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	<title>Williamsburg Bridge | jazzcollector.com</title>
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		<title>Back to the Bridge and a Rare Blue Note</title>
		<link>https://jazzcollector.com/blue-note/back-to-the-bridge-and-a-rare-blue-note/</link>
					<comments>https://jazzcollector.com/blue-note/back-to-the-bridge-and-a-rare-blue-note/#comments</comments>
		
		<dc:creator><![CDATA[Al]]></dc:creator>
		<pubDate>Sat, 04 Nov 2017 13:39:50 +0000</pubDate>
				<category><![CDATA[Blue Note]]></category>
		<category><![CDATA[Features]]></category>
		<category><![CDATA[Kenny Dorham]]></category>
		<category><![CDATA[Sonny Rollins]]></category>
		<category><![CDATA[Williamsburg Bridge]]></category>
		<guid isPermaLink="false">http://jazzcollector.com/?p=7722</guid>

					<description><![CDATA[<p>This thing with the Sonny Rollins Bridge is actually picking up a lot of momentum. I am back in Manhattan and I went into my [...]</p>
The post <a href="https://jazzcollector.com/blue-note/back-to-the-bridge-and-a-rare-blue-note/">Back to the Bridge and a Rare Blue Note</a> first appeared on <a href="https://jazzcollector.com">jazzcollector.com</a>.]]></description>
										<content:encoded><![CDATA[<p><a href="http://jazzcollector.com/blog/wp-content/uploads/2017/11/Sonny.jpg"><img decoding="async" class="alignright size-medium wp-image-7724" src="http://jazzcollector.com/blog/wp-content/uploads/2017/11/Sonny-300x153.jpg" alt="" width="300" height="153" srcset="https://jazzcollector.b-cdn.net/wp-content/uploads/2017/11/Sonny-300x153.jpg 300w, https://jazzcollector.b-cdn.net/wp-content/uploads/2017/11/Sonny-600x307.jpg 600w, https://jazzcollector.b-cdn.net/wp-content/uploads/2017/11/Sonny.jpg 602w" sizes="(max-width: 300px) 100vw, 300px" /></a>This thing with the Sonny Rollins Bridge is actually picking up a lot of momentum. I am back in Manhattan and I went into my elevator today where there is a television that is always tuned to a local news station and the next thing I know there&#8217;s a black and white clip of Sonny as part of a very lengthy feature story about the campaign to rename the Williamsburg Bridge in his honor. Then I got back upstairs and did a Google search and three days ago there was an article in Slate advocating &#8220;<a href="https://slate.com/arts/2017/11/rename-the-williamsburg-bridge-after-sonny-rollins.html"><strong>Why the Williamsburg Bridge Should be Renamed After Sonny Rollins</strong></a>.&#8221; I must admit, when I first wrote about this back in June (&#8220;<a href="http://jazzcollector.com/features/the-sonny-rollins-bridge-why-didnt-we-think-of-that/"><strong>The Sonny Rollins Bridge: Why Didn&#8217;t We Think of That</strong></a>?&#8221;) I thought this was really a pipe dream and not a potential reality. Now, I&#8217;ve come full circle into believing that this can actually happen. Hats off to Jeff Caltabiano for coming up with an inspired idea and actually pursuing it. I will reach out to Jeff this week and find out what we can do to help.</p>
