Leapin’, Lopin’ and Lunacy

After last week’s diversion, I see I am being prodded to get back to the regular business of tracking the market for rare jazz vinyl, and so I will start with a note and link from our friend Clifford, subject: Sonny Clark WTF. Clifford writes, “Hey, Al. Here’s one for the ages (maybe). I’d gladly let my copy go for just $5000!” And the link is Sonny Clark, Leapin’ and Lopin’, Blue Note 4091. This was an original mono pressing with the New York USA address. The record and the cover were in just VG+ condition. The final price was $7,300. As Clifford so eloquently put it: WTF! There were 21 bidders and 44 bids and the price went from a reasonable $563 to a ridiculous $7,300 in the last moments. I would guess that two bidders both had a strategy of putting in humongous bids just to assure that they would get the record and, voila, they ran up against one another. How else could we explain a VG+ copy of this record selling for that price? Read more

Blue Notes and Beyond

I’m back, finally. I see in my absence, Mr. Lee did a good job of keeping the interest alive. I’ve actually removed a couple of posts that had to do with cases filed on eBay. Sorry, Mr. Lee, that’s not something we do here at Jazz Collector.

Let’s start with the tease on the Blue Note documentary. It is called Blue Note Records: Beyond the Blue Notes. I saw it at a special screening at the Tribeca Film Festival. Watching the movie and knowing that I would have to write about it here reminded me why, early in my journalism career, I decided that I didn’t want to be a critic. To be fair, there were some great things about the movie. Nice clips of Monk, the Lion and Wolff story, the artwork (of course) and some great commentary and stories from 91-year-old Lou Donaldson, who lights up the screen every time he appears. Would I recommend the documentary to you, loyal Jazz Collector readers? I don’t need to, do I? You’ll see it no matter what I say, as you should. Within the movie is the story of the music we love as it was recorded and packaged on one of the labels we treasure and collect. Read more

Shades of Tommy Flanagan Overseas

When I began collecting jazz vinyl as a serious (obsessive?) endeavor, sometime in the late 1970s or early 1980s, the record that was identified as the “rarest” or “most collectible” was Tommy Flanagan Overseas. There was no internet in those days and I had never even seen a copy of this record for years, and didn’t hold a copy in my hand until maybe 20 years later, when it was part of a collection that I did not buy. I never owned an original until the Bruce W. West collection back in 2013, so it was a long wait of more than 30 years for me. I’ve always kept an eye on this record on eBay because of its early mythological aura, at least as I experienced it. Over the years I’ve seen as this record has moved into the $3,000 price range on occasion, which is certainly quite a high price, but the aura of this record as the height of jazz collectibility has been eclipsed by other records, particularly Blue Notes, and most specifically Hank Mobley, Blue Note 1568. Yet Tommy Flanagan Overseas is still high up on the list of valuable and highly sought-after jazz collectibles. I mention all this as a prelude to this listing on eBay now: Tommy Flanagan Overseas, Prestige 7134. This auction for this copy

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Tracking a Trio of Jazz Vinyl Gems

Tina Brooks Jazz VinylBack to eBay: Tina Brooks, True Blue, Blue Note 4041. This was an original pressing. The record was listed in VG condition and the cover was listed as VG+. The seller intimated that the record might be closer to VG+ than VG, but the pictures of the cover made it look like the cover was closer to VG than VG+, so if I were bidding I would have stuck with the VG. The final price was $1,390.

Tommy Flanagan, The Cats, New Jazz 8217. This was an original purple label deep groove pressing that was listed in VG+ condition for both the record and the cover. This record, of course, features John Coltrane as a sideman. This copy sold for $410. This is one of those records that has really increased in value and demand during the time period (eight-plus years) we’ve been doing the Jazz Collector site on a regular basis.

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Jazz Vinyl From Some of Our Favorite Cats

The Cats New Jazz VinylI’m cleaning out my eBay watch list so here are various odds and ends from the past six weeks or so, starting with Tommy Flanagan, The Cats, New Jazz 8217. This was an original pressing with the deep grooves and the purple labels. The record and cover both looked to be in M- condition, very nice indeed. Of course, one of the attractions of this record is that it  features John Coltrane. When I acquired this record I filed it with my Coltranes because I was just building my Trane collection and every collectible record with Coltrane was a treasure to me. I hate to tell you when this was, but it was more than 40 years ago. I can’t believe I’m that old. Anyway, now that my Coltrane collection is more robust, this is properly filed with the Flanagans. This copy sold for a very nice $600. Nice for the seller and I’m sure very nice for the buyer, who will have a lovely record for his turntable and collection.

