Tag: Tina Brooks

Soon on eBay: Tina Brooks, Elmo Hope, Bennie Green

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Here’s some interesting jazz vinyl on the Jazz Collector watch list over the next few days.

Tina Brooks, True Blue, Blue Note 4041. This is an original pressing. The record is listed as M- and the cover is VG+. The price is already more than $1,000 and there are still four days to go.

Elmo Hope Quintet, Blue Note 5044. This is a nice 10-inch LP with a great cover. This one is in VG++ condition and is being offered by Euclid Records, one of the top sellers of jazz vinyl on eBay. This one is about $100 with several days still to go.

Another high-end Blue Note: Sonny Clark, Cool Struttin’, Blue Note 1588. This one is not in great shape. The vinyl is listed in VG- condition, and the cover looks to be VG. The price is more than $100 now, and it has not yet reached the seller’s reserve.

The Return of Art Pepper, Jazz West 10. This is an original pressing. The vinyl is listed as VG++ and the

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Today on eBay: Tal, Drew, Kenny Dorham, True Blue

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We had a couple of hours to kill last night, so we did something we used to do every day: Scroll through a full 24 hours worth of jazz records listed on eBay. It was good timing, because we found some nice items for our Jazz Collector readers and one item we plan to bid on for ourselves.

Our friends at Euclid Records have a nice batch closing today, including: Kenny Drew Trio, Riverside 224. This is an original white label pressing and is listed in M- condition for both the record and the cover. The current price is $1,256, so, Kenny Drew, welcome again to the $1,000 bin. Also from Euclid is The Tal Farlow Album, Norgran 1047. This is the 12-inch version with the beautiful cover by David Stone Martin. It is in M- condition for both the record and the cover and is currently in the $60 price range. My friend Dan Axelrod, who was Tal’s good friend and protege, swears that the 10-inch version of this record offers far better sound quality than the 12-inch version. I suppose that’s why he has more than a dozen copies of the 10-inch version. Nonetheless, the 12-inch Tal Farlow Album is quite lovely to listen to and quite collectible and is certainly a worthy addition to any collection.

It always pays to read the eBay listings carefully. Here’s an example why:

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Adventures in Jazz Collecting, Part 4

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So I finally got home on Monday after my trip to Trenton and massive traffic on the Belt Parkway through Brooklyn and Queens. I started unloading the records, My nosy neighbor was watching. I smiled. “Records,” I said. I’m not sure she knew what I was talking about. The records filled the front foyer of my house. There were seven crates altogether. I had decided to just take everything that Rob had. This included Christmas records, and Aretha Franklin, and some pretty well damaged jazz records. The first two crates I looked through had nothing. Was it all an illusion? In my rush of adrenaline and musk and mold and dust, did I imagine that there were collectible jazz records in this batch? I went searching for the Tina Brooks record. This I knew was a collectible. I grabbed it. The moldy flakes from the cover fell off in my hands. I grabbed the vinyl, went upstairs and put it on my VPI record cleaner. The dust and dirt and grime and mold came off, but the record was in only VG condition. And the cover? It was pretty bad, and it reeked of mold and musk. I threw it in the garbage. Not a good start.

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Adventures in Jazz Collecting, Part 3

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OK, so I let the nice collection in Hartford slip through my fingers. But I knew there was another option: Trenton, New Jersey. For the past couple of weeks I’d been dealing on line and on the phone with a guy named Rob in Trenton. Rob said his father had a friend who passed away and left his records to Rob’s dad, who had also passed away. Rob had been holding on to the records for years and was now ready to get rid of them. He’d come across Jazz Collector on line and saw some of the prices in the Price Guide and figured maybe they were worth something. We chatted and he sent me a bunch of pictures of records. There were definitely some nice ones in there, but there was no way for me to tell if they were originals or if they were in good condition. So I didn’t get too excited. Besides, I wasn’t sure what Rob wanted to do. At first I thought he might be interested in selling the records himself on eBay, and I told him that, in my opinion, that would be the way to get the best value for the records.

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Updating the $1,000 Bin

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We’ve been updating the Jazz Collector Price Guide this morning and we just added a fairly  large group of records that surpassed the $1,000 price barrier. We’ve mentioned some of these before on Jazz Collector, but it’s interesting to see the group all at once. There are no links attached to these, by the way, so don’t try clicking them. Here goes:

Bent Axen, Let’s Keep the Message, Debut 133. There are actually two copies of this that fit into the category. They were both in M- condition, both cover and record. One sold for $1,790.90 and the other sold for $1,326.

Sonny Rollins, Saxophone Colossus, Prestige 7079. There are two copies of this as well. One was sold by the Jazz Record Center and was in M- condition, both record and cover. It sold for $1,492. the other was in VG++/VG+ condition. It sold for $1,575. Go figure.