<p><span id="more-7722"></span>Meanwhile, I was on eBay watching a copy of <a href="https://www.ebay.com/itm/Holy-Grail-SONNY-ROLLINS-Saxophone-Colossus-PRESTIGE-7079-W-50th-NM-NM-PROMO-/311987341778?_trksid=p2047675.l2557&amp;ssPageName=STRK%3AMEBIDX%3AIT&amp;nma=true&amp;si=%252BlKHp3q8A3aDCvqUcDjsXdsaW50%253D&amp;orig_cvip=true&amp;rt=nc"><strong>Sonny Rollins, Saxophone Colossus, Prestige 7079</strong></a>. This was an original promo record listed in M- condition for the record and M- condition for the cover, although the cover had radio station call letters written in large ink on the back, which would diminish the cover in my eyes and in the eyes of most collectors, I would presume. This one sold for $2,334. Without the radio call letters, I think this would have made it into the $3,000 bin. The other Rollins record I was watching, the<a href="https://www.ebay.com/itm/Sonny-Rollins-Quartet-Worktime-1958-UK-Pressing/152750047801?ssPageName=STRK%3AMEBIDX%3AIT&amp;_trksid=p2055119.m1438.l2649"> <strong>UK pressing of Worktime</strong></a>, wound up selling for about $270. About that cover &#8212; I never meant to imply that the illustrator was trying to convey anything about drugs but, like GTF and other commenters, I see something in the cover where that can come across, although I do like the cover quite a lot, more than the U.S. version.</p>
<p>Also on my watch list was this item from the seller Keca222, who has been quite active lately: <a href="https://www.ebay.com/itm/KENNY-DORHAM-Afro-Cuban-BLUE-NOTE-BLP-1535-RVG-034-P-034-EAR-Flat-Edge-LEXINGTON-/182834185239?_trksid=p2047675.l2557&amp;ssPageName=STRK%3AMEBIDX%3AIT&amp;nma=true&amp;si=%252BlKHp3q8A3aDCvqUcDjsXdsaW50%253D&amp;orig_cvip=true&amp;rt=nc"><strong>Kenny Dorham, Afro-Cuban, Blue Note 1535</strong></a>. This was an original Lexington Avenue 12-inch pressing listed in M- condition for the record and Ex condition for the cover. It sold for$4,049.99. Wow. Don&#8217;t forget the real original pressing of Afro-Cuban was the 10-inch record. For the 12-inch release, they added another side of material that had been previously recorded but unreleased. I remember a post several years back where Rudolf mentioned not considering the 12-inch record the original pressing and, for some reason, that always stuck with me. Now the 12-incher is a $4,000 record and the 10-incher would be, what, maybe $1,500 at most? I have an original 10-inch pressing, but a reissue of the 12-incher. Would love to have an original 12-inch LP, but $4,000 is a bit beyond my comfort zone &#8212; quite a bit, in fact.</p>The post <a href="https://jazzcollector.com/blue-note/back-to-the-bridge-and-a-rare-blue-note/">Back to the Bridge and a Rare Blue Note</a> first appeared on <a href="https://jazzcollector.com">jazzcollector.com</a>.]]></content:encoded>
					
