Tag: Thelonious Monk

A Treasure Trove of LPs, Autographs, Photos and Other Memorabilia from Ornette, Monk and More

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Some of you may remember Dee Dee, Ornette Coleman’s stepdaughter and accomplished jazz photographer. For those who don’t remember, or are new to Jazz Collector, or who just want a refresher, you can go back to the original four-part series of articles, which started on February 21, 2020 (Another Adventure, Part 1: Ornette, Monk, Dee and Me). Dee reached out recently and asked me to post the following note. For what it’s worth, I’ve seen many of Dee’s photographs and they are pretty special. As you will see in Dee’s post, there are also Monk albums, Latin and Brazilian records and other memorabilia that may be of interest to the Jazz Collector community. Here’s Dee:

These remaining Thelonious Monk albums are from his close friend Ornette Coleman’s personal collection. I’m Ornette’s step-daughter, Dee Dee – and retrieved them when my mother died in 1995. They lived together – (with me, early on!) – going back to his earliest 1959 arrival in NYC, in a close relationship spanning 30 years.

She had quite a history in this music, not the least of which was booking (including the Five Spot Café and Town Hall gigs), publicity/promotion for both Monk and Ornette, and international publishing contracts for their compositions, which still generate royalties for the Monk family.

I’ve uncovered documentation, personal letters and original sheet music in his handwriting, a music stand, metronome, a fat scrapbook of clippings from 1959 forward . . . and so much more.

It’s now urgently the time to find a home for the historic value it all contains. Some is being donated to Jazz Foundation of America for their good work, but if anyone has serious interest in knowing more, please contact me immediately:

dee@creativemusicphotography.com

The entire collection is currently in Vermont, but other arrangements are possible.

Jazz LPs and Memorabilia

Additionally, I’ve worked documenting historic jazz, Brazilian, and Latin musicians since 1964 as a formally trained (Herb Snitzer) art photographer.

I have an AUTOGRAPHED Edition of one original silver gelatin print available here:

Autographed Edition – Images, Prices, and Exposure Data

My personal vinyl collection of historic Brazilian and Afro-Cuban/Latin albums can be viewed here – with some accompanying images:

Latin & Brazilian Record Collection

Two Old Jazz Records That Are New (At Least to Me)

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Time to peruse the old watchlist once again. Let’s look at two records I don’t recall seeing and were certainly never on my radar until spotting them on eBay. First is Electrifying Sounds of the Paul Jeffrey Quintet, Savoy, 12192. This is a very late issue for the Savoy label and it has a maroon label. I’m assuming the maroon is the original color at this stage of the Savoy catalogue, but I don’t know that for sure. This one had a corner clip and original shrink wrap and was listed in M- condition. The final price was $265. Further research shows that the quintet consists of Jeffrey, Jimmy Owens, George Cables, Larry Ridley and Billy Hart, recorded in August of 1968. Part of my interest is the simple fact that I am not familiar with this record, even though it was issued near the time when I first got interested in jazz and began shopping the bins for jazz records. Also, it was near the time when I started seeing jazz live regularly. Jeffrey was the tenor player with Monk and I saw him many times at the Vanguard and was always impressed with his playing and always wondered why he didn’t get more accolades and/or record dates as a leader. So, I guess, he had at least one more record date as a leader than I was aware of. Read more

In the Mailbox: Yikes, Yowzas & George Benson’s Collection

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Got a few emails from our friend CeeDee, starting with The Booker Ervin Quintette, Cookin’, Savoy 12154. This looks like a red label, but it’s not clear. Some of the photos look red, some look maroon. Not sure this record had deep grooves, but there are none in the picture. This copy was in Ex condition for the record and the cover and sold for about $558. The previous high for this record was $175, according to Popsike. Read more

Thelonious, Duke, Phil and Buckshot

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Let’s get back to the mundane business of watching prices of rare jazz vinyl soar on eBay, shall we. Let’s start with Thelonious Monk Plays the Music of Duke Ellington, Riverside 12-201. This is the original pressing of the first record in the 200 series of Riverside. It is an original white label pressing with the original cover, featuring photos of Monk, Oscar Pettiford and Kenny Clarke. The record looks to be in nice condition, although the description is pretty vague for a seller who does not offer returns. Cover also looks pretty nice, based on the pictures. The bidding starts at about $750 and so far there is no action, with the auction closing in about two days. I would love to own an original copy of this record and I came close about 20 years ago for what at the time was a reasonable price. I was at the Jazz Record Center in New York and had a copy in my hand in very nice condition and the price was $100. I thought long and hard, asked Fred what he thought and he said it was a bargain at that price, but I guess I didn’t have the money, or the balls, at the time, so I left it behind. Came back a few days later to get it, but it was gone. Read more