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High Priced Vinyl? ‘Tis in the Eye of the Beholder

Tommy Flanagan Jazz VinylJust checked my eBay watch list and came right up with a pair of high-priced items that we had mentioned here before, starting with Tommy Flanagan Overseas, Prestige 7134. This was an original deep groove New York yellow label listed in M- condition for the record and Ex for the cover. When we first saw this record, the bidding was more than $1,000 and it hadn’t reached its reserve price. The record eventually surpassed the reserve price and beyond, selling for $3,938.

This one sold for more than $2,000 but, frankly, I thought it would sell for more, given it’s rarity: Kenny Dorham, Harlem Youth Unlimited, Jazz at P.S. 175. This was an original pressing listed in VG++ condition for both the record and the cover. I asked in the previous post: Is this the rarest of them all? No one seemed to say no, so I’m assuming perhaps it is. It did not get the highest price of them all, although the price was quite high, $2,225, in fact. I would LOVE a copy of this record, but not at $2,225, thank you.

Let’s check out the e-mail bag:

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Is This The Rarest of Them All?

Kenny Dorham Rare Jazz VinylBuongiorno! Back from Italy and a little bit worse for the wear. My flight home was delayed because a horse was acting up in cargo and they had to remove all of the luggage, then remove the horse and then reload all the luggage. Yes, that really happened. Then I got a nasty cold, but I’m starting to feel better and finally am able to look at eBay to see what’s going on. I want to thank Clifford Allen for filling in while I was away. Clifford, I really appreciate it and you did a great job — please feel free to continue posting at any time. I think it adds a lot of value to the site to have another perspective.

I did a search on eBay and found an extremely interesting record, which is: Kenny Dorham, Harlem Youth Unlimited, Jazz at PS 175. This is a live recording from 1964. I was told by a reputable dealer several years ago that this is possibly the rarest jazz record of them all. Has anyone else heard that? I’ve been looking for a copy for more than 30 years — ever since I learned about it — and have never seen one. In fact, this is the first one I’ve ever seen even on eBay. I will be very curious to see what this record sells for, particularly now that I have called attention to it. This one is in VG++ condition for the record and the cover. The start price is about $900 and there are nine days to go on the auction. I’m curious if anyone in our community owns this record and how it sounds.

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In The Jazz Vinyl Vortex Once Again

Dave Bailey copyI’m watching a few items from the current Jazz Record Center auction on eBay, including: The Dave Bailey Sextet, Bash!, Jazzline 33-10. This is an original pressing Kenny Dorham, Curtis Fuller, Tommy Flanagan and others. The record is listed in M- condition and the cover looks to be about VG+, based on the description. The bidding is at $200 with nearly three days left before the auction closes.

Oliver Nelson, The Blues and the Abstract Truth, Impulse 5. This is an original mono promo copy with the white label. The record is listed in M- condition and the cover looks to be about VG++. The bidding is at $100.

This is one that is completely new to me:

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A Trifecta of Rare Jazz Vinyl

Flanagan copyBack on eBay after an extended absence, for which I apologize once again. Took a quick check of some listings and found this: Tommy Flanagan Overseas, Prestige 7134. This looks to be an original New York pressing in M- condition for both the record and the cover. The bidding ends tomorrow and it is already more than $1,000, perhaps on its way to the $2,000 bin. Interesting thought about this record: Did Prestige ever issue this on the yellow New Jersey label? I don’t recall ever seeing one or hearing about one. I guess it’s possible they just issued it once in the original format, which is what makes it so rare and so treasured by collectors.

Our friend Serge in Canada has several nice records on eBay now, including Jutta Hipp at the Hickory House, Blue Note 1515. This looks to be an original Lexington Avenue pressing in VG++ to M- condition for the record and VG+ for the cover. The bidding is in the $450 range, but it hasn’t yet reached the seller’s reserve price.

My goodness, look what happened to this one:

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