original pressing and it was listed in M- condition for the record and the cover. It sold for $565.58.

Another high one: Benny Green, Back on the Scene, Blue Note 1587. This was also in M- condition. It sold for $620.

Kenny Dorham, Unas Mas, Blue Note 4127. This was an original mono pressing and it was listed in VG++ condition for both the vinyl and the cover. It sold for $283.

This one just ended, as we were typing:

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More Confessions of A Vinyl Addict, Part 2

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ReissuesOK, so I got to the JJ Johnson record and realized it was a New York USA pressing, and then I got to Blue Note 1513, Thad Jones, Detroit-New York Junction, and realized it was a Japanese pressing, and then I got to Blue Note 1515, Jutta Hipp at the Hickory House Volume 1, and realized, hey, I don’t own that record at all.

I knew all of that. I knew I didn’t have a complete original collection of Blue Notes. I knew I wasn’t even close to having a complete collection of original Blue Notes. I knew I never aspired to having a complete collection of original Blue Notes. But I felt compelled to go on, to go through the entire 1500 series and know exactly what I had

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Catching Up: What’s a Promo Worth?

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Here’s an update on some odds and ends we’ve been watching on eBay:

Zoot Sims, Stretching Out, United Artists 4023. This was an original deep groove mono pressing. It was a promo copy, with a promo stamp and the white label and it was in M- condition, for both the record and the cover. The price was $124. What do you think: Does the promo stamp enhance the value of a record for you, or detract, or neither. I recall in the world of rock albums, the promo stamp was always considered a good thing, but I’ve never heard that one way or another in the jazz world. Which leads me to this LP: Bill Evans, Waltz For Debby, Riverside 399. This was an original pressing with the white promo label. The record was

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