Here’s the only one on the list that was a bit of a surprise:

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For the Price Guide: Tina Brooks, Shades of Redd

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Here are still a few more for the Jazz Collector Price Guide. This have already been logged into the database, so you can see them if you click on the price guide. 

Jutta Hipp, Jutta, Blue Note 5056. This was an original 10-inch LP in VG+ conditon, both record and cover. The price was $330.

Jackie McLean, Capuchin Swing, Blue Note 4038. This was a second pressing in M- condition. The price was $191.30.

Sonny Rollins, Newk’s Time, Blue Note 4001. This was an original West 63rd street pressing in VG+ condition, both record and cover. It sold for $598.

Here’s a real heavyweight we’ve talked about previously:

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For the Price Guide: Newk, Evans, Tina Brooks

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Here are some items we’ve been watching. I know we’ve been talking about a lull on eBay, but when you look at these prices they seem to be holding pretty steady.  All of these will be entered into the Jazz Collector Price Guide as soon as I have time, probably this weekend. By the way, there are no links with these items: Most of the links have appeared somewhere on the site already.

Sonny Rollins, Newk’s Time, Blue Note 4001. This was an original West 63rd Street pressing. The record was VG+ and the cover was VG+. The price was $598.

Jutta Hipp, Jutta, Blue Note 5056. This was an original 10-inch LP in VG+ condition, both record and cover. The price was $330.

Jackie McLean, Capuchin Swing, Blue Note 4038. This seemed to be an original pressing, although the seller didn’t say anything about deep grooves. It was in M- condition, both record and cover, and

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Another $1,000 Record, This One in VG Condition

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We’ve been keeping an eye lately on jazz LPs that sell for more than $1,000, which is particularly interesting in light of some of the softness we’re seeing in other parts of the market. The LP True Blue by Tina Brooks, Blue Note 4041, is one that has broken the $1,000 many times. It is quite rare. In the Jazz Collector Price Guide, we’ve seen a copy go for as much as $2,075. So, we were watching this copy of True Blue this week to see what would happen in a soft market. The record wound up selling for $1,625. What makes this more interesting is that the vinyl was only in VG condition (the cover was VG++). It’s not so unusual these days for rare Blue Notes to top $1,000, but $1,625 for a record in VG condition, is still pretty high. Part of it attests to the rarity of this particular LP, and part, also, to the underlying soundness of the market, at least for the higher-end LPs.

I do have a personal experience with this LP to share:

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Remembering Freddie Hubbard

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I’m sure many of you saw the news that Freddie Hubbard passed away yesterday at age 70. Hubbard, of course, was a seminal figure in the post-bop era. We write about his records often in the posts at Jazz Collector, particularly since his LP Open Sesame, Blue Note 4040, is one of the top collectibles, often selling for more than $1,000. He also played on Tina Brooks, True Blue, Blue Note 4041, another of the rarest of jazz collectibles. Our own memories of Hubbard stretch back to the great Oliver Nelson LP, The Blues and the Abstract Truth, Impulse 5, where he played in a great setting with Bill Evans, Paul Chambers, Eric Dolphy and others. I always remember Nelson stating that Hubbard sounded like John Coltrane playing the trumpet, and that always stuck with me. Hubbard was never quite as inventive as Trane or as experimental, but he certainly had a style and sound that was immediately recognizable. Other favorite early recordings are Eric Dolphy Outward Bound, New Jazz 8236, and Art Blakey, Buhaina’s Delight, Blue Note 4104. I saw Hubbard many times at the Village Vanguard in the early 1970s, and he was always a passionate, charismatic performer. What are some of your memories, and favorite Hubbard recordings? Please feel free to comment on this post.

What’s on eBay for More than $1,000?

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I was away with hardly any access to the Internet and I wasn’t on eBay all of last week. Just for the fun of it, and to see if I missed anything significant, this morning I did a search through completed jazz auctions for all items that sold for more than $1,000. To my surprise, there wasn’t that much. Here’s what I found:

Tina Brooks, Blue Note 4041. This was an original pressing in what looked like very nice condition. Price: $1,703.30

Fred Astaire, The Astaire Story, Clef 1001. This is the complete boxed set, signed and autographed by Astaire. Price: $1,826. It so happens, I also have a copy of this, in comparable condition. If anyone is interested I’d sell it for $1,750. Contact me alperlman@hotmail.com.

 The final $1,000-plus item was this:  The Jacques Pelzer Quartet in Italy, on the Italian Centra label. I had never seen or heard of this record and, according to the dealer, there were only 200 or so copies pressed. This one received a top bid of $1,226, but still failed to meet the seller’s reserve price. Perhaps it will appear again.

 

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