Catching Up: Blue Notes and Prestige

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Sorry for the long gap between posts. I spent a week in New York and when I got back I began a major record reorganization project to clear space in the house, which has resulted in me moving 2,000 records and my entire Downbeat collection into storage for potential sale and/or donation. I imagine that sentence may pique some interest, so feel free to email me if you have questions. The time is ripe: I’m in a purging frame of mind, and who knows how long that will last? Anyway, I’m back on eBay once again and, as always, watching jazz vinyl for sale, starting with: Sonny Rollins and Thelonious Monk, Prestige 190. This is an original 10-inch LP, listed in VG++ condition for the record and VG for the cover (and what a great cover it is). The bidding is in the $240 range. Seeing this record, which I don’t own, I am wondering why Prestige chose to issue this on 12-inch in Monk’s name and not Sonny’s. Anyone venture a guess or opinion? Rudolf, our Prestige expert, any insight? Read more

Autographs, Autographs, Autographs

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I heard back from the reader who sent me the original link to the auction for the autographed copy of John Coltrane Ballads, Impulse A-32. The one that sold for more than $5,000 a few weeks ago. His name is Bill and, it turns out, he has a passion for collecting autographs—as well as an impressive collection. With his permission, here is a copy of our correspondence after I replied to his initial note.

Al:

My jazz collecting the past 25 years has morphed mainly to jazz autographs. There is something about a genuine signature that makes an item come alive: This was actually in the hands of Billie, Bird, Trane, etc. One must be careful to not obtain a fake, but I have mainly dealt with reputable dealers, and over time, I have become more savvy in finds on sites such as eBay.

I did bid on this Coltrane item, but exited the bidding when it went above $2000.

The prizes of my collection are signed photographs, some contracts, some personal letters, etc. To give you an idea of some of my prized items, here is a partial list: Read more

This is New; And So Is That

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Pardon the interruption. Since I last posted, I’ve driven back and forth to Chapel Hill, written about a dozen papers for work and even tested positive for COVID-19 antibodies. It’s been busy here and I haven’t been able to spend a lot of time on my records or on Jazz Collector. Having said that, I plugged back into eBay this morning and pulled a few records to share with you, starting with Kenny Drew, This is New, Riverside 236. This is an original white label pressing and it looks to be in VG+ condition for both the record and the cover. This is a nice quartet/quintet record featuring Donald Byrd and Hank Mobley. Put it on Blue Note with this personnel from this era and you have a record that would be a regular in the $1,000 bin. On Riverside, the bidding is in the $275 range with the auction closing later today. Read more

Collectible Jazz Vinyl and Not Vinyl

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Yeah, that Bill Evans New Jazz Conceptions LP with the original cover sold for $1,725, as someone pointed out in comments. With a VG cover and VG record. I guess not even a global pandemic can halt the market for original jazz collectibles. A few more from the same seller: Gil Melle, Patterns in Jazz, Blue Note 1517. This was an original Lexington Avenue pressing in VG MINUS condition with a VG cover. Despite the condition it sold for $910. Curtis Fuller, Bone & Bari, Blue Note 1572. This was an original West 63rd Street pressing in VG MINUS condition for the record and VG for the cover. It sold for $706. Read more

For Lady (and Everyone Else)

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Time to get back to eBay, starting with Webster Young, For Lady, Prestige 7106. This is an original New York yellow label pressing listed in Ex condition for the record and VG+ for the cover. I’ve always had a soft spot for this record because it was one of the first yellow label Prestige originals I ever owned and because it was, and is, quite a lovely record. It was, I presume, also my introduction to Webster Young and Paul Quinichette, two very fine, very underrated players, IMHO. Writing this post, I just talked myself into putting this on the turntable next time I have time to listen mindfully. The bidding for this one closes in more than for days from this writing, with a top bid now of about $245. Read more

Catching Up (And We Mean Up!) on Rare Jazz Vinyl

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Here are a couple of nice $1,000 records we were watching on eBay: Dizzy Reece, Progress Report, Tempo TAP 9. This was an original U.K. pressing that was listed in excellent condition for the vinyl and great condition for the cover and, even though those terms are not precisely Goldmine-approved, you get the sense from the description and pictures that the record was in extremely nice condition. This one sold for about $1,025. Also, Lee Morgan, The Cooker, Blue Note 1578. This was an original West 63rd Street pressing listed in M- condition for the record and cover. We said “under normal circumstances” this record could set a new high water mark for the Cooker. What we meant was that we felt the pandemic would perhaps be dampening prices for high-end records. We were wrong. This record did set a new high at $1,625. So much for my theories and hypotheses—so far at least. Read more

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