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			<slash:comments>19</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">7722</post-id>	</item>
		<item>
		<title>Sonny Rollins, UK Pressing, Williamsburg Bridge</title>
		<link>https://jazzcollector.com/prestige/sonny-rollins-uk-pressing-williamsburg-bridge/</link>
					<comments>https://jazzcollector.com/prestige/sonny-rollins-uk-pressing-williamsburg-bridge/#comments</comments>
		
		<dc:creator><![CDATA[Al]]></dc:creator>
		<pubDate>Tue, 24 Oct 2017 13:56:03 +0000</pubDate>
				<category><![CDATA[Prestige]]></category>
		<category><![CDATA[Bowery Boogie]]></category>
		<category><![CDATA[Sonny Rollins]]></category>
		<category><![CDATA[Williamsburg Bridge]]></category>
		<guid isPermaLink="false">http://jazzcollector.com/?p=7717</guid>

					<description><![CDATA[<p>Back on eBay and here&#8217;s another one of those cool UK Esquire covers: Sonny Rollins, Worktime, Esquire 32-038. This is an original UK pressing listed [...]</p>
The post <a href="https://jazzcollector.com/prestige/sonny-rollins-uk-pressing-williamsburg-bridge/">Sonny Rollins, UK Pressing, Williamsburg Bridge</a> first appeared on <a href="https://jazzcollector.com">jazzcollector.com</a>.]]></description>
										<content:encoded><![CDATA[<p><a href="http://jazzcollector.com/blog/wp-content/uploads/2017/10/s-l1600.jpg"><img fetchpriority="high" decoding="async" class="alignright size-medium wp-image-7718" src="http://jazzcollector.com/blog/wp-content/uploads/2017/10/s-l1600-300x297.jpg" alt="" width="300" height="297" srcset="https://jazzcollector.b-cdn.net/wp-content/uploads/2017/10/s-l1600-300x297.jpg 300w, https://jazzcollector.b-cdn.net/wp-content/uploads/2017/10/s-l1600-150x150.jpg 150w, https://jazzcollector.b-cdn.net/wp-content/uploads/2017/10/s-l1600-768x760.jpg 768w, https://jazzcollector.b-cdn.net/wp-content/uploads/2017/10/s-l1600-1024x1013.jpg 1024w, https://jazzcollector.b-cdn.net/wp-content/uploads/2017/10/s-l1600-90x90.jpg 90w, https://jazzcollector.b-cdn.net/wp-content/uploads/2017/10/s-l1600-75x75.jpg 75w, https://jazzcollector.b-cdn.net/wp-content/uploads/2017/10/s-l1600.jpg 1200w" sizes="(max-width: 300px) 100vw, 300px" /></a>Back on eBay and here&#8217;s another one of those cool UK Esquire covers: <a href="https://www.ebay.com/itm/Sonny-Rollins-Quartet-Worktime-1958-UK-Pressing/152750047801?ssPageName=STRK%3AMEBIDX%3AIT&amp;_trksid=p2055119.m1438.l2649"><strong>Sonny Rollins, Worktime, Esquire 32-038</strong></a>. This is an original UK pressing listed in Ex condition for the record and VG+ for the cover. The bidding is now in the $150 range with more than five days left on the auction. One thing that is striking me now for the first time in examining these UK listings: The seller is listing this as a 1958 pressing. Is that accurate? If so, that would be two years after the original release date in the U.S. Did our friends in the UK really have two wait two years for Worktime and/or other original Prestige recordings? Another thing; while I find the cover to be pretty cool looking, there&#8217;s something a bit off about it. I guess the illustration implies getting back to work, but it does look a bit like Sonny is strung out, at least to me, which may not be the most appropriate illustration since, in my recollection, Worktime was recorded just after Sonny reportedly kicked the habit.</p>
<p><span id="more-7717"></span>Speaking of Sonny, that effort to <a href="http://jazzcollector.com/?s=williamsburg+bridge"><strong>rename the Williamsburg Bridge</strong> </a>in his honor is gaining some momentum. According to a report in <a href="https://www.boweryboogie.com/2017/10/councilman-introduces-bill-rename-williamsburg-bridge-sonny-rollins/"><strong>Bowery Boogie</strong></a>, a Brooklyn Councilman has actually introduced a bill that would make this a reality, and the Brooklyn Borough President is also supportive of the idea. I will follow up on this in the next few days and see what we can all do to help move this along. I cannot describe how cool it would be to drive over the Sonny Rollins Bridge.</p>The post <a href="https://jazzcollector.com/prestige/sonny-rollins-uk-pressing-williamsburg-bridge/">Sonny Rollins, UK Pressing, Williamsburg Bridge</a> first appeared on <a href="https://jazzcollector.com">jazzcollector.com</a>.]]></content:encoded>
					
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		<post-id xmlns="com-wordpress:feed-additions:1">7717</post-id>	</item>
		<item>
		<title>The Sonny Rollins Bridge: Why Didn&#8217;t We think of That?</title>
		<link>https://jazzcollector.com/features/the-sonny-rollins-bridge-why-didnt-we-think-of-that/</link>
					<comments>https://jazzcollector.com/features/the-sonny-rollins-bridge-why-didnt-we-think-of-that/#comments</comments>
		
		<dc:creator><![CDATA[Al]]></dc:creator>
		<pubDate>Fri, 23 Jun 2017 10:32:46 +0000</pubDate>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Riverside]]></category>
		<category><![CDATA[Blue Mitchell]]></category>
		<category><![CDATA[Schomburg Center for Research in Black Culture]]></category>
		<category><![CDATA[Sonny Rollins]]></category>
		<category><![CDATA[Williamsburg Bridge]]></category>
		<guid isPermaLink="false">http://jazzcollector.com/?p=7618</guid>

					<description><![CDATA[<p>It felt so good clearing out portions of my inbox yesterday, I’m going to the same today, starting with a couple of items about one [...]</p>
The post <a href="https://jazzcollector.com/features/the-sonny-rollins-bridge-why-didnt-we-think-of-that/">The Sonny Rollins Bridge: Why Didn’t We think of That?</a> first appeared on <a href="https://jazzcollector.com">jazzcollector.com</a>.]]></description>
										<content:encoded><![CDATA[<p><a href="http://jazzcollector.com/blog/wp-content/uploads/2017/06/Sonny.jpeg"><img decoding="async" class="alignright size-medium wp-image-7619" src="http://jazzcollector.com/blog/wp-content/uploads/2017/06/Sonny-300x153.jpeg" alt="" width="300" height="153" srcset="https://jazzcollector.b-cdn.net/wp-content/uploads/2017/06/Sonny-300x153.jpeg 300w, https://jazzcollector.b-cdn.net/wp-content/uploads/2017/06/Sonny.jpeg 602w" sizes="(max-width: 300px) 100vw, 300px" /></a>It felt so good clearing out portions of my inbox yesterday, I’m going to the same today, starting with a couple of items about one of my heroes, Sonny Rollins. The first comes from an article by Amanda Petrusich in the <strong><a href="http://www.newyorker.com/culture/cultural-comment/a-quest-to-rename-the-williamsburg-bridge-for-sonny-rollins">New Yorker from April 5</a></strong>. (I told you I was way behind on my email). It is about a movement, now in its early stages, to rename the Williamsburg Bridge in honor of Sonny. The Sonny Rollins Bridge: Now this is an idea we can all get behind. The idea is the brainchild of a guy named Jeff Caltabiano, who has established something called The Sonny Rollins Bridge Project. When we get a chance we will reach out and find out if he has made any progress.<span id="more-7618"></span></p>
<p>Here’s a second item, this one from <strong><a href="https://www.nytimes.com/2017/05/29/arts/music/sonny-rollins-archives-schomburg-center.html?_r=0">The New York Times</a></strong>, about the acquisition of Sonny’s personal archive by the Schomburg Center for Research in Black Culture, which is part of the New York Public Library. The collection includes rehearsals of recordings and practice sessions; a Selmer saxophone; notes, letters and other written material, some musical, some not. The Schomburg Center is located at 515 Malcolm X Blvd. in Harlem. Can’t wait to check it out.</p>
<p>And here’s one from the <strong><a href="https://www.wsj.com/articles/boxed-sets-are-bigger-than-everbut-who-buys-them-1497992774">Wall Street Journal</a></strong> about boxed sets. The article was occasioned by the release of “The Jazz &amp; Blues Artbox,” which consists of 230 DVDs from Bern Jazz Festival Concerts from 1983 to 2002. It is 400 hours or so of music, plus 96 interviews, plus a book and booklets. Oh, yes, and the set its own cabinet as well. Five thousand copies are being produced, which seems somewhat optimistic to me, given the $8,400 price tag. But, who would have thought years ago that a single Hank Mobley record would routinely sell for more than $5,000?</p>
<p>Just as I’m typing this, here comes another note from CeeDee, with a link to: <strong><a href="http://www.ebay.com/itm/Blue-Mitchell-Blue-039-s-Moods-039-60-Riverside-RLP-336-Mono-Wynton-Kelly-VG-/352086930027?_trksid=p2047675.l2557&amp;ssPageName=STRK%3AMEBIDX%3AIT&amp;nma=true&amp;si=RV2i6cWWDzNCOVdvwcpu5qGeSSk%253D&amp;orig_cvip=true&amp;rt=nc">Blue Mitchell, Blue Moods, Riverside 336</a>.</strong> This was an original pressing listed in VG+ condition for the record and VG for the cover. The final price was $460.55. This has always been one of the Riversides that has attracted been of high interest to collectors, so this is no surprise to me, particularly as we are seeing a huge rise in prices among collectible records in lesser condition. It used to be that the big bucks were reserved for records in top condition, not that anyone would consider $460.55 to be “big bucks” anymore.</p>
<p>And now one from Fredrik with this link:<a href="http://www.ebay.com/itm/Louis-Smith-on-Blue-Note-/302350920685?nma=true&amp;si=xH24%252F3FY0LqbCof4BuJHSAkYORw%253D&amp;orig_cvip=true&amp;rt=nc&amp;_trksid=p2047675.l2557"><strong> Lous Smith, Smithville, Blue Note 1594.</strong></a> And this note: &#8220;I just wanted to highlight an auction from JRC where a copy of Luis Smith on Blue Note 1594 just sold for $3300. It smashed the previous high price of $1825 by quite a distance. Quite interesting, cause the cover was less than perfect with a large tear on the front, lower right hand corner, and a bottom seam split.&#8221;</p>The post <a href="https://jazzcollector.com/features/the-sonny-rollins-bridge-why-didnt-we-think-of-that/">The Sonny Rollins Bridge: Why Didn’t We think of That?</a> first appeared on <a href="https://jazzcollector.com">jazzcollector.com</a>.]]></content:encoded>
					
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